Fruits of the Spirit: Art from the Heart
A pioneering virtual exhibition
See inspirational pairings of National Gallery and partner galleries' paintings
Why does this painting make some people cry?
and what does this tell us about transcendence?
Revd Dr Ayla Lepine, curator of the virtual exhibition 'Fruits of the Spirit: Art from the Heart' and former Ahmanson Research Associate Curator in Art and Religion at the National Gallery, explores the theme of peace through Monet's 'Water-Lilies'
Enjoy quiet contemplation and slow looking at Monet's atmospheric painting.
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Digital activity at the National Gallery is supported by Bloomberg Philanthropies Digital Accelerator
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Why do artists sign their works of art?
and what can this tell us about the artist and their paintings?
Sarah Herring, Associate Curator of Post-1800 Paintings, looks at Klimt’s signature and what it reveals about the influences on his art and the trends of the time
Why is this little angel covered in bees?
and what does this tell us about myths and their meanings?
Watch as Charlotte Wytema, our Simon Sainsbury Curatorial Fellow, reveals the lesson that underlies this intriguing painting.
Why is there someone drawing graffiti inside the church?
and what does this tell us about how artists use their imagination when painting everyday life?
Join Justine Rinnooy Kan, our Dorset Curatorial Fellow, as she looks at some behaviour we wouldn't expect to see inside a church.
Why does this man appear twice in the same painting?
and what does this tell us about miracles?
Dr Ayla Lepine, The Howard and Roberta Ahmanson Fellow in Art and Religion, explains something we may not have even noticed in this picture - a man who appears twice.
Why does this lady have a fly on her head?
and what can this tell us about the tricks artists play?
Dr Francesca Whitlum-Cooper, The Myojin-Nadar Associate Curator of Paintings 1600–1800, investigates the unusual addition to 'Portrait of a Women from the Hofer Family'.
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Tiepolo's 'Allegory with Venus and Time'
Letizia Treves, James and Sarah Sassoon Curator of Later 17th-Century Paintings looks up at Tiepolo's colourful ceiling painting
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Murillo's 'Self Portrait'
CEEH Curatorial Fellow in Spanish Paintings Daniel Sobrino Ralston goes behind the frame
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Botticelli's 'Portrait of a Young Man'
Laura Llewellyn, Associate Curator of Renaissance Paintings, asks the question, is this anonymous person someone Botticelli knew or perhaps only imagined?
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Jan van Eyck's 'Portrait of a Man (Self Portrait?)
Join Emma Capron as she wonders whether we can take this portrait at face value
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Anthony van Dyck's 'Equestrian Portrait of Charles I'
The muscular horse, the shiny armour, what's this portrait really saying and why?
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Luca Giordano's 'Perseus turning Phineas and his Followers to Stone'
Letizia Treves explains why some characters in this huge painting look decidedly off colour
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Luca Signorelli's 'The Circumcision'
Joost Joustra tells us about Signorelli's striking and unusual altarpiece
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Jan van Huysum's 'Flowers in a Terracotta Vase'
Lucy Chiswell gets her gardening gloves on for some time with van Huysum's flowers.
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Hieronymus Bosch's 'Christ Mocked'
Emma Capron looks at something a little different by Hieronymus Bosch: an episode from the Easter story, arranged in a striking new way.
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Rembrandt's 'A Woman bathing in a Stream (Hendrickje Stoffels?)'
Could this be Rembrandt's lover and why did Rembrandt choose this setting? Bart Cornelis, Curator of Dutch and Flemish Paintings, offers some answers
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Gossaert's 'The Adoration of the Kings'
Susan Foister looks at Gossaert's vibrant masterpiece
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Drinking
Christopher Riopelle takes a look at paintings of drinking and conviviality in the last of our curators talks from home
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Close up
Letizia Treves takes a closer look at some of our smaller paintings on copper
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Kindness
Christine Riding shares images of compassion and generosity towards family, friends, neighbours and complete strangers
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Remembering
Priyesh Mistry reflects on paintings that pay tribute to and commemorate loved ones
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A day in the countryside
Lucy Chiswell brings the outside in, with a look at paintings of the outdoors
