The National Gallery Technical Bulletin is published annually as a volume. Thirty-three volumes have been published since 1977.
A complete list of Technical Bulletin articles is presented here, organised by volume number.
Browse the volumes: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36
Technical Bulletin Volume 1, 1977
- Some Panels from Sassetta's Sansepolcro Altarpiece, Martin Wyld and Joyce Plesters
- The Scientific Department of the National Gallery, Garry Thomson, John Mills and Joyce Plesters
- Perugino's 'Virgin and Child with Saint John', David Bomford
- A Spectrophotometric Method for the Identification of Lake Pigment Dyestuffs, Jo Kirby
- Two Panels by the Master of Saint Giles, David Bomford and Jo Kirby
- Analyses of Paint Media, John Mills and Raymond White
Technical Bulletin Volume 2, 1978
- The Conservation Department of the National Gallery, David Bomford
- Bellini's 'The Blood of the Redeemer', Allan Braham, Martin Wyld and Joyce Plesters
- Titian's 'Bacchus and Ariadne', Arthur Lucas and Joyce Plesters
- Reflectance Spectrophotometry for Measurement of Colour Change, Linda Bullock
- Giovanni di Paolo's 'SS. Fabian and Sebastian', David Bomford and Jo Kirby
- Oxygen Starvation in Paint and Other Films, Garry Thomson
- Organic Analysis in the Arts: Some Further Paint Medium Analyses, John Mills and Raymond White
Technical Bulletin Volume 3, 1979
- Tintoretto's Paintings in the National Gallery: Part I, Joyce Plesters
- Penetration of Radiation into Old Paint Films, Garry Thomson
- Moroni's 'Canon Ludovico di Terzi': An Unlined Sixteenth-Century Painting, David Bomford
- The Laser Microspectral Analysis of Paint, Ashok Roy
- Gerard David's 'The Virgin and Child with Saints and a Donor', Martin Wyld, Ashok Roy and Alistair Smith
- Analyses of Paint Media, John Mills and Raymond White
Technical Bulletin Volume 4, 1980
- Three Panels from Perugino's Certosa di Pavia Altarpiece, David Bomford, Janet Brough and Ashok Roy
- Tintoretto's Paintings in the National Gallery: Part II, Joyce Plesters
- Some Observations on Blanching (with Special Reference to the Paintings of Claude), Martin Wyld, John Mills and Joyce Plesters
- Research Note – George Stubbs's 'Lady and Gentleman in a Carriage': A Preliminary Note on the Technique, Raymond White, Ashok Roy, John Mills and Joyce Plesters
- Analyses of Paint Media, John Mills and Raymond White
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1979 – February 1980
Technical Bulletin Volume 5, 1981
- Control of the Environment for Good or Ill? Monitoring, Garry Thomson
- Monet's 'Bathers at La Grenouillère', Michael Wilson, Martin Wyld and Ashok Roy
- Fragments of a Ceiling Decoration by Dosso Dossi, Allan Braham and Jill Dunkerton
- Goya's Re-use of a Canvas for 'Doña Isabel', Martin Wyld
- Francesco del Cossa's 'S. Vincent Ferrer', Alistair Smith, Anthony Reeve and Ashok Roy
- Wax-Resin Lining and Colour Change: An Evaluation, David Bomford and Sarah Staniforth
- Analyses of Paint Media, John Mills and Raymond White
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, March 1980 – December 1980
Technical Bulletin Volume 6, 1982
- Organic Mass-Spectrometry of Art Materials: Work in Progress, John Mills and Raymond White
- Interpretation of the X-Ray of du Jardin's 'Portrait of a Young Man', Jill Dunkerton and Ashok Roy
- Rubens' 'The Watering Place', Christopher Brown, Anthony Reeve and Martin Wyld
- Canaletto's 'Venice: The Feastday of S. Roch', David Bomford and Ashok Roy
- Hogarth's 'Marriage à la Mode', David Bomford and Ashok Roy
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1981 – December 1981
Technical Bulletin Volume 7, 1983
- Manet's 'The Waitress': An Investigation into its Origin and Development, David Bomford and Ashok Roy
