Collaborative Postdoctoral partnerships

Collecting Continental Old Masters at Harewood House, Yorkshire: Conflicts and convergences over contemporary art and national heritage and European and American cultural relations in the British art world, 1880-1950

Art history scholarship between the 1820s and the 1870s: The role of the Eastlake Library at the National Gallery

Conservation varnishes at the National Gallery: Studying their optical and material properties

Settings and Subjects in Early Netherlandish Painting

The Workshop and its Painters: Perugino and the Perugineschi in Florence and Perugia

Immersive Renaissance:: the application of digital spatial approaches to reconstruct the urban and architectural context of artworks in the National Gallery collections

Jewish Collectors and Donors at the National Gallery (about 1830–1930)

London’s National Gallery and the ‘Centre of Empire’, 1824–1924

Multimodal analytical imaging of Old Master Paintings: : addressing the challenges of registration, mosaic construction and image resolution

New research on the history and technology of materials in paintings and other cultural heritage artefacts using the enhanced sensitivity and specificity of advanced mass spectrometry techniques

Research-based 3D modelling of Renaissance built environments: : workflow, uncertainty and standards

Robust monitoring and vibration mitigation for easel paintings