Spanish painting flourished during the 17th century principally in the service of God and King. The evolution of a Catholic Counter-Reformation religiosity is revealed in a variety of powerful, individual styles. Not long after El Greco had portrayed the divine with ethereal idealisations of figures, space and light, Diego Velázquez and Francisco de Zurbarán turned to realism to represent the mystical.
To make religion more personally relevant, they used naturalistic light to convey divine presence and they depicted the saints as ordinary people, with a vivid physicality and facial expressions. Taste changed after 1650, and Bartolomé Esteban Murillo appealed to popular piety with an ideal style of soft forms and colours, and a sweet and gentle mood.
At the court of Philip IV, Velázquez transformed his style of earthy realism in order to express the dignity and splendour of the monarchy. He developed an elegant technique of artful brushwork that calls attention to itself and yet conveys compelling actuality when viewed from a distance.
Currently on view in this room is a display presenting four paintings by London-based artist Rosalind Nashashibi (b. 1973), the 2020 Artist in Residence, made in response to the Gallery’s 17th-century Spanish paintings.