- 'The Death of the Virgin': A Technical Approach to an Art-Historical Problem, Jill Dunkerton
- 'Samson and Delilah': Rubens and the Art and Craft of Painting on Panel, Joyce Plesters
- Altdorfer's 'Christ taking Leave of His Mother', Alistair Smith and Martin Wyld
- Analyses of Paint Media, John Mills and Raymond White
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1982 – December 1982
Technical Bulletin Volume 8, 1984
- The Characterization of Proteinaceous Binders in Art Objects, Raymond White
- Raphael's 'S. John the Baptist Preaching', Allan Braham and Martin Wyld
- Tintoretto's Paintings in the National Gallery: Part III, Joyce Plesters
- Three Newly-Acquired Panels from the Altarpiece for Santa Croce by Ugolino di Nerio, Dillian Gordon and Anthony Reeve
- Packing: A Case Study, Sarah Staniforth
- The Construction of Panel Trays for Two Paintings by the Master of Cappenberg, Janet Brough and Jill Dunkerton
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1983 – December 1983
Technical Bulletin Volume 9, 1985
- Colour Under Some New Fluorescent Lamps, Garry Thomson
- The Palettes of Three Impressionist Paintings, Ashok Roy
- Nardo di Cione's 'Altarpiece: Three Saints', Dillian Gordon, David Bomford, Joyce Plesters and Ashok Roy
- The Transfer of Cima's 'The Incredulity of S. Thomas', Martin Wyld and Jill Dunkerton
- The Mediums used by George Stubbs: Some Further Studies, John Mills and Raymond White
- Lining and Colour Change: Further Results, Sarah Staniforth and David Bomford
- Analyses of Paint Media, John Mills and Raymond White
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1984 – December 1984
Technical Bulletin Volume 10, 1986
- The Technique and Restoration of Cima's 'The Incredulity of S. Thomas', Jill Dunkerton and Ashok Roy
- Wright of Derby's 'Mr and Mrs Coltman': An Unlined English Painting, Martin Wyld and David Thomas
- Ercole de' Roberti's 'The Last Supper', Jill Dunkerton and Alistair Smith
- The Techniques of Dieric Bouts: Two Paintings Contrasted, David Bomford, Ashok Roy and Alistair Smith
- Brown and Black Organic Glazes, Pigments and Paints, Raymond White
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1985 – December 1985
Technical Bulletin Volume 11, 1987
- The Unmasking of Tura's 'Allegorical Figure': A Painting and its Concealed Image, Jill Dunkerton, Ashok Roy and Alistair Smith
- Packing: An Updated Design, Reviewed and Tested, Ann Stephenson-Wright and Raymond White
- Vincent Van Gogh's 'A Cornfield, with Cypresses', John Leighton, Anthony Reeve, Ashok Roy and Raymond White
- Samuel van Hoogstraten: Perspective and Painting, Christopher Brown, David Bomford, Joyce Plesters and John Mills
- Fluorescent Lamps: A Practical Assessment, David Saunders
- Analyses of Paint Media, John Mills and Raymond White
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1986 – December 1986
Technical Bulletin Volume 12, 1988
- The Multi-Purpose Low Pressure Conservation Table, Anthony Reeve, Paul Ackroyd and Ann Stephenson-Wright
- Two Wings of an Altarpiece by Martin van Heemskerck, Jill Dunkerton, Aviva Burnstock and Alistair Smith
- The Technique of a 'Tüchlein' by Quinten Massys, Ashok Roy
- Gainsborough's 'Dr Ralph Schomberg', David Bomford, Ashok Roy and David Saunders
- The Fading of the Virgin's Robe in Lorenzo Monaco's 'Coronation of the Virgin', Aviva Burnstock
- Colour Change Measurement by Digital Image Processing, David Saunders
- Analyses of Paint Media, John Mills and Raymond White
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, 1987
Technical Bulletin Volume 13, 1989
- The Restoration of the Leonardo Cartoon, Eric Harding, Allan Braham, Martin Wyld and Aviva Burnstock
- An Altarpiece and its Frame: Carlo Crivelli's 'Madonna della Rondine', Alistair Smith, Anthony Reeve, Christine Powell and Aviva Burnstock
