Technical Bulletin: author index

A complete list of National Gallery Technical Bulletin articles is presented here, arranged alphabetically by author.

Browse the articles using the links below:

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ACKROYD, Paul

• Mazo's 'Queen Mariana of Spain in Mourning', Paul Ackroyd, Dawson Carr and Marika Spring
• Nicolas Lancret's 'The Four Times of Day', Paul Ackroyd, Ashok Roy and Humphrey Wine
• The 'Two Tax-Gatherers' by Marinus van Reymerswale: Original and Replica, Paul Ackroyd, Rachel Billinge, Lorne Campbell and Jo Kirby
• The Mechanical Behaviour of Adhesives and Gap Fillers for re-joining Panel Paintings, Christina Young, Paul Ackroyd, Roger Hibberd and Stephen Gritt
• The Mechanical Behaviour and Environmental Response of Paintings to Three Types of Lining Treatment, Christina Young and Paul Ackroyd
• A Virgin and Child from the Workshop of Albrecht Dürer?, Paul Ackroyd, Susan Foister, Marika Spring, Raymond White and Rachel Billinge
• The Restoration of Lorenzo Monaco's 'Coronation of the Virgin': Retouching and Display, Paul Ackroyd, Larry Keith and Dillian Gordon
• Laurent de La Hyre's 'Allegorical Figure of Grammar', Humphrey Wine, Paul Ackroyd and Aviva Burnstock
• The Multi-Purpose Low Pressure Conservation Table, Anthony Reeve, Paul Ackroyd and Ann Stephenson-Wright

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ADERKAS, Nelly von 

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas

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ATKINSON, Robert

• Improvements in the Acquisition and Processing of X-ray Images of Paintings, Joseph Padfield, David Saunders, John Cupitt and Robert Atkinson

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BILLINGE, Rachel

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas 
• Titian's Painting Technique to c.1540 and  Catalogue, Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy
• Renoir’s 'Umbrellas' Unfurled Again, Ashok Roy, Rachel Billinge and Christopher Riopelle
• Niccolò di Pietro Gerini’s 'Baptism Altarpiece': Technique, Conservation and Original Design, Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie and Dillian Gordon
• Altered Angels: Two Panels from the Immaculate Conception Altarpiece once in San Francesco Grande, Milan, Rachel Billinge, Luke Syson and Marika Spring
• Painting Practice in Milan in the 1490s: The Influence of Leonardo, Marika Spring, Antonio Mazzotta, Ashok Roy, Rachel Billinge and David Peggie
• 'Some Panels from Sassetta's Sansepolcro Altarpiece' revisited, Rachel Billinge
• The Use of Gilded Tin in Giotto's 'Pentecost', Rachel Billinge and Dillian Gordon
• Bernardo Daddi's 'Coronation of the Virgin': The Reunion of Two Long-Separated Panels, Simona di Nepi, Ashok Roy and Rachel Billinge
• The Evolution of Rubens's 'Judgement of Paris' (NG194), Lois Oliver, Fiona Healy, Ashok Roy and Rachel Billinge
• The Design Practices of the Dutch Architectural Painter Bartholomeus van Bassen, Axel Rüger and Rachel Billinge
• The 'Two Tax-Gatherers' by Marinus van Reymerswale: Original and Replica, Paul Ackroyd, Rachel Billinge, Lorne Campbell and Jo Kirby
• The Triptych of 'Saint Catherine and the Philosophers' attributed to Goossen van der Weyden in Southampton City Art Gallery, Rachel Billinge and Lorne Campbell
• A Virgin and Child from the Workshop of Albrecht Dürer?, Paul Ackroyd, Susan Foister, Marika Spring, Raymond White and Rachel Billinge
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Infra-red Reflectograms of Jan van Eyck's Portrait of Giovanni(?) Arnolfini and his Wife Giovanna Cenami(?), Rachel Billinge and Lorne Campbell

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BOMFORD, David

• Gilding and Illusion in the Paintings of Bernardino Fungai, David Bomford, Ashok Roy and Luke Syson
• 'The Virgin and Child before a Firescreen': History, Examination and Treatment, Lorne Campbell, David Bomford, Ashok Roy and Raymond White
• Canaletto's 'Stonemason's Yard' and 'San Simeone Piccolo', David Bomford and Ashok Roy
• Gainsborough's 'Dr Ralph Schomberg', David Bomford, Ashok Roy and David Saunders
• Samuel van Hoogstraten: Perspective and Painting, Christopher Brown, David Bomford, Joyce Plesters and John Mills
• The Techniques of Dieric Bouts: Two Paintings Contrasted, David Bomford, Ashok Roy and Alistair Smith
• Nardo di Cione's 'Altarpiece: Three Saints', Dillian Gordon, David Bomford, Joyce Plesters and Ashok Roy
• Lining and Colour Change: Further Results, Sarah Staniforth and David Bomford
• Manet's 'The Waitress': An Investigation into its Origin and Development, David Bomford and Ashok Roy
• Canaletto's 'Venice: The Feastday of S. Roch', David Bomford and Ashok Roy
• Hogarth's 'Marriage à la Mode', David Bomford and Ashok Roy
• Wax-Resin Lining and Colour Change: An Evaluation, David Bomford and Sarah Staniforth
• Three Panels from Perugino's Certosa di Pavia Altarpiece, David Bomford, Janet Brough and Ashok Roy
• Moroni's 'Canon Ludovico di Terzi': An Unlined Sixteenth-Century Painting, David Bomford
• The Conservation Department of the National Gallery, David Bomford
• Giovanni di Paolo's 'SS. Fabian and Sebastian', David Bomford and Jo Kirby
• Perugino's 'Virgin and Child with Saint John', David Bomford
• Two Panels by the Master of Saint Giles, David Bomford and Jo Kirby

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BRAHAM, Allan

• The Restoration of the Leonardo Cartoon, Eric Harding, Allan Braham, Martin Wyld and Aviva Burnstock
• Raphael's 'S. John the Baptist Preaching', Allan Braham and Martin Wyld
• Fragments of a Ceiling Decoration by Dosso Dossi, Allan Braham and Jill Dunkerton
• Bellini's 'The Blood of the Redeemer', Allan Braham, Martin Wyld and Joyce Plesters

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BROUGH, Janet

• The Construction of Panel Trays for Two Paintings by the Master of Cappenberg, Janet Brough and Jill Dunkerton
• Three Panels from Perugino's Certosa di Pavia Altarpiece, David Bomford, Janet Brough and Ashok Roy

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BROWN, Christopher

• Samuel van Hoogstraten: Perspective and Painting, Christopher Brown, David Bomford, Joyce Plesters and John Mills
• Rubens' 'The Watering Place', Christopher Brown, Anthony Reeve and Martin Wyld

