William Hogarth, 'Marriage A-la-Mode: 1, The Marriage Settlement', about 1743

Provenance

Additional information

Exhibition history

• 2019
  Hogarth: Place and Progress

  Sir John Soane's Museum

  9 October 2019 - 5 January 2020
• 2021
  Hogarth and Europe

  Tate Britain

  1 November 2021 - 20 March 2022
• 2023
  Hogarth’s Britons: Succession, Patriotism, and the 1745 Jacobite Rebellion

  Derby Museums and Art Gallery

  10 March 2023 - 4 June 2023

Bibliography

• 1742
  H. Fielding, The History of the Adventures of Joseph Andrews, and of His Friend Mr Abraham Adams, London 1742
• 1746
  A. Rouquet, Lettres de Monsieur ** à un de ses amis à Paris, pour lui expliquer les estampes de Monsieur Hogarth, London 1746
• 1766
  R.J. Trusler, Hogarth Moralized. Being a Complete Edition of Hogarth's Works, London 1766
• 1781
  J. Nichols, Biographical Anecdotes of William Hogarth and a Catalogue of His Works Chronologically Arranged With Occasional Remarks, London 1781
• 1791
  J. Ireland, Hogarth Illustrated, London 1791
• 1792
  Christie, Manson & Woods, A Catalogue of the Reserved, Capital, and Valuable Part of the Genuine Collection of Pictures, Consigned from Paris, London, 10 March 1792
• 1796
  Christie, Manson & Woods, A Catalogue of a Valuable Collection of Italian, French, Flemish, and Dutch Pictures: Principally the Property of a Nobleman, Brought from his Grace's Seat in the Country, London, 21 May 1796 - 23 May 1796
• 1797
  G.C. Lichtenberg, Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollstandingen Copien derselben von E. Riepenhausen, Göttingen 1797
• 1797
  J. Christie, A Catalogue of that Most Capital and Matchless Set of Originals of the Marriage a la Mode, the Chefs d'Oeuvres of the Immortal Hogarth, in the Most Perfract State of Preservation, London, 10 February 1797
• 1808
  J. Nichols and G. Steevens, The Genuine Work of William Hogarth, with Biographical Anecdotes, 3 vols, London 1808
• 1811
  C. Lamb, 'On the Genius and Character of Hogarth', in L. Hunt (ed.), Reflector, London 1811
• 1811
  C. Lamb, 'On the Genius and Character of Hogarth', Reflector, II/3, 1811, pp. 61-77
• 1814
  British Institution, Catalogue of Pictures by the Late William Hogarth, Richard Wilson, Thomas Gainsborough, and J. Zoffani, London 1814
• 1818
  Hansard's Debates, 1795-7, vol. 32, London 1818
• 1823
  J. Young, A Catalogue of the Celebrated Collection of Pictures of the Late John Julius Angerstein, Esq: Containing a Finished Etching of Every Picture, and Accompanied with Historical and Biographical Notices, London 1823
• 1824
  W. Hazlitt, 'On Hogarth's "Marriage A-la-mode"', London Magazine, 1824
• 1828
  H. Walpole, Anecdotes of Painting in England, with Some Account of the Principal Artists, and Incidental Notes on Other Arts, ed. J. Dallaway, 5 vols, London 1828
• 1843
  W. Hazlitt, Criticisms on Art and Sketches of the Picture Galleries of England with Catalogues of the Principal Pictures, London 1843
• 1843
  W. Hazlitt, 'On Hogarth's Marriage A-la-Mode', in W. Hazlitt (ed.), Criticisms on Art, and Sketches of the Picture Galleries of England, London 1843, pp. 143-51
• 1854
  G.F. Waagen, Treasures of Art in Great Britain: Being and Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss. […], vol. 2, trans. E. Eastlake, London 1854
• 1868
  T. Gautier, 'William Hogarth', L'Artiste, 1868, pp. 155-72
• 1877
  F.G. Stephens, Catalogue of Prints and Personal Satires, London 1877
• 1882
  H. Fielding, The Dramatic Works of Henry Fielding, ed. L. Stephen, vol. 8, Love in Several Masques, ed. L. Stephen, London 1882
• 1930
  W.T. Whitley, Art in England 1821-1837, Cambridge 1930
• 1936
  Stedelijk Museum, Catalogus van de tentoonstelling twee eeuwen engelsche kunst (exh. cat., Stedelijk Museum, 4 July 1936 - 4 October 1936), Amsterdam 1936
• 1947
  F. Antal, 'Hogarth and His Borrowings', Art Bulletin, XXIX/1, 1947
• 1948
  R.E. Moore, Hogarth's Literary Relationships, Minneapolis 1948
• 1948
  A.P. Oppé, The Drawings of William Hogarth, Oxford 1948
• 1949