- A 'Winter Landscape' by Caspar David Friedrich, John Leighton, Anthony Reeve and Aviva Burnstock
- Ultra-Violet Filters for Artificial Light Sources, David Saunders
- Paint Media Analyses, John Mills and Raymond White
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, 1988
Technical Bulletin Volume 14, 1993
- The Infra-red Examination of Raphael's 'Garvagh Madonna', Jill Dunkerton and Nicholas Penny
- Laurent de La Hyre's 'Allegorical Figure of Grammar', Humphrey Wine, Paul Ackroyd and Aviva Burnstock
- Canaletto's 'Stonemason's Yard' and 'San Simeone Piccolo', David Bomford and Ashok Roy
- The Technique and Restoration of Bramantino's 'Adoration of the Kings', Jill Dunkerton
- Fading and Colour Change of Prussian Blue: Occurrences and Early Reports, Jo Kirby
- Image Processing at the National Gallery: The VASARI Project, David Saunders and John Cupitt
- Analyses of Paint Media, Raymond White and Jennifer Pilc
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1989 – October 1992
Technical Bulletin Volume 15, 1994
- Hans Holbein's 'A Lady with a Squirrel and a Starling', Susan Foister, Martin Wyld and Ashok Roy
- 'The Virgin and Child before a Firescreen': History, Examination and Treatment, Lorne Campbell, David Bomford, Ashok Roy and Raymond White
- Giovanni Battista Tiepolo's 'Saints Maximus and Oswald': Conservation and Examination, Larry Keith
- Cosimo Tura as Painter and Draughtsman: The Cleaning and Examination of his 'Saint Jerome', Jill Dunkerton
- Carel Fabritius' 'A View in Delft': Some Observations on its Treatment and Display, Larry Keith
- Rembrandt and his Circle: Seventeenth-Century Dutch Paint Media Re-examined, Raymond White and Jo Kirby
- Light-induced Colour Changes in Red and Yellow Lake Pigments, David Saunders and Jo Kirby
- Protective Glass for Paintings, David Saunders and Anthony Reeve
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, November 1992 – September 1993
Technical Bulletin Volume 16, 1995
- Veronese's Paintings in the National Gallery, Technique and Materials: Part I, Nicholas Penny and Marika Spring
- The Conservation of the Carracci Cartoons in the National Gallery, Gabriele Finaldi, Eric Harding and June Wallis
- The Infra-red Reflectograms of Jan van Eyck's Portrait of Giovanni(?) Arnolfini and his Wife Giovanna Cenami(?), Rachel Billinge and Lorne Campbell
- Elucidating Reflectograms by superimposing Infra-red and Colour Images, David Saunders and John Cupitt
- Photographic Flash: Threat or Nuisance?, David Saunders
- The Application of FTIR-Microscopy to the Analysis of Paint Binders in Easel Paintings, Jennifer Pilc and Raymond White
- Analyses of Paint Media, Raymond White and Jennifer Pilc
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, October 1993 – September 1994
Technical Bulletin Volume 17, 1996
- Giampietrino, Boltraffio, and the Influence of Leonardo, Larry Keith and Ashok Roy
- The Materials of a Group of Late Fifteenth-century Florentine Panel Paintings, Jill Dunkerton and Ashok Roy
- Veronese's Paintings in the National Gallery, Technique and Materials: Part II, Nicholas Penny, Ashok Roy and Marika Spring
- The Identification of Red Lake Pigment Dyestuffs and a Discussion of their Use, Jo Kirby and Raymond White
- Long-term Colour Change Measurement: Some Results after Twenty Years, David Saunders, Helene Chahine and John Cupitt
- Analyses of Paint Media, Raymond White and Jennifer Pilc
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, October 1994 – September 1995
Technical Bulletin Volume 18, 1997
- Methods and Materials of Northern European Painting in the National Gallery, 1400–1550, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
- A Double-Sided Panel by Stephan Lochner, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
