Anthony Van Dyck
Please note that from 10 August, this room is closed for refurbishment. We apologise for any inconvenience this may cause.
Anthony van Dyck and his teacher Peter Paul Rubens were the two most distinguished Flemish painters of the 17th century. After enjoying great success as a portrait painter in London, Genoa and Antwerp, Van Dyck’s career reached its peak in 1632, when he returned to England to become court painter to King Charles l.
Van Dyck’s genius as a portraitist lay in his talent for capturing the aspirations of his sitters. Whether using a low viewpoint to make his subjects look taller, depicting them in rich settings and with elegant accessories, or endowing them with a confident gaze, Van Dyck excelled at portraying his patrons looking their best. Rubens’s teaching and the profound impact of Titian’s work encouraged Van Dyck to adopt a free and loose brushwork and use more vibrant colours.
In addition to portraits, Van Dyck was also admired for his religious and mythological works. A number of paintings by this artist are also displayed in Room 29.