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Anthony van Dyck, 'Cupid and Psyche', 1639-40

About the work

Overview

This is the only surviving mythological painting from Van Dyck’s employment as Charles I’s court artist. It may be one of a series of canvases illustrating the story of Cupid and Psyche ordered for the Queen’s House at Greenwich. This project, which involved Jacob Jordaens and Sir Peter Paul Rubens, was never completed. On the other hand, the painting may have been made as part of the marriage celebrations of Princess Mary and William II of Orange, April-May 1641. Van Dyck’s mistress, Margaret Lemon, may have been the model for Psyche.

In classical mythology, Venus, jealous of Psyche’s beauty, set her a number of tasks, the last of which was to bring her a small portion of Proserpine’s beauty from Hades in an unopened casket. Psyche, overcome by curiosity, opened it and released not beauty, but sleep, from which she is roused by Cupid. Psyche represents earthly beauty, while Cupid is Desire aroused by her beauty.

Key facts

Details

Full title
Cupid and Psyche
Artist dates
1599 - 1641
Date made
1639-40
Medium and support
Oil on canvas
Dimensions
200.2 × 192.6 cm
Acquisition credit
Lent by His Majesty The King
Inventory number
L1358
Location
Room 31
Image copyright
Lent by His Majesty The King, © Royal Collection Enterprises Limited 2025 I Royal Collection Trust
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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