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Are the drips, swirling and cracking evidence of artists getting to grips with a new medium or purposefully left for effect?

How does Saint Sebastian's six-pack (revealed by using infrared reflectography to look through the paint to the drawing below) make us reconsider which brother painted the saint?
 
These are just some of the questions Alysia Sawicka and Hayley Tomlison faced during the conservation of Pollaiuolo brothers, Antonio and Piero’s The Martyrdom of Saint Sebastian.

Watch previous episodes in the series: