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Paintings on art route C
30 of 324 paintings
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. The overall theme of these highly elaborate, showpiece frescoes is the progress of mankind by means of Wisdom and Virtue....
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery’s collection, and this one represents one of the four Cardinal Virtues. First identifie...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. First identif...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–5. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. Fi...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. First identif...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery’s collection, and this one corresponds to the group in the centre of the ceiling of the...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. This scene corresponds to that painted on one of the two short walls, above the entrance to the grand Galleria.It shows Mi...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. The overall theme of these highly elaborate, showpiece frescoes is the progress of mankind by means of Wisdom and Virtue.T...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. The overall theme of these highly elaborate frescoes is the progress of mankind by means of Wisdom and Virtue.This scene c...
This modello, or detailed oil study, is one of a group of twelve that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–5. This scene corresponds to that painted on one of the two short ends of the grand Galleria, in which Giordano presents a...
Jupiter, the ruler of the gods, is seated on a cloud, his attribute of an eagle with thunderbolts in its beak beside him. He is embracing the goddess Minerva, his daughter. The scene is witnessed by a gathering of the gods of Olympus, clearly shocked by what they see.Mercury, messenger of the god...
This panel was most probably the right-hand wing of a diptych (a painting made up of two panels), and was probably made in Cologne in the 1530s. The location of the left-hand panel is unknown, but it most probably showed the dead Christ.The figures huddle together and look in the direction of the...
In 1 Corinthians 13, Saint Paul discusses three traits that would become known as the theological virtues: faith, hope and charity. He believed that charity, an expression of the love of God and of one’s neighbour, was the most important. Here, the inscription ‘CHARITAS’ at the top of the picture...
The subject of this painting has been much debated, but it’s generally thought to show an imagined view of a past and primitive society. Cranach made a number of similar paintings from 1527 to 1535. Since the twentieth century it has been assumed that the origin of the subject lies in a classical...
This painting, which shows Saints Christina and Ottilia, was part of a multi-panelled altarpiece made by Cranach in 1506, shortly after he was appointed court painter to the Elector of Saxony, Friedrich the Wise.Saint Christina of Bolsena was a third-century virgin martyr. When she renounced her...
Saint Genevieve, born in the fifth century, is the patron saint of Paris. She was a nun, and helped protect the city from attack from the Huns and the Franks. Here, she holds the candle that miraculously relit after the devil blew it out while she was praying alone one night.Saint Apollonia was a...
Venus, the goddess of love, leans against a leafy tree while her son Cupid, the god of desire, tries to get her attention. Clutching a stolen honeycomb, he complains as bees swarm and sting him – but Venus is uninterested in her son. Instead, her attention is directed towards us.The Latin inscrip...
The story of Saint Paul’s shipwreck on the island of Malta is described in Acts (28: 1–6), and Adam Elsheimer has taken advantage of the biblical description to portray a night scene: ‘And the barbarous people shewed us no little kindness: for they kindled a fire, and received us every one, becau...
Christ is shown crouching in the river Jordan as Saint John baptises him, pouring water over his head. An angel and two cherubs carry a red drapery to wrap around Christ after baptism. The sky has opened up to reveal the intense light of heaven where the bearded figure of God the Father is surrou...
This portrait was made to hang with one of a woman by the same artist (Oscar Reinhart Collection, Winterthur), possibly to commemorate the couple’s engagement or marriage. This seems likely as both are shown with flowers associated with marriage: the carnation or pink held by the man was part of...
A solemn woman wearing a soft cap of dense white fur sits with a red squirrel in her lap and a glossy-feathered starling at her shoulder. Common pets in the fifteenth-century, these animals also have a symbolic meaning and serve as clues to the sitter’s identity. She is thought to be Anne Lovell,...
This elegant young woman is Christina of Denmark, the youngest daughter of King Christian of Denmark. In 1538, King Henry VIII of England was looking for a fourth wife, after the death of Jane Seymour the previous year. As Henry’s official court artist, Holbein was sent to Brussels to capture the...
Jean de Dinteville, the man on the left, is shown on his second diplomatic mission to England on behalf of Francis I, King of France. To the right is his close friend, Georges de Selve, Bishop of Lavaur. This portrait was painted at a time of religious upheaval in Europe. Although the pope had re...
The subject of Christ bidding farewell to his mother, the Virgin Mary, as he heads to Jerusalem to face his arrest, trial and death was very popular in southern Germany. This is a fragment of a larger painting, which has been cut at the right edge – only Christ’s hands and part of his long crimso...
The demure young woman in this portrait is Susanna Stefan of Nuremberg. The picture may well have been painted around the time of her marriage to Wolfgang Furter, probably along with a pendant portrait of her husband. A damaged inscription gives her age as 18 and a date in the 1560s; the coats of...
This scene is set in heaven, and Rottenhammer has managed to convey its vast scale even in this small space: rows of angels, saints and prophets fill every inch of the painting, and the more distant figures are painted very faintly to create a feeling of expansiveness.At the top, surrounded by a...
The Three Kings have arrived to worship the newborn Christ. The Virgin Mary presents the baby, who has a bright halo of light around his tiny head, to the kneeling king, who takes the child’s small foot in his hand in order to kiss it. Spranger has positioned the two other kings around the mother...