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George Bellows’s ‘Men of the Docks’ makes hard work into high art. 

Once dismissed as “trashcan” painters, Bellows and the Ash Can School used fine art to capture working-class New York. Art historian Oliver O’Donnell breaks down why this painting, the first by a major American artist in the National Gallery Collection, still resonates today, even if Bellows did make some changes to the city’s famous skyline...