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Master of the Life of the Virgin, 'The Presentation in the Temple', probably about 1460-75

About the work

The priest Simeon is shown receiving the infant Christ from the Virgin Mary in front of an elaborate altar. The scene is based on a passage in the Gospel of Luke (2:22–40), which describes Mary and Joseph’s visit to the temple in Jerusalem for the rituals of Mary’s purification and of Christ’s presentation to God.

Simeon recognised Christ’s divinity upon seeing him, saying ‘Lord, now lettest thou thy servant depart in peace, according to thy word: For mine eyes have seen thy salvation’ (Luke 2: 29–30). The embroidery on his cope shows the Roman Emperor Augustus having a vision of the Virgin and Child – a decisive experience which made the ruler recognise that their spiritual power was greater than his.

This painting, along with seven other panels now in the Alte Pinakothek, Munich, once formed part of the central panel of an altarpiece made for the church of Saint Ursula in Cologne. It was commissioned by Dr Johann von Hirtz, a councillor in the city.

Key facts

Full title
The Presentation in the Temple
Artist
Master of the Life of the Virgin
Artist dates
active second half of the 15th century
Date made
probably about 1460-75
Medium and support
oil on wood
Dimensions
83.8 × 108.6 cm
Acquisition credit
Presented by Queen Victoria at the Prince Consort's wish, 1863
Inventory number
NG706
Location
Not on display
Collection
Main Collection
Previous owners
Frame
20th-century Replica Frame

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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Saints Augustine, Hubert, Ludger (?) and Gereon (?)
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This is the outer face of the left-hand shutter of an altarpiece from the Benedictine abbey in Werden, near Cologne. It would have been visible when the shutters were closed over the central part of the altarpiece, which has not been traced. The outer face of the right-hand shutter, which is also...
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Saints Jerome, Bernard (?), Giles and Benedict (?)
Saints Jerome, Bernard (?), Giles and Benedict (?)
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This is the outer face of the right-hand shutter of an altarpiece made for the Benedictine abbey at Werden. The outer face of the left-hand shutter, which is in the National Gallery’s collection, also shows four standing saints.Saint Jerome, dressed in red cardinal’s robes, pets the lion that was...
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The Conversion of Saint Hubert: Left Hand Shutter
The Conversion of Saint Hubert: Left Hand Shutter
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Saint Hubert kneels in prayer in front of a vision of Christ upon the Cross, which has miraculously appeared between the antlers of a stag. Hubert was a courtier in Metz, a city in the eastern Frankish Kingdom, and an enthusiastic hunter. He had been out with his dogs in the forest of Ardennes wh...
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The Mass of Saint Hubert: Right Hand Shutter
The Mass of Saint Hubert: Right Hand Shutter
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This panel once decorated the inner face of the right-hand shutter of an altarpiece made for the Benedictine abbey in Werden, near Cologne. An earlier episode of the saint’s life – the moment of his conversion to Christianity – appeared on the left-hand shutter.After his conversion, Hubert devote...
Not on display