The modello (oil sketch) shows Saint Bavo on the steps of St Peter's church in Ghent. Before his conversion to Christianity, Saint Bavo was a knight called Count Allowin of Haspengouw. Here he is shown being received as a monk into the church by Saint Floribert (bending forward), abbot of the Benedictine monastery, and Saint Amandus, who converted him. In the foreground, Rubens has delighted in showing Saint Bavo's wealth being distributed to the poor; the wriggling children and the muscular beggars give the donation a heroic theatricality. In the right panel Kings Clothar and Dagobert, father and son, support Saint Bavo's decision and dispute with a herald of the Emperor Mauritius, an edict that forbade knights to become monks. In the left panel are Saints Gertrude and Begga, Bavo's sisters, who followed his example and became nuns.The painting was commissioned around 1611 for the high altar of St Bavo, Ghent.This is the central panel from Rubens's oil sketch for the High Altarpiece at St Bavo in Ghent.
Download an 800px wide, 72dpi copy of this image.
License and download a high resolution image for reproductions up to A3 size from the National Gallery Picture Library.
This image is licensed for non-commercial use under a Creative Commons agreement.
Examples of non-commercial use are:
The image file is 800 pixels on the longest side.
As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Help keep us free by making a donation today.
You must agree to the Creative Commons terms and conditions to download this image.
These sketches were made as part of Rubens's preparation for an altarpiece for the church of St Bavo, Ghent, which Rubens finally realised in reduced form in 1626.