Skip to main content

Jacopo di Cione and workshop, 'Seraphim, Cherubim and Adoring Angels', 1370-1

Key facts
Full title Seraphim, Cherubim and Adoring Angels: Right Pinnacle Panel
Artist Jacopo di Cione and workshop
Artist dates documented 1365; died 1398 -1400
Series The San Pier Maggiore Altarpiece
Date made 1370-1
Medium and support Egg tempera on wood
Dimensions 89.7 × 37.8 cm
Acquisition credit Bought, 1857
Inventory number NG572
Location Not on display
Collection Main Collection
Seraphim, Cherubim and Adoring Angels
Jacopo di Cione and workshop

This is one of two panels, almost mirror images of one another, that flank either side of the central and uppermost panel of the large altarpiece made for the church of San Pier Maggiore, Florence.

Gathered together against a completely gold backdrop representing heaven are groups of angelic beings: seraphim in red and cherubim in blue in the upper tier, and angels playing musical instruments and swinging incense-filled thuribles below.

The central panel showed the Trinity: God the Father; Christ, his son; and the Holy Ghost as a dove. This painting evokes heavenly sounds and scents and is intended to add a sense of majesty and awe to the central image of the Trinity.

Download image
Download low-resolution image

Download a low-resolution copy of this image for personal use.

License this image

License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library.

License image
Download low-resolution image

This image is licensed for non-commercial use under a Creative Commons agreement.

Examples of non-commercial use are:

  • Research, private study, or for internal circulation within an educational organisation (such as a school, college or university)
  • Non-profit publications, personal websites, blogs, and social media

The image file is 800 pixels on the longest side.

As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Help keep us free by making a donation today.

Download low-resolution image

You must agree to the Creative Commons terms and conditions to download this image.

Creative Commons Logo

The San Pier Maggiore Altarpiece


These images come from a large, four-tiered altarpiece created for the high altar of the choir of the church of San Pier Maggiore in Florence. It was made up of a number of separate panels, most of which are now in the National Gallery’s collection.

Although only the facade of the church remains today, it was one of the oldest and most important religious institutions in Florence when this altarpiece was made. It was founded by the first bishop of Florence, Saint Zenobius, in the fifth century. The picture formed the backdrop to one of the ceremonies relating to the ordination of each bishop of Florence until the late sixteenth century.

The altarpiece was most probably commissioned by the wealthy Florentine Albizzi family and many of its saints relate to their family or their trade as wool merchants. The central images showed the coronation of the Virgin by Christ surrounded by adoring saints – a highly popular image in Florence.