Janet Brough and Jill Dunkerton
Technical Bulletin Volume 8, 1984
Following conservation of Christ before Pilate and The Coronation of the Virgin by the Master of Cappenberg, it was decided that the thinned panels were too weak and flexible to be reframed. The article gives details of the panel trays constructed to hold the painting against a cushioned auxiliary support.
framing (picture), Master of Cappenberg, panel paintings
To cite this article we suggest using
Brough, J., Dunkerton, J. 'The Construction of Panel Trays for Two Paintings by the Master of Cappenberg'. National Gallery Technical Bulletin Vol 8, pp 63–70.
Problems opening files? Get Adobe Reader [External link]