Search the Archive
Search the National Gallery Archive containing records of the Gallery's activities from its foundation in 1824 to the present day. Find out more about the National Gallery Archive.
|Archive reference number||NGA5|
Letters to George Furlong
Five letters to Furlong from Lord Clark (Kenneth Clark), Philip Pouncey and Neil MacLaren of the National Gallery, London. Two concern the attribution of a picture of a Virgin and Child to Domenico di Bartolo and three relate to the value and acquisition of Murillo's 'Christ Healing the Paralytic at the Pool of Bethesda' (NG5931)
|Alternative reference numbers||NG37|
George Furlong was born in Dundrum, County Tipperary, Republic of Ireland. He was educated at Clongowes Wood and University College, Dublin and continued his studies at Grenoble, Munich and Vienna where he was awarded a Ph.D. for his dissertation on 10th and 11th century Anglo-Saxon manuscript illumination.
In 1930 Furlong became an Assistant Keeper at the National Gallery, London. In 1935 he was appointed Director of the National Gallery in Dublin, where he remained for fifteen years, lecturing and writing on art matters and acting as examiner in the history of European painting at both Trinity College and University College Dublin. He moved back to London in 1950.
These letters were given to the National Gallery Archive in 1996 by Rex Britcher, a friend of George Furlong.
NG16/170 Correspondence of Philip Pouncey, 1939-1942, relating to the wartime evacuation of the National Gallery collection to Wales. University College Dublin holds a box of Furlong papers [reference IE UCDAD LA53], relating to his academic work, and career as Assistant Keeper at the National Gallery, London (1930-5) and as Director of the National Gallery of Ireland (1935-50), including correspondence, lectures and papers. It also contains personal papers and correspondence (1935-87) including his daily diary (June-December 1940) commenting on the Dublin social and artistic milieu. The collection also includes material relating to his work as an examiner in the history of art at University College and Trinity College, Dublin (1936-53).
Your list will only be saved temporarily. Inactivity of more than an hour could result in the loss of your list. If you would like to keep a record of your list, we suggest you email it to yourself.
Your list of records will be sent to us if you request an appointment, and a summary will be included in your appointment email notification.