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BULLOCK, Linda

• Reflectance Spectrophotometry for Measurement of Colour Change, Linda Bullock

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BURNSTOCK, Aviva

• Seurat's Painting Practice: Theory, Development and Technology, Jo Kirby, Kate Stonor, Ashok Roy, Aviva Burnstock, Rachel Grout and Raymond White
• Laurent de La Hyre's 'Allegorical Figure of Grammar', Humphrey Wine, Paul Ackroyd and Aviva Burnstock
• The Restoration of the Leonardo Cartoon, Eric Harding, Allan Braham, Martin Wyld and Aviva Burnstock
• An Altarpiece and its Frame: Carlo Crivelli's 'Madonna della Rondine', Alistair Smith, Anthony Reeve, Christine Powell and Aviva Burnstock
• A 'Winter Landscape' by Caspar David Friedrich, John Leighton, Anthony Reeve and Aviva Burnstock
• Two Wings of an Altarpiece by Martin van Heemskerck, Jill Dunkerton, Aviva Burnstock and Alistair Smith
• The Fading of the Virgin's Robe in Lorenzo Monaco's 'Coronation of the Virgin', Aviva Burnstock

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CAMPBELL, Lorne

• The 'Two Tax-Gatherers' by Marinus van Reymerswale: Original and Replica, Paul Ackroyd, Rachel Billinge, Lorne Campbell and Jo Kirby
• The Triptych of 'Saint Catherine and the Philosophers' attributed to Goossen van der Weyden in Southampton City Art Gallery, Rachel Billinge and Lorne Campbell
• Two Panels by Ercole de' Roberti and the Identification of 'Veluto Morello', Lorne Campbell, Jill Dunkerton, Jo Kirby and Lisa Monnas
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White 
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Infra-red Reflectograms of Jan van Eyck's Portrait of Giovanni(?) Arnolfini and his Wife Giovanna Cenami(?), Rachel Billinge and Lorne Campbell
• 'The Virgin and Child before a Firescreen': History, Examination and Treatment, Lorne Campbell, David Bomford, Ashok Roy and Raymond White

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CARR, Dawson

• Velázquez's 'Christ after the Flagellation': Technique in Context, Larry Keith and Dawson W. Carr
• Mazo's 'Queen Mariana of Spain in Mourning', Paul Ackroyd, Dawson Carr and Marika Spring

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CHAHINE, Helene

• Long-term Colour Change Measurement: Some Results after Twenty Years, David Saunders, Helene Chahine and John Cupitt

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CHRISTENSEN, Carol

• The Master of the Story of Griselda and Paintings for Sienese Palaces, Jill Dunkerton, Carol Christensen and Luke Syson

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CUPITT, John

• Improvements in the Acquisition and Processing of X-ray Images of Paintings, Joseph Padfield, David Saunders, John Cupitt and Robert Atkinson
• The MARC II Camera and the Scanning Initiative at the National Gallery, David Saunders, John Cupitt, Colin White and Sarah Holt
• Long-term Colour Change Measurement: Some Results after Twenty Years, David Saunders, Helene Chahine and John Cupitt
• Elucidating Reflectograms by superimposing Infra-red and Colour Images, David Saunders and John Cupitt
• Image Processing at the National Gallery: The VASARI Project, David Saunders and John Cupitt

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DI NEPI, Simona

• Bernardo Daddi's 'Coronation of the Virgin': The Reunion of Two Long-Separated Panels, Simona di Nepi, Ashok Roy and Rachel Billinge

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DUNKERTON, Jill

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas 
• Recovering Titian: The Cleaning and Restoration of Three Overlooked Canvas Paintings, Jill Dunkerton
• Titian's Painting Technique to c.1540 and Catalogue, Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy 
• Leonardo in Verrocchio’s Workshop: Re-examining the Technical Evidence, Jill Dunkerton
• In Search of Verrocchio the Painter: The Cleaning and Examination of  'The Virgin and Child with Two Angels', Jill Dunkerton and Luke Syson
• Giorgione and not Giorgione: The Conservation History and Technical Examination of 'Il Tramonto', Jill Dunkerton
• Sebastiano del Piombo's 'Raising of Lazarus': A History of Change, Jill Dunkerton and Helen Howard
• The Technique and Restoration of 'The Virgin and Child Enthroned, with Four Angels' by Quinten Massys, Jill Dunkerton 
• Tintoretto's Underdrawing for 'Saint George and the Dragon', Jill Dunkerton
• 'A Boy with a Bird' in the National Gallery: Two Responses to a Titian Question, Paul Joannides and Jill Dunkerton
• The Master of the Story of Griselda and Paintings for Sienese Palaces, Jill Dunkerton, Carol Christensen and Luke Syson
• The Technique of Garofalo’s Paintings at the National Gallery, Jill Dunkerton, Nicholas Penny and Marika Spring
• Vincenzo Foppa's 'Adoration of the Kings', Jill Dunkerton and Carol Plazzotta
• Two Panels by Ercole de' Roberti and the Identification of 'Veluto Morello', Lorne Campbell, Jill Dunkerton, Jo Kirby and Lisa Monnas
• 'The Virgin and Child Enthroned with Angels and Saints' attributed to Michael Pacher, Jill Dunkerton, Susan Foister and Marika Spring
• The Restoration of Two Panels by Cima da Conegliano from the Wallace Collection, Jill Dunkerton 
• The Discovery and Identification of an Original Varnish on a Panel by Carlo Crivelli, Jill Dunkerton and Raymond White
• Uccello's 'Saint George and the Dragon': Technical Evidence Re-evaluated, Jill Dunkerton and Ashok Roy
• Two Paintings by Lorenzo Lotto at the National Gallery, Jill Dunkerton, Nicholas Penny and Ashok Roy
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Materials of a Group of Late Fifteenth-century Florentine Panel Paintings, Jill Dunkerton and Ashok Roy
• Cosimo Tura as Painter and Draughtsman: The Cleaning and Examination of his 'Saint Jerome', Jill Dunkerton
• The Infra-red Examination of Raphael's 'Garvagh Madonna', Jill Dunkerton and Nicholas Penny
• The Technique and Restoration of Bramantino's 'Adoration of the Kings', Jill Dunkerton
• Two Wings of an Altarpiece by Martin van Heemskerck, Jill Dunkerton, Aviva Burnstock and Alistair Smith
• The Unmasking of Tura's 'Allegorical Figure': A Painting and its Concealed Image, Jill Dunkerton, Ashok Roy and Alistair Smith
• The Technique and Restoration of Cima's 'The Incredulity of S. Thomas', Jill Dunkerton and Ashok Roy
• Ercole de' Roberti's 'The Last Supper', Jill Dunkerton and Alistair Smith
• The Transfer of Cima's 'The Incredulity of S. Thomas', Martin Wyld and Jill Dunkerton
• The Construction of Panel Trays for Two Paintings by the Master of Cappenberg, Janet Brough and Jill Dunkerton
• 'The Death of the Virgin': A Technical Approach to an Art-Historical Problem, Jill Dunkerton
• Interpretation of the X-Ray of du Jardin's 'Portrait of a Young Man', Jill Dunkerton and Ashok Roy
• Fragments of a Ceiling Decoration by Dosso Dossi, Allan Braham and Jill Dunkerton 

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FINALDI, Gabriele

• The Conservation of the Carracci Cartoons in the National Gallery, Gabriele Finaldi, Eric Harding and June Wallis

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FOISTER, Susan

• 'The Virgin and Child Enthroned with Angels and Saints' attributed to Michael Pacher, Jill Dunkerton, Susan Foister and Marika Spring
• A Virgin and Child from the Workshop of Albrecht Dürer?, Paul Ackroyd, Susan Foister, Marika Spring, Raymond White and Rachel Billinge
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Hans Holbein's 'A Lady with a Squirrel and a Starling', Susan Foister, Martin Wyld and Ashok Roy

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GENT, Alexandra

• Practice Makes Imperfect: Reynolds's Painting Technique, Alexandra Gent, Ashok Roy and Rachel Morrison

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 GORDON, Dillian

• Niccolò di Pietro Gerini’s 'Baptism Altarpiece': Technique, Conservation and Original Design, Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie and Dillian Gordon
• The Use of Gilded Tin in Giotto's 'Pentecost', Rachel Billinge and Dillian Gordon
• Fra Angelico’s Predella for the High Altarpiece of San Domenico, Fiesole, Dillian Gordon, Martin Wyld and Ashok Roy
• Uccello’s 'Battle of San Romano', Ashok Roy and Dillian Gordon
• The Restoration of Lorenzo Monaco's 'Coronation of the Virgin': Retouching and Display, Paul Ackroyd, Larry Keith and Dillian Gordon
• Nardo di Cione's 'Altarpiece: Three Saints', Dillian Gordon, David Bomford, Joyce Plesters and Ashok Roy
• Three Newly-Acquired Panels from the Altarpiece for Santa Croce by Ugolino di Nerio, Dillian Gordon and Anthony Reeve

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GRITT, Stephen

• The Mechanical Behaviour of Adhesives and Gap Fillers for re-joining Panel Paintings, Christina Young, Paul Ackroyd, Roger Hibberd and Stephen Gritt

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GROUT, Rachel

• Seurat's Painting Practice: Theory, Development and Technology, Jo Kirby, Kate Stonor, Ashok Roy, Aviva Burnstock, Rachel Grout and Raymond White
• 'Black Earths': A Study of Unusual Black and Dark Grey Pigments used by Artists in the Sixteenth Century, Marika Spring, Rachel Grout and Raymond White
• The Blackening of Vermilion: An Analytical Study of the Process in Paintings, Marika Spring and Rachel Grout

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HARDING, Eric

• The Conservation of the Carracci Cartoons in the National Gallery, Gabriele Finaldi, Eric Harding and June Wallis
• The Restoration of the Leonardo Cartoon, Eric Harding, Allan Braham, Martin Wyld and Aviva Burnstock

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HEALY, Fiona

• The Evolution of Rubens's 'Judgement of Paris' (NG194), Lois Oliver, Fiona Healy, Ashok Roy and Rachel Billinge

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HERRING, Sarah  

• Six Paintings by Corot: Methods, Materials and Sources, Sarah Herring   

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HIBBERD, Roger

• The Mechanical Behaviour of Adhesives and Gap Fillers for re-joining Panel Paintings, Christina Young, Paul Ackroyd, Roger Hibberd and Stephen Gritt

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HIGGITT, Catherine

• The Technology of Eighteenth- and Nineteenth-Century Red Lake Pigments, Jo Kirby, Marika Spring and Catherine Higgitt
• Working with Perugino: The Technique of an Annunciation attributed to Giannicola di Paolo, Catherine Higgitt, Marika Spring, Anthony Reeve and Luke Syson
• Investigation of Pigment-Medium Interaction Processes in Oil Paint containing Degraded Smalt, Marika Spring, Catherine Higgitt and David Saunders
• The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substrate, Jo Kirby, Marika Spring and Catherine Higgitt
• Analyses of Paint Media: New Studies of Italian Paintings of the Fifteenth and Sixteenth Centuries, Catherine Higgitt and Raymond White
• Pigment-medium Interactions in Oil Paint Films containing Red Lead or Lead-tin Yellow, Catherine Higgitt, Marika Spring and David Saunders

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HOLT, Sarah

• The MARC II Camera and the Scanning Initiative at the National Gallery, David Saunders, John Cupitt, Colin White and Sarah Holt

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HOWARD, Helen

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas 
• Niccolò di Pietro Gerini’s 'Baptism Altarpiece': Technique, Conservation and Original Design, Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie and Dillian Gordon
• Two Copies of Perugino’s 'Baptism of Christ', Helen Howard and Scott Nethersole
• Sebastiano del Piombo's 'Raising of Lazarus': A History of Change, Jill Dunkerton and Helen Howard

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JOANNIDES, Paul

• 'A Boy with a Bird' in the National Gallery: Two Responses to a Titian Question, Paul Joannides and Jill Dunkerton

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KALININA, Kamilla

• Titian's Painting Technique to c.1540 and Catalogue, Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy

KEITH, Larry

• Leonardo da Vinci’s 'Virgin of the Rocks': Treatment, Technique and Display, Larry Keith, Ashok Roy, Rachel Morrison and Peter Schade
• Velázquez's 'Christ after the Flagellation': Technique in Context, Larry Keith and Dawson W. Carr
• Aelbert Cuyp's 'Large Dort': Colour Change and Conservation, Marika Spring and Larry Keith
• Annibale Carracci's 'Montalto Madonna', Larry Keith 
• Polidoro da Caravaggio's 'Way to Calvary': Technique, Style and Function, Larry Keith, Minna Moore Ede and Carol Plazzotta
• Giulio Romano and 'The Birth of Jupiter': Studio Practice and Reputation, Larry Keith
• Mixed Media in the Work of Charles-François Daubigny: Analysis and Implications for Conservation, Larry Keith and Raymond White
• Andrea del Sarto's 'The Virgin and Child with Saint Elizabeth and Saint John the Baptist': Technique and Critical Reception, Larry Keith
• The Restoration of Lorenzo Monaco's 'Coronation of the Virgin': Retouching and Display, Paul Ackroyd, Larry Keith and Dillian Gordon
• The Rubens Studio and the 'Drunken Silenus supported by Satyrs', Larry Keith
• The Restoration of Peyron's 'Belisarius' and 'Cornelia', Larry Keith
• Three Paintings by Caravaggio, Larry Keith
• Giampietrino, Boltraffio, and the Influence of Leonardo, Larry Keith and Ashok Roy
• Giovanni Battista Tiepolo's 'Saints Maximus and Oswald': Conservation and Examination, Larry Keith
• Carel Fabritius' 'A View in Delft': Some Observations on its Treatment and Display, Larry Keith