- The Materials and Technique of Five Paintings by Rogier van der Weyden and his Workshop, Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
- Gossaert's 'Adoration of the Kings', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
- Wolf Huber's 'Christ taking Leave of his Mother', Rachel Billinge, Lorne Campbell, Jill Dunkerton, Susan Foister, Jo Kirby, Jennie Pilc, Ashok Roy, Marika Spring and Raymond White
Technical Bulletin Volume 19, 1998
- The Restoration History of Holbein's 'The Ambassadors', Martin Wyld
- Uccello's 'Saint George and the Dragon': Technical Evidence Re-evaluated, Jill Dunkerton and Ashok Roy
- The Restoration of Peyron's 'Belisarius' and 'Cornelia', Larry Keith
- Three Paintings by Caravaggio, Larry Keith
- Two Paintings by Lorenzo Lotto at the National Gallery, Jill Dunkerton, Nicholas Penny and Ashok Roy
- Monitoring Shock and Vibration during the Transportation of Paintings, David Saunders
- Analyses of Paint Media, Raymond White, Jennifer Pilc and Jo Kirby
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, October 1995 – September 1997
Technical Bulletin Volume 20, 1999
- The Painter's Trade in the Seventeenth Century: Theory and Practice, Jo Kirby
- The National Gallery Van Dycks: Technique and Development, Ashok Roy
- Van Dyck's Paint Medium, Raymond White
- Rubens's 'Peace and War', Ashok Roy
- The Rubens Studio and the 'Drunken Silenus supported by Satyrs', Larry Keith
Technical Bulletin Volume 21, 2000
- 'The Virgin and Child Enthroned with Angels and Saints' attributed to Michael Pacher, Jill Dunkerton, Susan Foister and Marika Spring
- Occurrences of the Purple Pigment Fluorite on Paintings in the National Gallery, Marika Spring
- A Virgin and Child from the Workshop of Albrecht Dürer?, Paul Ackroyd, Susan Foister, Marika Spring, Raymond White and Rachel Billinge
- The Restoration of Lorenzo Monaco's 'Coronation of the Virgin': Retouching and Display, Paul Ackroyd, Larry Keith and Dillian Gordon
- The Restoration of Two Panels by Cima da Conegliano from the Wallace Collection, Jill Dunkerton
- The Discovery and Identification of an Original Varnish on a Panel by Carlo Crivelli, Jill Dunkerton and Raymond White
- Pollution and the National Gallery, David Saunders
- Pictures Cleaned and Restored in the Conservation Department of the National Gallery, October 1997 – January 2000
Technical Bulletin Volume 22, 2001
- Uccello’s 'Battle of San Romano', Ashok Roy and Dillian Gordon
- Vincenzo Foppa's 'Adoration of the Kings', Jill Dunkerton and Carol Plazzotta
- Two Panels by Ercole de' Roberti and the Identification of 'Veluto Morello', Lorne Campbell, Jill Dunkerton, Jo Kirby and Lisa Monnas
- Andrea del Sarto's 'The Virgin and Child with Saint Elizabeth and Saint John the Baptist': Technique and Critical Reception, Larry Keith
- Colour Change in 'The Conversion of the Magdalen' attributed to Pedro Campaña, Marika Spring, Nicholas Penny, Raymond White and Martin Wyld
- A Survey of Nineteenth- and Early Twentieth-Century Varnish Compositions Found on a Selection of Paintings in the National Gallery Collection, Raymond White and Jo Kirby
- The Mechanical Behaviour and Environmental Response of Paintings to Three Types of Lining Treatment, Christina Young and Paul Ackroyd
Technical Bulletin Volume 23, 2002
- Fra Angelico’s Predella for the High Altarpiece of San Domenico, Fiesole, Dillian Gordon, Martin Wyld and Ashok Roy
- The Technique of Garofalo’s Paintings at the National Gallery, Jill Dunkerton, Nicholas Penny and Marika Spring
- Mixed Media in the Work of Charles-François Daubigny: Analysis and Implications for Conservation, Larry Keith and Raymond White
- The Blackening of Vermilion: An Analytical Study of the Process in Paintings, Marika Spring and Rachel Grout
- Improvements in the Acquisition and Processing of X-ray Images of Paintings, Joseph Padfield, David Saunders, John Cupitt and Robert Atkinson
