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  1. NGA3/2/2; NG35/17-22
    1946-1967
    One of Philip Hendy's first tasks at the National Gallery was to rehabilitate the pictures that had been returned to London from air-conditioned war storage at Manod Quarry, near Blaenau Ffestiniog, Wales. In 1946 Hendy established the new ...
  2. NGA3/2/2/1; NG35/17
    1946-1967
    Correspondence and reports mainly concerning the 1951 investigation into the work and position of Helmut Ruhemann. Includes papers on National Gallery policy and the conservation department. Also includes H Jennings, 'Notes on the Cleaned Pictures', ...
  3. NGA3/2/2/2; NG35/18
    1947-1950
    Copies of: the report of the 'Committee of Confidential Inquiry into the Cleaning and the Care of Pictures in the National Gallery (the Weaver Report)' (1947); 'Report of the Director and the Scientific Adviser on the Condition of the Collection and ...
  4. NGA3/2/2/3; NG35/19
    1948
    Correspondence with Dr Weaver and George Stout, co-authors of the Weaver Report
  5. NGA3/2/2/4; NG35/20
    1946-1949
    Correspondence relating to Philip Hendy's support and opinion of a scientific project by Coremans, Janssens, de Bisthoven, and Sneyers (on photography, radiography and microchemistry), and re funding from the Fonds National de la Recherche ...
  6. NGA3/2/2/5; NG35/21
    1955-1957
    File about the unsuccessful lawsuit brought by M. van Beuningen against Dr Paul Coremans regarding the painting 'The Last Supper' and his claim that Dr Coremans had wrongly concluded that the picture was not by Vermeer but was the work of the forger ...
  7. NGA3/2/2/6; NG35/22
    1958-1961
    Correspondence and report concerning the International Advisory Committee established to consider the conservation of Rubens' 'Descent from the Cross'. Philip Hendy was a member of the Committee. It contains a text of the discussions from the ...
  8. NGA3/2/3; NG35/23-53, 136
    1946-1963
    During his time as Director of The National Gallery, Philip Hendy made many visits abroad to study collections and the work of specific artists and to lecture. He kept detailed diaries recording what he had seen and where he had stayed. This ...
  9. NGA3/2/3/1; NG35/23
    Oct 1946
    Notebook containing notes on works in the exhibition. At the back are notes on Hans Holbein's 'Solothurn Madonna'
  10. NGA3/2/3/2; NG35/24
    Oct-Nov 1948
    Hendy visited New York, Boston, Detroit, Kansas City, Cincinnati, Washington DC, Baltimore and Philadelphia. There are notes about individual works of art at the back.

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