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KIRBY, Jo

• The Technology of Eighteenth- and Nineteenth-Century Red Lake Pigments, Jo Kirby, Marika Spring and Catherine Higgitt
• The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substrate, Jo Kirby, Marika Spring and Catherine Higgitt
• The Effect of Relative Humidity on Artists' Pigments, David Saunders and Jo Kirby
• Fading and Colour Change of Prussian Blue: Methods of Manufacture and the Influence of Extenders, Jo Kirby and David Saunders
• Seurat's Painting Practice: Theory, Development and Technology, Jo Kirby, Kate Stonor, Ashok Roy, Aviva Burnstock, Rachel Grout and Raymond White
• The 'Two Tax-Gatherers' by Marinus van Reymerswale: Original and Replica, Paul Ackroyd, Rachel Billinge, Lorne Campbell and Jo Kirby
• Two Panels by Ercole de' Roberti and the Identification of 'Veluto Morello', Lorne Campbell, Jill Dunkerton, Jo Kirby and Lisa Monnas
• A Survey of Nineteenth- and Early Twentieth-Century Varnish Compositions Found on a Selection of Paintings in the National Gallery Collection, Raymond White and Jo Kirby
• The Painter's Trade in the Seventeenth Century: Theory and Practice, Jo Kirby
• Analyses of Paint Media, Raymond White, Jennifer Pilc and Jo Kirby
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Identification of Red Lake Pigment Dyestuffs and a Discussion of their Use, Jo Kirby and Raymond White
• Rembrandt and his Circle: Seventeenth-Century Dutch Paint Media Re-examined, Raymond White and Jo Kirby
• Light-induced Colour Changes in Red and Yellow Lake Pigments, David Saunders and Jo Kirby
• Fading and Colour Change of Prussian Blue: Occurrences and Early Reports, Jo Kirby
• Giovanni di Paolo's 'SS. Fabian and Sebastian', David Bomford and Jo Kirby
• A Spectrophotometric Method for the Identification of Lake Pigment Dyestuffs, Jo Kirby
• Two Panels by the Master of Saint Giles, David Bomford and Jo Kirby

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LEIGHTON, John

• A 'Winter Landscape' by Caspar David Friedrich, John Leighton, Anthony Reeve and Aviva Burnstock
• Vincent Van Gogh's 'A Cornfield, with Cypresses', John Leighton, Anthony Reeve, Ashok Roy and Raymond White

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LEONARD, Mark

• Two Versions of 'The Fountain of Love' by Jean-Honoré Fragonard: A Comparative Study, Mark Leonard, Ashok Roy and Scott Schaefer

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LUCAS, Arthur

• Titian's 'Bacchus and Ariadne', Arthur Lucas and Joyce Plesters

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MACARO, Gabriella

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas 
• Titian's Painting Technique to c.1540 and Catalogue, Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy

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MANCINI, Giorgia

• 'The Virgin and Child with an Angel', after Francia: A History of Error, Ashok Roy and Giorgia Mancini

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MAZZOTTA, Antonio

• Painting Practice in Milan in the 1490s: The Influence of Leonardo, Marika Spring, Antonio Mazzotta, Ashok Roy, Rachel Billinge and David Peggie

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MILLS, John

• Paint Media Analyses, John Mills and Raymond White
• Analyses of Paint Media, John Mills and Raymond White (1988)
• Samuel van Hoogstraten: Perspective and Painting, Christopher Brown, David Bomford, Joyce Plesters and John Mills
• Analyses of Paint Media, John Mills and Raymond White (1987)
• The Mediums used by George Stubbs: Some Further Studies, John Mills and Raymond White (Volume 9)
• Analyses of Paint Media, John Mills and Raymond White (1985)
• Analyses of Paint Media, John Mills and Raymond White (1983)
• Organic Mass-Spectrometry of Art Materials: Work in Progress, John Mills and Raymond White
• Analyses of Paint Media, John Mills and Raymond White (1981)
• Some Observations on Blanching (with Special Reference to the Paintings of Claude), Martin Wyld, John Mills and Joyce Plesters
• Research Note – George Stubbs's 'Lady and Gentleman in a Carriage': A Preliminary Note on the Technique, Raymond White, Ashok Roy, John Mills and Joyce Plesters
• Analyses of Paint Media, John Mills and Raymond White (1980)
• Analyses of Paint Media, John Mills and Raymond White (1979)
• Organic Analysis in the Arts: Some Further Paint Medium Analyses, John Mills and Raymond White
• The Scientific Department of the National Gallery, Garry Thomson, John Mills and Joyce Plesters
• Analyses of Paint Media, John Mills and Raymond White (1977)

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MONNAS, Lisa

• Two Panels by Ercole de' Roberti and the Identification of 'Veluto Morello', Lorne Campbell, Jill Dunkerton, Jo Kirby and Lisa Monnas

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MOORE EDE, Minna

• Polidoro da Caravaggio's 'Way to Calvary': Technique, Style and Function, Larry Keith, Minna Moore Ede and Carol Plazzotta

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MORRISON, Rachel

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas 
• Titian's Painting Technique to c.1540 and Catalogue , Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy
• Adolphe Monticelli: The Materials and Techniques of an Unfashionable Artist, Kate Stonor and Rachel Morrison
• Leonardo da Vinci’s 'Virgin of the Rocks': Treatment, Technique and Display, Larry Keith, Ashok Roy, Rachel Morrison and Peter Schade
• Mastic and Megilp in Reynolds’s 'Lord Heathfield of Gibraltar', Rachel Morrison
• Practice Makes Imperfect: Reynolds's Painting Technique, Alexandra Gent, Ashok Roy and Rachel Morrison

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NETHERSOLE, Scott

• Two Copies of Perugino’s 'Baptism of Christ', Helen Howard and Scott Nethersole

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NEW, Britta

• Niccolò di Pietro Gerini’s 'Baptism Altarpiece': Technique, Conservation and Original Design, Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie and Dillian Gordon

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O’MALLEY, Michelle

• 'The Madonna di Loreto': An Altarpiece by Perugino for Santa Maria dei Servi, Perugia, Carol Plazzotta, Michelle O'Malley, Ashok Roy, Raymond White and Martin Wyld

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OLIVER, Lois

• The Evolution of Rubens's 'Judgement of Paris' (NG194), Lois Oliver, Fiona Healy, Ashok Roy and Rachel Billinge

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PADFIELD, Joseph

• Improvements in the Acquisition and Processing of X-ray Images of Paintings, Joseph Padfield, David Saunders, John Cupitt and Robert Atkinson

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PEGGIE, David

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas 
• Titian's Painting Technique to c.1540 and  Catalogue, Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy
• Niccolò di Pietro Gerini’s 'Baptism Altarpiece': Technique, Conservation and Original Design, Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie and Dillian Gordon
• Painting Practice in Milan in the 1490s: The Influence of Leonardo, Marika Spring, Antonio Mazzotta, Ashok Roy, Rachel Billinge and David Peggie