- The MARC II Camera and the Scanning Initiative at the National Gallery, David Saunders, John Cupitt, Colin White and Sarah Holt
- The Mechanical Behaviour of Adhesives and Gap Fillers for re-joining Panel Paintings, Christina Young, Paul Ackroyd, Roger Hibberd and Stephen Gritt
Technical Bulletin Volume 24, 2003
- Seurat's Painting Practice: Theory, Development and Technology, Jo Kirby, Kate Stonor, Ashok Roy, Aviva Burnstock, Rachel Grout and Raymond White
- Giulio Romano and 'The Birth of Jupiter': Studio Practice and Reputation, Larry Keith
- The 'Two Tax-Gatherers' by Marinus van Reymerswale: Original and Replica, Paul Ackroyd, Rachel Billinge, Lorne Campbell and Jo Kirby
- The Triptych of 'Saint Catherine and the Philosophers' attributed to Goossen van der Weyden in Southampton City Art Gallery, Rachel Billinge and Lorne Campbell
- Pigment-medium Interactions in Oil Paint Films containing Red Lead or Lead-tin Yellow, Catherine Higgitt, Marika Spring and David Saunders
- 'Black Earths': A Study of Unusual Black and Dark Grey Pigments used by Artists in the Sixteenth Century, Marika Spring, Rachel Grout and Raymond White
Technical Bulletin Volume 25, 2004
- Raphael's Early Work in the National Gallery: Paintings before Rome, Ashok Roy, Marika Spring and Carol Plazzotta
- Polidoro da Caravaggio's 'Way to Calvary': Technique, Style and Function, Larry Keith, Minna Moore Ede and Carol Plazzotta
- Nicolas Lancret's 'The Four Times of Day', Paul Ackroyd, Ashok Roy and Humphrey Wine
- The Effect of Relative Humidity on Artists' Pigments, David Saunders and Jo Kirby
- Fading and Colour Change of Prussian Blue: Methods of Manufacture and the Influence of Extenders, Jo Kirby and David Saunders
Technical Bulletin Volume 26, 2005
- The Evolution of Rubens's 'Judgement of Paris' (NG194), Lois Oliver, Fiona Healy, Ashok Roy and Rachel Billinge
- The Design Practices of the Dutch Architectural Painter Bartholomeus van Bassen, Axel Rüger and Rachel Billinge
- Mazo's 'Queen Mariana of Spain in Mourning', Paul Ackroyd, Dawson Carr and Marika Spring
- Investigation of Pigment-Medium Interaction Processes in Oil Paint containing Degraded Smalt, Marika Spring, Catherine Higgitt and David Saunders
- The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substrate, Jo Kirby, Marika Spring and Catherine Higgitt
- Analyses of Paint Media: New Studies of Italian Paintings of the Fifteenth and Sixteenth Centuries, Catherine Higgitt and Raymond White
Technical Bulletin Volume 27, 2006
- The Master of the Story of Griselda and Paintings for Sienese Palaces, Jill Dunkerton, Carol Christensen and Luke Syson
- 'The Madonna di Loreto': An Altarpiece by Perugino for Santa Maria dei Servi, Perugia, Carol Plazzotta, Michelle O'Malley, Ashok Roy, Raymond White and Martin Wyld
- Working with Perugino: The Technique of an Annunciation attributed to Giannicola di Paolo, Catherine Higgitt, Marika Spring, Anthony Reeve and Luke Syson
- Gilding and Illusion in the Paintings of Bernardino Fungai, David Bomford, Ashok Roy and Luke Syson
Technical Bulletin Volume 28, 2007
- Bernardo Daddi's 'Coronation of the Virgin': The Reunion of Two Long-Separated Panels, Simona di Nepi, Ashok Roy and Rachel Billinge
- Tintoretto's Underdrawing for 'Saint George and the Dragon', Jill Dunkerton
- 'A Boy with a Bird' in the National Gallery: Two Responses to a Titian Question, Paul Joannides and Jill Dunkerton
- Monet's Palette in the Twentieth Century: 'Water-Lilies' and 'Irises', Ashok Roy
- The Technology of Eighteenth- and Nineteenth-Century Red Lake Pigments, Jo Kirby, Marika Spring and Catherine Higgitt
Technical Bulletin Volume 29, 2008
- Ways of Making: Practice and Innovation in Cézanne's Paintings in the National Gallery, Elisabeth Reissner