  E. Croft-Murray and H. Phillips, 'The Whole Humours of a Masquerade', Country Life, 1949, pp. 672-5
• 1952
  H. Kurz, 'Italian Modes of Hogarth's Picture Series', Journal of the Warburg and Courtauld Institutes, XV, 1952, pp. 136-63
• 1953
  J. Hadfield (ed.), The Thirteenth Issue of the Saturday Book, London 1953
• 1953
  E.K. Waterhouse, Painting in Britain 1530-1790, London 1953
• 1955
  W. Hogarth, The Analysis of Beauty, ed. J. Burke, Oxford 1955
• 1955
  W. Hogarth, The Analysis of Beauty, ed. J. Burke, Oxford 1955
• 1959
  Davies, Martin, National Gallery Catalogues: British School, 2nd edn (revised), London 1959
• 1961
  J.H. Hexter, Reappraisals in History, London 1961
• 1964
  L. Namier, 'BECKFORD, William (1760-1844), of Fonthill, Wilts.', in History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, 1754-1790, https://www.historyofparliamentonline.org/volume/1754-1790/member/beckford-william-1760-1844
• 1970
  A.S. Wensinger and W.B. Coley (eds), Hogarth on High Life: The Marriage à la Mode Series from Georg Christoph Lichtenberg's Commentaries, trans. A.S. Wensinger and W.B. Coley, Middletown Conn 1970
• 1973
  D. Kunzle, The Early Comic Strip, Berkeley 1973
• 1978
  M. Webster, Hogarth, London 1978
• 1980
  National Gallery, 'Pictures Cleaned and Restored in the Conservation Department of the National Gallery, March 1980 - December 1980', National Gallery Technical Bulletin, V, 1981
• 1980
  C. Lamb, 'On the Genius and Character of Hogarth', in R. Park (ed.), Lamb as a Critic, London 1980, pp. 315-34
• 1982
  D. Bomford and A. Roy, 'Hogarth's "Marriage A-la-mode"', National Gallery Technical Bulletin, VI, 1982, pp. 42-68
• 1983
  R.L.S. Cowley, Marriage A-la-Mode: A Review of Hogarth's Narrative Art, Manchester 1983
• 1983
  P. Rogers (ed.), Jonathan Swift: The Complete Poems, New Haven 1983
• 1983
  L. Bertelsen, 'The Interior Structure of Hogarth's "Marriage A-la-mode"', Art History, VI/2, 1983, pp. 131-42
• 1984
  D. Sutton, 'Aspects of British Collecting, III.XII: A Wealth of Pictures', Apollo, CXIX/267, 1984, pp. 346-56
• 1985
  O. Impey and A. MacGregor (eds), The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe, Oxford 1985
• 1986
  T. Castle, Masquerades and Civilisation: The Carnivalesque in Eighteenth-Century English Culture and Fashion, Stanford 1986
• 1987
  D. Dabydeen, Hogarth's Blacks: Commentaries and Catalogues, Athens, Georgia 1987
• 1987
  R. Simon, The Portrait in Britain and America: With a Biographical Dictionary of Portrait Painters 1680-1914, Oxford 1987
• 1988
  K. Arndt, William Hogarth: Der Kupferstich als moralische Schaubühne (exh. cat. Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 4 September -1 November 1988; Museum Wilhelm Busch, 15 March - 17 May 1987), Stuttgart 1988
• 1989
  R. Paulson, Hogarth's Graphic Works, 3rd revised edn, London 1989
• 1990
  R.S. Morton, 'Syphilis in Art and Entertainment in Four Parts. Part 3: The Seventeenth and Eighteenth Centuries', Genitourinary Medicine, LXVI/3, 1990
• 1990
  R.S. Morton, 'Two Minutes with Venus: Two Years with Mercury: Mercury as an Antisyphilitic Chemotherapeutic Agent', Journal of the Royal Society of Medicine, LXXXIII/6, 1990, pp. 392-5
• 1991
  R. Paulson, Hogarth, New Brunswick 1991
• 1992
  G. Beard, The Complete Gentleman: Five Centuries of Aristocratic Life, New York 1992
• 1992
  J.T. Hayes, British Paintings of the Sixteenth through Nineteenth Centuries, Washington 1992
• 1992
  N.F. Lowe, 'Hogarth, Beauty Spots, and Sexually Transmitted Diseases', British Journal for Eighteenth-Century Studies, XV/1, 1992, pp. 71-9
• 1993
  F. Haskell, History and Its Images: Art and the Interpretation of the Past, New Haven 1993
• 1993
  N. McWilliam, Hogarth, London 1993
• 1993
  C. Saumarez Smith, Eighteenth-Century Decoration: Design and the Domestic Interior in England, London 1993
• 1993
  S. Sidlauskas, 'Resisting Narrative: The Problem of Edgar Degas's "Interior"', Art Bulletin, LXXV/4, 1993, pp. 671-96
• 1993
  National Gallery, Pictures in Pictures (exh. cat. The National Gallery, 14 July - 19 September 1993), London 1993
• 1994
