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Picture of the month: December 2020
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Art and Religion
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The Audacity of Christian Art film series
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Saint John the Baptist
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Divine Dialogues
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Fruits of the Spirit
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The Audacity of Christian Art film series
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Former Collaborative Doctoral Partnerships
- Modern Mistresses on the Old Masters: 19th-century women writers on western European art – their networks and influence1
- Navigating the Canals. Making and Moving Venetian Renaissance Paintings
- The Imagined Made Real: The interaction between sculpture and painting in the work of Carlo Crivelli
- Aspects of manufacture, trade and history of the blue pigment, smalt, and the relationship between its use in painting and other branches of the arts
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Modern Mistresses on the Old Masters: women and the writing of art history, 1860–1915
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Legacies of British Slave-ownership research project
- Conservation varnishes at the National Gallery: Studying their optical and material properties
- The Workshop and its Painters: Perugino and the Perugineschi in Florence and Perugia
- Settings and Subjects in Early Netherlandish Painting
- Art history scholarship between the 1820s and the 1870s: The role of the Eastlake Library at the National Gallery
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Collecting Continental Old Masters at Harewood House, Yorkshire: conflicts and convergences over contemporary art and national heritage and European and American cultural relations in the British art world, 1880-1950
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New research on the history and technology of materials in paintings and other cultural heritage artefacts using the enhanced sensitivity and specificity of advanced mass spectrometry techniques
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Multimodal analytical imaging of Old Master Paintings: addressing the challenges of registration, mosaic construction and image resolution
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Jewish Collectors and Donors at the National Gallery (c.1830-1930)
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Immersive Renaissance: the application of digital spatial approaches to reconstruct the urban and architectural context of artworks in the National Gallery collections
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Robust monitoring and vibration mitigation for easel paintings
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London’s National Gallery and the ‘Centre of Empire’, 1824–1924
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Research-based 3D modelling of Renaissance built environments: workflow, uncertainty and standards
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CDP projects listing
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The Wilton Diptych: A Journey Through Medieval Art and History
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Botticelli’s Venus and Mars: A Depiction of Renaissance Love
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Caravaggio’s The Supper at Emmaus: A Baroque Masterpiece Illuminated
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Artemisia's Self Portrait as Saint Catherine of Alexandria: A Defiant Reflection of the Artist
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Rembrandt's Self Portrait at the Age of 34: Claiming a Rightful Spot in Art History
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Velázquez’s The Rokeby Venus
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Vermeer's Young Woman Standing at a Virginal
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Canaletto’s Stonemason’s Yard: The Making of a Venetian Master
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The Wilton Diptych: A Journey Through Medieval Art and History
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