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PENNY, Nicholas

• The Technique of Garofalo’s Paintings at the National Gallery, Jill Dunkerton, Nicholas Penny and Marika Spring
• Colour Change in 'The Conversion of the Magdalen' attributed to Pedro Campaña, Marika Spring, Nicholas Penny, Raymond White and Martin Wyld
• Two Paintings by Lorenzo Lotto at the National Gallery, Jill Dunkerton, Nicholas Penny and Ashok Roy
• Veronese's Paintings in the National Gallery, Technique and Materials: Part II, Nicholas Penny, Ashok Roy and Marika Spring
• Veronese's Paintings in the National Gallery, Technique and Materials: Part I, Nicholas Penny and Marika Spring
• The Infra-red Examination of Raphael's 'Garvagh Madonna', Jill Dunkerton and Nicholas Penny

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PILC, Jennifer

• Analyses of Paint Media, Raymond White, Jennifer Pilc and Jo Kirby
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Analyses of Paint Media, Raymond White and Jennifer Pilc
• The Application of FTIR-Microscopy to the Analysis of Paint Binders in Easel Paintings, Jennifer Pilc and Raymond White
• Analyses of Paint Media, Raymond White and Jennifer Pilc
• Analyses of Paint Media, Raymond White and Jennifer Pilc

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PLAZZOTTA, Carol

• 'The Madonna di Loreto': An Altarpiece by Perugino for Santa Maria dei Servi, Perugia, Carol Plazzotta, Michelle O'Malley, Ashok Roy, Raymond White and Martin Wyld
• Raphael's Early Work in the National Gallery: Paintings before Rome, Ashok Roy, Marika Spring and Carol Plazzotta
• Polidoro da Caravaggio's 'Way to Calvary': Technique, Style and Function, Larry Keith, Minna Moore Ede and Carol Plazzotta
• Vincenzo Foppa's 'Adoration of the Kings', Jill Dunkerton and Carol Plazzotta

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PLESTERS, Joyce

• Samuel van Hoogstraten: Perspective and Painting, Christopher Brown, David Bomford, Joyce Plesters and John Mills
• Nardo di Cione's 'Altarpiece: Three Saints', Dillian Gordon, David Bomford, Joyce Plesters and Ashok Roy
• Tintoretto's Paintings in the National Gallery: Part III, Joyce Plesters
• 'Samson and Delilah': Rubens and the Art and Craft of Painting on Panel, Joyce Plesters
• Tintoretto's Paintings in the National Gallery: Part II, Joyce Plesters
• Some Observations on Blanching (with Special Reference to the Paintings of Claude), Martin Wyld, John Mills and Joyce Plesters
• Research Note – George Stubbs's 'Lady and Gentleman in a Carriage': A Preliminary Note on the Technique, Raymond White, Ashok Roy, John Mills and Joyce Plesters
• Tintoretto's Paintings in the National Gallery: Part I, Joyce Plesters
• Bellini's 'The Blood of the Redeemer', Allan Braham, Martin Wyld and Joyce Plesters
• Titian's 'Bacchus and Ariadne', Arthur Lucas and Joyce Plesters
• Some Panels from Sassetta's Sansepolcro Altarpiece, Martin Wyld and Joyce Plesters
• The Scientific Department of the National Gallery, Garry Thomson, John Mills and Joyce Plesters

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POWELL, Christine

• An Altarpiece and its Frame: Carlo Crivelli's 'Madonna della Rondine', Alistair Smith, Anthony Reeve, Christine Powell and Aviva Burnstock

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REEVE, Anthony

• Working with Perugino: The Technique of an Annunciation attributed to Giannicola di Paolo, Catherine Higgitt, Marika Spring, Anthony Reeve and Luke Syson
• Protective Glass for Paintings, David Saunders and Anthony Reeve
• An Altarpiece and its Frame: Carlo Crivelli's 'Madonna della Rondine', Alistair Smith, Anthony Reeve, Christine Powell and Aviva Burnstock
• A 'Winter Landscape' by Caspar David Friedrich, John Leighton, Anthony Reeve and Aviva Burnstock
• The Multi-Purpose Low Pressure Conservation Table, Anthony Reeve, Paul Ackroyd and Ann Stephenson-Wright
• Vincent Van Gogh's 'A Cornfield, with Cypresses', John Leighton, Anthony Reeve, Ashok Roy and Raymond White
• Three Newly-Acquired Panels from the Altarpiece for Santa Croce by Ugolino di Nerio, Dillian Gordon and Anthony Reeve
• Rubens' 'The Watering Place', Christopher Brown, Anthony Reeve and Martin Wyld
• Francesco del Cossa's 'S. Vincent Ferrer', Alistair Smith, Anthony Reeve and Ashok Roy

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REISSNER, Elisabeth

• Ways of Making: Practice and Innovation in Cézanne's Paintings in the National Gallery, Elisabeth Reissner

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RIDGE, Jacqueline

• The Conservation History of Titian’s 'Diana and Actaeon' and 'Diana and Callisto' Jacqueline Ridge and Marika Spring 

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RIOPELLE, Christopher

• Renoir’s 'Umbrellas' Unfurled Again, Ashok Roy, Rachel Billinge and Christopher Riopelle

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ROBBINS, Anne

• Past, Present, Memories: Analysing Edouard Vuillard’s 'La Terrasse at Vasouy', Anne Robbins and Kate Stonor

