William Hogarth, 'The Shrimp Girl', about 1740-5
About the work
Overview
Hogarth certainly painted this sketch from life, and although he may never have known the girl’s name, this is definitely a portrait of an individual. For at least a century before and after Hogarth painted The Shrimp Girl, most of the travelling sellers of shellfish in London were women, usually the daughters or wives of fishmongers in Billingsgate Fish Market.
Hogarth sketched a half-pint measure in the basket balanced on his shrimp girl’s head. A few darker shells suggest that she also sells mussels, and perhaps cockles, as well as shrimps. She wears a dark sou'wester, a hat traditionally worn by fisherman, and a cloak, probably of oilskin, but nothing can dim the sense of life and character she radiates.
The Shrimp Girl appears unique among Hogarth’s single-figure oil sketches in being painted from life, spontaneously and for its own sake. The speed with which it was painted adds to its sense of truth and liveliness.
Key facts
Details
- Full title
- The Shrimp Girl
- Artist
- William Hogarth
- Artist dates
- 1697 - 1764
- Date made
- about 1740-5
- Medium and support
- oil on canvas
- Dimensions
- 63.5 × 52.5 cm
- Acquisition credit
- Bought, 1884
- Inventory number
- NG1162
- Location
- Room 34
- Collection
- Main Collection
- Previous owners
- Frame
- 18th-century English Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Judy Egerton, ‘National Gallery Catalogues: The British Paintings’, London 2000; for further information, see the full catalogue entry.
Exhibition history
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2023Hogarth’s Britons: Succession, Patriotism, and the 1745 Jacobite RebellionDerby Museums and Art Gallery10 March 2023 - 4 June 2023
Bibliography
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1781J. Nichols, Biographical Anecdotes of William Hogarth and a Catalogue of His Works Chronologically Arranged With Occasional Remarks, London 1781
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1808J. Nichols and G. Steevens, The Genuine Work of William Hogarth, with Biographical Anecdotes, 3 vols, London 1808
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1812D. Lupton, 'Fish-Women', in T. Park (ed.), Harleian Miscellany, London 1812
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1854G.F. Waagen, Treasures of Art in Great Britain: Being and Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss. […], vol. 2, trans. E. Eastlake, London 1854
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1864H. Mayhew, London Labour and the London Poor, London 1864
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1907A. Dobson, William Hogarth, London 1907
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1946Davies, Martin, National Gallery Catalogues: British School, London 1946
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1949R. Beckett, Hogarth, London 1949
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1959Davies, Martin, National Gallery Catalogues: British School, 2nd edn (revised), London 1959
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1962F. Antal, Hogarth and His Place in European Art, London 1962
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1966R. Raines, Marcellus Laroon, London 1966
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1967Christie's, Christie's Bi-Centenary Exhibition (exh. cat. Christie's, 3 - 21 January 1967), London 1967
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1970M. Webster, Francis Wheatley, London 1970
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1972J.H. Wilson, The Life and Art of John Hoppner R.A., Phd Thesis, Courtauld Institute of Art 1972
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1975R. Paulson, Emblem and Expression: Meaning in English Art of the Eighteenth Century, London 1975
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1977J. Lindsay, Hogarth: His Art and His World, London 1977
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1978M. Webster, Hogarth, London 1978
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1988E. Einberg and J. Egerton, The Age of Hogarth: British Painters Born 1675-1709, London 1988
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1988Museo del Prado, Pittura Britanica de Hogarth a Turner (exh. cat. Museo Nacional del Prado, 18 October 1988 - 8 January 1989), Madrid 1988
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1990S. Shesgreen, The Criers and Hawkers of London: Engravings and Drawings by Marcellus Laroon, Aldershot 1990
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1991R. Paulson, Hogarth, New Brunswick 1991
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1993N. McWilliam, Hogarth, London 1993
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1996A. Graham-Dixon, A History of British Art, London 1996
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1997E. Einberg, Hogarth the Painter (exh. cat. Tate Gallery, 4 March - 8 June 1997), London 1997
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1998J. Egerton, The British School, London 1998
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1998M. Postle, Angels and Urchins: The Fancy Picture in 18th-Century British Art (exh. cat. Djanogly Art Gallery, University of Nottingham, 28 March - 4 May 1998; Kenwood House, 14 May - 9 August 1998), University of Nottingham 1998
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2000Egerton, Judy, National Gallery Catalogues: The British Paintings, revised edn, London 2000
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
Frame
This is an eighteenth-century English panel frame, crafted from pinewood. The ogee moulding has recessed corners, which are carved and decorated with leaves that slightly protrude over the outer edge. The back edge is adorned with a stylised dentil-and-flute motif. The sanded flat leads to an acanthus-leaf sight moulding with corner leaves.
The frame was originally silvered, but was regilded in 1932 when it was converted to accommodate a glazing door by F. Draper. It is unclear whether the frame is original to the painting, as various sources remain inconclusive.
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.