- Two Versions of 'The Fountain of Love' by Jean-Honoré Fragonard: A Comparative Study, Mark Leonard, Ashok Roy and Scott Schaefer
- Annibale Carracci's 'Montalto Madonna', Larry Keith
- The Technique and Restoration of 'The Virgin and Child Enthroned, with Four Angels' by Quinten Massys, Jill Dunkerton
- The Use of Gilded Tin in Giotto's 'Pentecost', Rachel Billinge and Dillian Gordon
Technical Bulletin Volume 30, 2009
- The 'Technical Bulletin': Past and Future, Ashok Roy
- 'Some Panels from Sassetta's Sansepolcro Altarpiece' revisited, Rachel Billinge
- Sebastiano del Piombo's 'Raising of Lazarus': A History of Change, Jill Dunkerton and Helen Howard
- Velázquez's 'Christ after the Flagellation': Technique in Context, Larry Keith and Dawson W. Carr
- Aelbert Cuyp's 'Large Dort': Colour Change and Conservation, Marika Spring and Larry Keith
- Six Paintings by Corot: Methods, Materials and Sources, Sarah Herring
Technical Bulletin Volume 31, 2010
- In Search of Verrocchio the Painter: The Cleaning and Examination of 'The Virgin and Child with Two Angels', Jill Dunkerton and Luke Syson
- Giorgione and not Giorgione: The Conservation History and Technical Examination of 'Il Tramonto', Jill Dunkerton
- 'The Virgin and Child with an Angel', after Francia: A History of Error, Ashok Roy and Giorgia Mancini
- Two Copies of Perugino’s 'Baptism of Christ', Helen Howard and Scott Nethersole
- Rembrandt’s Portrait(s) of Frederik Rihel, Marjorie Wieseman
- Mastic and Megilp in Reynolds’s 'Lord Heathfield of Gibraltar', Rachel Morrison
Technical Bulletin Volume 32, 2011
- Leonardo in Verrocchio’s Workshop: Re-examining the Technical Evidence, Jill Dunkerton
- Leonardo da Vinci’s 'Virgin of the Rocks': Treatment, Technique and Display, Larry Keith, Ashok Roy, Rachel Morrison and Peter Schade
- Altered Angels: Two Panels from the Immaculate Conception Altarpiece once in San Francesco Grande, Milan, Rachel Billinge, Luke Syson and Marika Spring
- Painting Practice in Milan in the 1490s: The Influence of Leonardo, Marika Spring, Antonio Mazzotta, Ashok Roy, Rachel Billinge and David Peggie
Technical Bulletin Volume 33, 2012
- Colourless Powdered Glass as an Additive in Fifteenth- and Sixteenth-Century European Paintings, Marika Spring
- Niccolò di Pietro Gerini’s 'Baptism Altarpiece': Technique, Conservation and Original Design, Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie and Dillian Gordon
- Adolphe Monticelli: The Materials and Techniques of an Unfashionable Artist, Kate Stonor and Rachel Morrison
- Renoir’s 'Umbrellas' Unfurled Again, Ashok Roy, Rachel Billinge and Christopher Riopelle
- Past, Present, Memories: Analysing Edouard Vuillard’s 'La Terrasse at Vasouy', Anne Robbins and Kate Stonor
Technical Bulletin Volume 34, 2013
- Titian's Painting Technique to c.1540, Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy
- Catalogue, Jill Dunkerton, Marika Spring, Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy
- Recovering Titian: The Cleaning and Restoration of Three Overlooked Canvas Paintings, Jill Dunkerton
Technical Bulletin Volume 35, 2015
- Practice Makes Imperfect: Reynolds's Painting Technique
Alexandra Gent, Ashok Roy and Rachel Morrison - Catalogue, Alexandra Gent, Ashok Roy, and Rachel Morrison
Technical Bulletin Volume 36, 2016
- Titian after 1540: Technique and Style in his Later Works, Jill Dunkerton and Marika Spring. With contributions from Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas
- Catalogue, Jill Dunkerton and Marika Spring. With contributions from Rachel Billinge, Helen Howard, Gabriella Macaro, Rachel Morrison, David Peggie, Ashok Roy, Lesley Stevenson and Nelly von Aderkas
- The Conservation History of Titian’s 'Diana and Actaeon' and 'Diana and Callisto', Jacqueline Ridge and Marika Spring