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ROY, Ashok

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas 
• Titian's Painting Technique to c.1540 and Catalogue, Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy
• Renoir’s 'Umbrellas' Unfurled Again, Ashok Roy, Rachel Billinge and Christopher Riopelle
• Leonardo da Vinci’s 'Virgin of the Rocks': Treatment, Technique and Display, Larry Keith, Ashok Roy, Rachel Morrison and Peter Schade
• Painting Practice in Milan in the 1490s: The Influence of Leonardo, Marika Spring, Antonio Mazzotta, Ashok Roy, Rachel Billinge and David Peggie
• 'The Virgin and Child with an Angel', after Francia: A History of Error, Ashok Roy and Giorgia Mancini
• The 'Technical Bulletin': Past and Future, Ashok Roy
• Two Versions of 'The Fountain of Love' by Jean-Honoré Fragonard: A Comparative Study, Mark Leonard, Ashok Roy and Scott Schaefer
• Bernardo Daddi's 'Coronation of the Virgin': The Reunion of Two Long-Separated Panels, Simona di Nepi, Ashok Roy and Rachel Billinge
• Monet's Palette in the Twentieth Century: 'Water-Lilies' and 'Irises', Ashok Roy
• 'The Madonna di Loreto': An Altarpiece by Perugino for Santa Maria dei Servi, Perugia, Carol Plazzotta, Michelle O'Malley, Ashok Roy, Raymond White and Martin Wyld
• Gilding and Illusion in the Paintings of Bernardino Fungai, David Bomford, Ashok Roy and Luke Syson
• The Evolution of Rubens's 'Judgement of Paris' (NG194), Lois Oliver, Fiona Healy, Ashok Roy and Rachel Billinge
• Raphael's Early Work in the National Gallery: Paintings before Rome, Ashok Roy, Marika Spring and Carol Plazzotta
• Nicolas Lancret's 'The Four Times of Day', Paul Ackroyd, Ashok Roy and Humphrey Wine
• Seurat's Painting Practice: Theory, Development and Technology, Jo Kirby, Kate Stonor, Ashok Roy, Aviva Burnstock, Rachel Grout and Raymond White
• Fra Angelico’s Predella for the High Altarpiece of San Domenico, Fiesole, Dillian Gordon, Martin Wyld and Ashok Roy
• Uccello’s 'Battle of San Romano', Ashok Roy and Dillian Gordon
• The National Gallery Van Dycks: Technique and Development, Ashok Roy
•  Rubens's 'Peace and War', Ashok Roy
• Two Paintings by Lorenzo Lotto at the National Gallery, Jill Dunkerton, Nicholas Penny and Ashok Roy
• Uccello's 'Saint George and the Dragon': Technical Evidence Re-evaluated, Jill Dunkerton and Ashok Roy
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Giampietrino, Boltraffio, and the Influence of Leonardo, Larry Keith and Ashok Roy
• The Materials of a Group of Late Fifteenth-century Florentine Panel Paintings, Jill Dunkerton and Ashok Roy
• Veronese's Paintings in the National Gallery, Technique and Materials: Part II, Nicholas Penny, Ashok Roy and Marika Spring
• Hans Holbein's 'A Lady with a Squirrel and a Starling', Susan Foister, Martin Wyld and Ashok Roy
• 'The Virgin and Child before a Firescreen': History, Examination and Treatment, Lorne Campbell, David Bomford, Ashok Roy and Raymond White
• Canaletto's 'Stonemason's Yard' and 'San Simeone Piccolo', David Bomford and Ashok Roy
• The Technique of a 'Tüchlein' by Quinten Massys, Ashok Roy
• Gainsborough's 'Dr Ralph Schomberg', David Bomford, Ashok Roy and David Saunders
• The Unmasking of Tura's 'Allegorical Figure': A Painting and its Concealed Image, Jill Dunkerton, Ashok Roy and Alistair Smith
• Vincent Van Gogh's 'A Cornfield, with Cypresses', John Leighton, Anthony Reeve, Ashok Roy and Raymond White
• The Technique and Restoration of Cima's 'The Incredulity of S. Thomas', Jill Dunkerton and Ashok Roy
• The Techniques of Dieric Bouts: Two Paintings Contrasted, David Bomford, Ashok Roy and Alistair Smith
• The Palettes of Three Impressionist Paintings, Ashok Roy
• Nardo di Cione's 'Altarpiece: Three Saints', Dillian Gordon, David Bomford, Joyce Plesters and Ashok Roy
• Manet's 'The Waitress': An Investigation into its Origin and Development, David Bomford and Ashok Roy
• Interpretation of the X-Ray of du Jardin's 'Portrait of a Young Man', Jill Dunkerton and Ashok Roy
• Canaletto's 'Venice: The Feastday of S. Roch', David Bomford and Ashok Roy
• Hogarth's 'Marriage à la Mode', David Bomford and Ashok Roy
• Monet's 'Bathers at La Grenouillère', Michael Wilson, Martin Wyld and Ashok Roy
• Francesco del Cossa's 'S. Vincent Ferrer', Alistair Smith, Anthony Reeve and Ashok Roy
• Three Panels from Perugino's Certosa di Pavia Altarpiece, David Bomford, Janet Brough and Ashok Roy
• Research Note – George Stubbs's 'Lady and Gentleman in a Carriage': A Preliminary Note on the Technique, Raymond White, Ashok Roy, John Mills and Joyce Plesters
• The Laser Microspectral Analysis of Paint, Ashok Roy
• Gerard David's 'The Virgin and Child with Saints and a Donor', Martin Wyld, Ashok Roy and Alistair Smith
• Practice Makes Imperfect: Reynolds's Painting Technique, Alexandra Gent, Ashok Roy and Rachel Morrison

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RÜGER, Axel

• The Design Practices of the Dutch Architectural Painter Bartholomeus van Bassen, Axel Rüger and Rachel Billinge

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SAUNDERS, David

• Investigation of Pigment-Medium Interaction Processes in Oil Paint containing Degraded Smalt, Marika Spring, Catherine Higgitt and David Saunders
• The Effect of Relative Humidity on Artists' Pigments, David Saunders and Jo Kirby
• Fading and Colour Change of Prussian Blue: Methods of Manufacture and the Influence of Extenders, Jo Kirby and David Saunders
• Pigment-medium Interactions in Oil Paint Films containing Red Lead or Lead-tin Yellow, Catherine Higgitt, Marika Spring and David Saunders
• Improvements in the Acquisition and Processing of X-ray Images of Paintings, Joseph Padfield, David Saunders, John Cupitt and Robert Atkinson
• The MARC II Camera and the Scanning Initiative at the National Gallery, David Saunders, John Cupitt, Colin White and Sarah Holt
• Pollution and the National Gallery, David Saunders
• Monitoring Shock and Vibration during the Transportation of Paintings, David Saunders
• Long-term Colour Change Measurement: Some Results after Twenty Years, David Saunders, Helene Chahine and John Cupitt
• Elucidating Reflectograms by superimposing Infra-red and Colour Images, David Saunders and John Cupitt
• Photographic Flash: Threat or Nuisance?, David Saunders
• Light-induced Colour Changes in Red and Yellow Lake Pigments, David Saunders and Jo Kirby
• Protective Glass for Paintings, David Saunders and Anthony Reeve
• Image Processing at the National Gallery: The VASARI Project, David Saunders and John Cupitt
• Ultra-Violet Filters for Artificial Light Sources, David Saunders
• Gainsborough's 'Dr Ralph Schomberg', David Bomford, Ashok Roy and David Saunders
• Colour Change Measurement by Digital Image Processing, David Saunders
• Fluorescent Lamps: A Practical Assessment, David Saunders

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SCHADE, Peter

• Leonardo da Vinci’s 'Virgin of the Rocks': Treatment, Technique and Display, Larry Keith, Ashok Roy, Rachel Morrison and Peter Schade

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SCHAEFER, Scott

• Two Versions of 'The Fountain of Love' by Jean-Honoré Fragonard: A Comparative Study, Mark Leonard, Ashok Roy and Scott Schaefer

