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Lorenzo Costa, Saint John the Baptist

Key facts
Full title Saint John the Baptist
Artist Lorenzo Costa
Artist dates 1460 - 1535
Group The High Altarpiece from San Pietro in Vincoli, Faenza
Date made 1505
Medium and support Oil on canvas, transferred from wood
Dimensions 55.2 × 57.1 cm
Inscription summary Signed; Dated and inscribed
Acquisition credit Bought, 1859
Inventory number NG629.5
Location Not on display
Collection Main Collection
Saint John the Baptist
Lorenzo Costa

Saint John the Baptist sits on a stone ledge, his attribute of a reed cross leaning against his shoulder. John was a hermit and prophet who lived in the wilderness, baptising people in the river Jordan and preaching repentance of sins. The scroll in his right hand bears a Latin inscription: ECCE AGNUS DEI (‘Behold the Lamb of God’). These are the words the saint spoke when he baptised Christ and recognised him as the Messiah.

This painting was part of the upper tier of a large, multi-panelled altarpiece made for the oratory of S. Pietro in Vincoli, Faenza, other parts of which are also in the National Gallery’s collection. The Virgin and Child appeared enthroned at the centre of the altarpiece; Saint John would originally have been looking at and gesturing to the infant Christ. A painting of Saint John the Evangelist appeared on the other side of The Virgin and Child.

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The High Altarpiece from San Pietro in Vincoli, Faenza


These five paintings were once part of a large multi-panel altarpiece, or polyptych, made for the high altar of the Oratory of S. Pietro in Vincoli, Faenza. It was originally topped by a horizontal panel, now lost, showing the dead Christ supported by angels.

Although the altarpiece has been dismembered and its original frame – an important part of the ensemble – is lost, we can tell how it would have been arranged by comparison with existing polyptychs and designs for them, and from the paintings themselves. The Virgin and Child evidently appeared in an arched niche: the dark curved areas to either side of the Virgin’s head would have been covered by the frame. They were flanked by Saints Peter and Philip in the lower register, with Saints John the Evangelist and John the Baptist above.

Lorenzo Costa has signed and dated the central panel in Latin, making it look like an inscription at the top of the door frame: LAURENTIUS COSTA F[ECIT] 1505.