  E. Langmuir, The National Gallery Companion Guide, London 1994
• 1994
  J. Starobinski, L'invention de la liberté, Geneva 1994
• 1995
  A. Meyer, 'Re-Dressing Classical Statuary: The Eighteenth-Century "Hand-in-Waistcoat" Portrait', Art Bulletin, LXXVII/1, 1995, pp. 45-63
• 1995
  J. Simon, 'The Account Book of James Northcote', The Walpole Society, LVIII, 1996, pp. 21-125
• 1995
  P. De Voogd, 'Generation in William Hogarth's Marriage a-la-mode', in Les âges de la vie en Grande-Bretagne au XVIIIe siècle: Actes du colloque décembre 1990 et décembre 1991, Paris 1995, pp. 47-55
• 1995
  N. MacGregor, 'Les problèmes de la création d'un musée national au XVIIIe siècle en Angleterre', in Les Musées en Europe à la veille de l'ouverture du Louvre, Paris 1995, pp. 415-38
• 1996
  I. Hislop, 'Picture Choice: "Marriage A-la-mode" 1: The Marriage Contract', National Gallery News, 1996
• 1996
  P. Wardle, 'Een toilet kleed met kant: Kanttekeningen bij de textilia voor de toilettafel in de late zeventiende en achttiende eeuw', Bulletin van het Rijksmuseum, XLIV/1, 1996, pp. 27-36, 71-4
• 1996
  M.K. Lindberg, 'Dramatic Analogues in William Hogarth's Marriage A-la-Mode', in J. Moller (ed.), Hogarth in Context: Ten Essays and a Bibliography, Marburg 1996, pp. 72-86
• 1997
  M. Acton, Learning to Look at Paintings, London 1997
• 1997
  J.V. Field and F.A.J.L. James, Science in Art: Works in the National Gallery That Illustrate the History of Science and Technology, Stanford in the Vale 1997
• 1997
  J. Richardson, Looking at Pictures: An Introduction to Art for Young People Through the Collection of the National Gallery, London 1997
• 1997
  Anon., 'Hogarth's "Marriage A-la-mode"', National Gallery News, 1997
• 1997
  J. Egerton, 'The Character of the Countess', National Gallery News, 1997
• 1997
  M. Postle, 'Hogarth's "Marriage A-la-mode", Scene III: A Re-Inspection of the Inspection', Apollo, CXLVI/429, 1997, pp. 38-9
• 1997
  R. Simon, 'Picture Choice: "Marriage A-la-mode" 4. The Toilette', National Gallery News, 1997
• 1997
  D. Bindman, Hogarth and his Times (exh. cat. British Museum, 26 September 1997 - 4 January 1998), London 1997
• 1997
  J. Egerton, Marriage A-la-Mode (exh. cat. The National Gallery, 15 October 1987 - 18 January 1988), London 1997
• 1998
  J. Egerton, The British School, London 1998
• 1998
  A. Ribeiro, 'Reading Dress in Hogarth's "Marriage A-la-mode"', Apollo, 1998, pp. 49-50
• 1998
  M. Dillmann (ed.), Marriage à-la-mode: Hogarth und seine deutschen Bewunderer (exh. cat. Altes Museum and Nationalgalerie, 18 December 1998 - 28 February 1999; Städelsches Kunstinstitut und Städtische Galerie, 25 March - 20 June 1999), Berlin 1998
• 1998
  C. Keisch, P.-K. Schuster and M. Wullen, Fontane und die bildende Kunst (exh. cat. Staatliche Museen zu Berlin, 4 September - 29 November 1998), Berlin 1998
• 1999
  C. Keisch, '"Nicht jeder darf in Worte fassen, was Hogarth zu malen wagen durfte": Marriage A-la-mode: Hogarth und seine deutschen Bewunderer', Museums Journal, XIII/1, 1999, pp. 58-61
• 2000
  Egerton, Judy, National Gallery Catalogues: The British Paintings, revised edn, London 2000
• 2001

  C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001

• 2001
  B. Fort and A. Rosenthal (eds), The Other Hogarth: Aesthetics of Difference, Princeton 2001
• 2001
  W. Busch, 'Hogarth's Marriage-a-la-Mode: The Dialectic between Precision and Ambiguity', in D. Bindman (ed.), Hogarth: Representing Nature's Machines, Manchester 2001, pp. 195-218
• 2001
  R.-M. Hagen and R. Hagen, 'Bühne frei für Lady und Liebhaber: Szenen einer Ehe', Art (Hamburg), 10, 2001, pp. 78-83
• 2003
  J. Egerton, 'Hogarth's "Marriage A-la-mode" and the Copyist Adam Callander', The Burlington Magazine, CXLV/1199, 2003, pp. 88-91
• 2006
  R. Simon, 'Un Rosbif À Paris: Hogarth's Visit to Paris in 1743', British Art Journal, VII/2, 2006, pp. 24-33
• 2006
  M. Hallett (ed.), Hogarth (exh. cat. Musée du Louvre, 18 October 2006 - 7 January 2007; Tate Britain, 7 February - 29 April 2007; La Caixa, 29 May - 26 August 2007), Paris 2006

Frame