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SMITH, Alistair

• An Altarpiece and its Frame: Carlo Crivelli's 'Madonna della Rondine', Alistair Smith, Anthony Reeve, Christine Powell and Aviva Burnstock
• Two Wings of an Altarpiece by Martin van Heemskerck, Jill Dunkerton, Aviva Burnstock and Alistair Smith
• The Unmasking of Tura's 'Allegorical Figure': A Painting and its Concealed Image, Jill Dunkerton, Ashok Roy and Alistair Smith
• Ercole de' Roberti's 'The Last Supper', Jill Dunkerton and Alistair Smith
• The Techniques of Dieric Bouts: Two Paintings Contrasted, David Bomford, Ashok Roy and Alistair Smith
• Altdorfer's 'Christ taking Leave of His Mother', Alistair Smith and Martin Wyld
• Francesco del Cossa's 'S. Vincent Ferrer', Alistair Smith, Anthony Reeve and Ashok Roy
• Gerard David's 'The Virgin and Child with Saints and a Donor', Martin Wyld, Ashok Roy and Alistair Smith

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SPRING, Marika

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas
• The Conservation History of Titian’s 'Diana and Actaeon' and 'Diana and Callisto' Jacqueline Ridge and Marika Spring 
• Titian's Painting Technique to c.1540 and Catalogue, Jill Dunkerton and Marika Spring, with contributions from Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy
• Colourless Powdered Glass as an Additive in Fifteenth- and Sixteenth-Century European Paintings, Marika Spring
• Altered Angels: Two Panels from the Immaculate Conception Altarpiece once in San Francesco Grande, Milan, Rachel Billinge, Luke Syson and Marika Spring
• Painting Practice in Milan in the 1490s: The Influence of Leonardo, Marika Spring, Antonio Mazzotta, Ashok Roy, Rachel Billinge and David Peggie
• Aelbert Cuyp's 'Large Dort': Colour Change and Conservation, Marika Spring and Larry Keith 
• The Technology of Eighteenth- and Nineteenth-Century Red Lake Pigments, Jo Kirby, Marika Spring and Catherine Higgitt
• Working with Perugino: The Technique of an Annunciation attributed to Giannicola di Paolo, Catherine Higgitt, Marika Spring, Anthony Reeve and Luke Syson
• Mazo's 'Queen Mariana of Spain in Mourning', Paul Ackroyd, Dawson Carr and Marika Spring
• Investigation of Pigment-Medium Interaction Processes in Oil Paint containing Degraded Smalt, Marika Spring, Catherine Higgitt and David Saunders
• The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substrate, Jo Kirby, Marika Spring and Catherine Higgitt
• Raphael's Early Work in the National Gallery: Paintings before Rome, Ashok Roy, Marika Spring and Carol Plazzotta
• Pigment-medium Interactions in Oil Paint Films containing Red Lead or Lead-tin Yellow, Catherine Higgitt, Marika Spring and David Saunders
• 'Black Earths': A Study of Unusual Black and Dark Grey Pigments used by Artists in the Sixteenth Century, Marika Spring, Rachel Grout and Raymond White
• The Technique of Garofalo’s Paintings at the National Gallery, Jill Dunkerton, Nicholas Penny and Marika Spring
• The Blackening of Vermilion: An Analytical Study of the Process in Paintings, Marika Spring and Rachel Grout
• Colour Change in 'The Conversion of the Magdalen' attributed to Pedro Campaña, Marika Spring, Nicholas Penny, Raymond White and Martin Wyld
• 'The Virgin and Child Enthroned with Angels and Saints' attributed to Michael Pacher, Jill Dunkerton, Susan Foister and Marika Spring
• Occurrences of the Purple Pigment Fluorite on Paintings in the National Gallery, Marika Spring
• A Virgin and Child from the Workshop of Albrecht Dürer?, Paul Ackroyd, Susan Foister, Marika Spring, Raymond White and Rachel Billinge
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Veronese's Paintings in the National Gallery, Technique and Materials: Part II, Nicholas Penny, Ashok Roy and Marika Spring
• Veronese's Paintings in the National Gallery, Technique and Materials: Part I, Nicholas Penny and Marika Spring

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STANIFORTH, Sarah

• Lining and Colour Change: Further Results, Sarah Staniforth and David Bomford
• Packing: A Case Study, Sarah Staniforth
• Wax-Resin Lining and Colour Change: An Evaluation, David Bomford and Sarah Staniforth

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STEPHENSON-WRIGHT, Ann

• The Multi-Purpose Low Pressure Conservation Table, Anthony Reeve, Paul Ackroyd and Ann Stephenson-Wright
• Packing: An Updated Design, Reviewed and Tested, Ann Stephenson-Wright and Raymond White

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STEVENSON, Lesley

• Titian after 1540: Technique and Style in his Later Works and Catalogue, Jill Dunkerton and Marika Spring, Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas

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STONOR, Kate

• Past, Present, Memories: Analysing Edouard Vuillard’s 'La Terrasse at Vasouy', Anne Robbins and Kate Stonor

• Adolphe Monticelli: The Materials and Techniques of an Unfashionable Artist, Kate Stonor and Rachel Morrison
• Seurat's Painting Practice: Theory, Development and Technology, Jo Kirby, Kate Stonor, Ashok Roy, Aviva Burnstock, Rachel Grout and Raymond White

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SYSON, Luke

• Altered Angels: Two Panels from the Immaculate Conception Altarpiece once in San Francesco Grande, Milan, Rachel Billinge, Luke Syson and Marika Spring
• In Search of Verrocchio the Painter: The Cleaning and Examination of  'The Virgin and Child with Two Angels', Jill Dunkerton and Luke Syson
• The Master of the Story of Griselda and Paintings for Sienese Palaces, Jill Dunkerton, Carol Christensen and Luke Syson
• Working with Perugino: The Technique of an Annunciation attributed to Giannicola di Paolo, Catherine Higgitt, Marika Spring, Anthony Reeve and Luke Syson
• Gilding and Illusion in the Paintings of Bernardino Fungai, David Bomford, Ashok Roy and Luke Syson

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THOMAS, David

• Wright of Derby's 'Mr and Mrs Coltman': An Unlined English Painting, Martin Wyld and David Thomas

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THOMSON, Garry

• Colour Under Some New Fluorescent Lamps, Garry Thomson
• Control of the Environment for Good or Ill? Monitoring, Garry Thomson
• Penetration of Radiation into Old Paint Films, Garry Thomson
• Oxygen Starvation in Paint and Other Films, Garry Thomson
• The Scientific Department of the National Gallery, Garry Thomson, John Mills and Joyce Plesters

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TOMLINSON, Hayley

• Niccolò di Pietro Gerini’s 'Baptism Altarpiece': Technique, Conservation and Original Design, Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie and Dillian Gordon

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WALLIS, June

• The Conservation of the Carracci Cartoons in the National Gallery, Gabriele Finaldi, Eric Harding and June Wallis

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WHITE, Colin

• The MARC II Camera and the Scanning Initiative at the National Gallery, David Saunders, John Cupitt, Colin White and Sarah Holt

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WHITE, Raymond

• 'The Madonna di Loreto': An Altarpiece by Perugino for Santa Maria dei Servi, Perugia, Carol Plazzotta, Michelle O'Malley, Ashok Roy, Raymond White and Martin Wyld
• Analyses of Paint Media: New Studies of Italian Paintings of the Fifteenth and Sixteenth Centuries, Catherine Higgitt and Raymond White
• Seurat's Painting Practice: Theory, Development and Technology, Jo Kirby, Kate Stonor, Ashok Roy, Aviva Burnstock, Rachel Grout and Raymond White
• 'Black Earths': A Study of Unusual Black and Dark Grey Pigments used by Artists in the Sixteenth Century, Marika Spring, Rachel Grout and Raymond White
• Mixed Media in the Work of Charles-François Daubigny: Analysis and Implications for Conservation, Larry Keith and Raymond White
• Colour Change in 'The Conversion of the Magdalen' attributed to Pedro Campaña, Marika Spring, Nicholas Penny, Raymond White and Martin Wyld
• A Survey of Nineteenth- and Early Twentieth-Century Varnish Compositions Found on a Selection of Paintings in the National Gallery Collection, Raymond White and Jo Kirby
• A Virgin and Child from the Workshop of Albrecht Dürer?, Paul Ackroyd, Susan Foister, Marika Spring, Raymond White and Rachel Billinge
• The Discovery and Identification of an Original Varnish on a Panel by Carlo Crivelli, Jill Dunkerton and Raymond White
• Van Dyck's Paint Medium, Raymond White
• Analyses of Paint Media, Raymond White, Jennifer Pilc and Jo Kirby (1998)
• Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
• Wolf Huber's 'Christ taking Leave of his Mother',
• The Identification of Red Lake Pigment Dyestuffs and a Discussion of their Use, Jo Kirby and Raymond White
• Analyses of Paint Media, Raymond White and Jennifer Pilc (1996)
• The Application of FTIR-Microscopy to the Analysis of Paint Binders in Easel Paintings, Jennifer Pilc and Raymond White
• Analyses of Paint Media, Raymond White and Jennifer Pilc (1995)
• 'The Virgin and Child before a Firescreen': History, Examination and Treatment, Lorne Campbell, David Bomford, Ashok Roy and Raymond White
• Rembrandt and his Circle: Seventeenth-Century Dutch Paint Media Re-examined, Raymond White and Jo Kirby
• Analyses of Paint Media, Raymond White and Jennifer Pilc (1993)
• Paint Media Analyses, John Mills and Raymond White (1989)
• Analyses of Paint Media, John Mills and Raymond White (1988)
• Packing: An Updated Design, Reviewed and Tested, Ann Stephenson-Wright and Raymond White
• Vincent Van Gogh's 'A Cornfield, with Cypresses', John Leighton, Anthony Reeve, Ashok Roy and Raymond White
• Analyses of Paint Media, John Mills and Raymond White (1987)
• Brown and Black Organic Glazes, Pigments and Paints, Raymond White
• The Mediums used by George Stubbs: Some Further Studies, John Mills and Raymond White
• Analyses of Paint Media, John Mills and Raymond White (1985)
• The Characterization of Proteinaceous Binders in Art Objects, Raymond White
• Analyses of Paint Media, John Mills and Raymond White (1983)
• Organic Mass-Spectrometry of Art Materials: Work in Progress, John Mills and Raymond White
• Analyses of Paint Media, John Mills and Raymond White (1981)
• Research Note – George Stubbs's 'Lady and Gentleman in a Carriage': A Preliminary Note on the Technique, Raymond White, Ashok Roy, John Mills and Joyce Plesters
• Analyses of Paint Media, John Mills and Raymond White (1980)
• Analyses of Paint Media, John Mills and Raymond White (1979)
• Organic Analysis in the Arts: Some Further Paint Medium Analyses, John Mills and Raymond White (Volume 2)
• Analyses of Paint Media, John Mills and Raymond White (1977)

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WIESEMAN, Marjorie

• Rembrandt’s Portrait(s) of Frederik Rihel, Marjorie Wieseman

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WILSON, Michael

• Monet's 'Bathers at La Grenouillère', Michael Wilson, Martin Wyld and Ashok Roy

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WINE, Humphrey

• Nicolas Lancret's 'The Four Times of Day', Paul Ackroyd, Ashok Roy and Humphrey Wine
• Laurent de La Hyre's 'Allegorical Figure of Grammar', Humphrey Wine, Paul Ackroyd and Aviva Burnstock

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WYLD, Martin

• 'The Madonna di Loreto': An Altarpiece by Perugino for Santa Maria dei Servi, Perugia, Carol Plazzotta, Michelle O'Malley, Ashok Roy, Raymond White and Martin Wyld
• Fra Angelico’s Predella for the High Altarpiece of San Domenico, Fiesole, Dillian Gordon, Martin Wyld and Ashok Roy
• Colour Change in 'The Conversion of the Magdalen' attributed to Pedro Campaña, Marika Spring, Nicholas Penny, Raymond White and Martin Wyld
• The Restoration History of Holbein's 'The Ambassadors', Martin Wyld
• Hans Holbein's 'A Lady with a Squirrel and a Starling', Susan Foister, Martin Wyld and Ashok Roy
• The Restoration of the Leonardo Cartoon, Eric Harding, Allan Braham, Martin Wyld and Aviva Burnstock
• Wright of Derby's 'Mr and Mrs Coltman': An Unlined English Painting, Martin Wyld and David Thomas
• The Transfer of Cima's 'The Incredulity of S. Thomas', Martin Wyld and Jill Dunkerton
• Raphael's 'S. John the Baptist Preaching', Allan Braham and Martin Wyld
• Altdorfer's 'Christ taking Leave of His Mother', Alistair Smith and Martin Wyld
• Rubens' 'The Watering Place', Christopher Brown, Anthony Reeve and Martin Wyld
• Monet's 'Bathers at La Grenouillère', Michael Wilson, Martin Wyld and Ashok Roy
• Goya's Re-use of a Canvas for 'Doña Isabel', Martin Wyld
• Some Observations on Blanching (with Special Reference to the Paintings of Claude), Martin Wyld, John Mills and Joyce Plesters
• Gerard David's 'The Virgin and Child with Saints and a Donor', Martin Wyld, Ashok Roy and Alistair Smith
• Bellini's 'The Blood of the Redeemer', Allan Braham, Martin Wyld and Joyce Plesters
• Some Panels from Sassetta's Sansepolcro Altarpiece, Martin Wyld and Joyce Plesters

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YOUNG, Christina

• The Mechanical Behaviour of Adhesives and Gap Fillers for re-joining Panel Paintings, Christina Young, Paul Ackroyd, Roger Hibberd and Stephen Gritt
• The Mechanical Behaviour and Environmental Response of Paintings to Three Types of Lining Treatment, Christina Young and Paul Ackroyd

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