Nicolaes Maes, 'The Idle Servant', 1655
About the work
Overview
Although the title of this picture is Interior with a Sleeping Maid and her Mistress it has become known as The Idle Servant. The young woman is slumped on a stool, head in hand, taking a snooze after the hard work involved in preparing a large meal; heavy pots and pans litter the floor. But the mistress doesn‘t appear to be condemning her for a mortal sin – she shrugs her shoulders with a smile that seems to say, ’what am I to do with her?‘
Nicolaes Maes was for a while a student of Rembrandt. Here he has used his master’s technique of chiaroscuro (’light dark', contrasting use of light and shade to create a dramatic effect) to pick out the important points in the story. The contrasts and rich colours lend atmosphere and demonstrate Maes’s considerable skills in portraying texture, mood and character – seventeenth-century Dutch genre painting at its finest.
Key facts
Details
- Full title
- Interior with a Sleeping Maid and her Mistress ('The Idle Servant')
- Artist
- Nicolaes Maes
- Artist dates
- 1634 - 1693
- Date made
- 1655
- Medium and support
- oil on wood
- Dimensions
- 70 × 53.3 cm
- Inscription summary
- Signed; Dated
- Acquisition credit
- Bequeathed by Richard Simmons, 1847
- Inventory number
- NG207
- Location
- Room 17
- Collection
- Main Collection
- Previous owners
- Frame
- 17th-century Italian Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Neil MacLaren, revised and expanded by Christopher Brown, ‘National Gallery Catalogues: The Dutch School: 1600–1900’, London 1991; for further information, see the full catalogue entry.
Exhibition history
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2019Nicolaes Maes: Dutch Master of the Golden AgeMauritshuis17 October 2019 - 19 January 2020
Bibliography
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1830
J. Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters: In Which is Included a Short Biographical Notice of the Artists, with a Copious Description of Their Principal Pictures […], vol. 2, London 1830
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1907C. Hofstede de Groot, Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, 10 vols, London 1907
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1960Maclaren, Neil, National Gallery Catalogues: The Dutch School, 2 vols, London 1960
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1976E. de Jongh, Tot Lering en Vermaak: Betekenissen van Hollandse genrevoorstellingen uit de zeventiende eeuw (exh. cat. Rijksmuseum, 16 September - 5 December 1976), Amsterdam 1976
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1978C. Brown, The National Gallery Lends: Dutch Genre Painting (exh. cat. Hatton Gallery, 14 January - 26 February 1978; Bolton Art Gallery, 14 March - 15 April 1978), Newcastle upon Tyne 1978
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1983C. Brown, 'Rubens' Watering Place: An Examination of His Landscape Technique', Ringling Museum of Art Journal, 1983, pp. 130-49
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1987H. Bock, Hollandische Genremalerei Im 17. Jahrundert, Berlin 1987
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1990B.P.J. Broos (ed.), Great Dutch Paintings from America (exh. cat. Mauritshuis, 28 September 1990 - 13 January 1991; Fine Arts Museums of San Francisco, 16 February 1991 - 5 May 1991), Zwolle 1990
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1991Maclaren, Neil, revised by Christopher Brown, National Gallery Catalogues: The Dutch School, 1600-1900, 2nd edn (revised and expanded), 2 vols, London 1991
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1993W.E. Franits, Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art, Cambridge 1993
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1994P. Durcan, Give Me Your Hand: Poems, London 1994
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1995E. de Jongh, Kwesties van betekenis: Thema en motief in de Nederlands schilderkunst van de zeventiende eeuw, Leiden 1995
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1995A.K. Wheelock, Dutch Paintings of the Seventeenth Century, Washington 1995
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1995I. Nemeth, 'Fille assoupie: Contribution a l'interprétation d'un tableau attribué a Jacob Duck', Bulletin du Musée Hongrois des Beaux-Arts, LXXXIII, 1995, pp. 55-68
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1998W.T. Kloek, Een huishouden van Jan Steen, Hilversum 1998
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1998N. Salomon, Jacob Duck and the Gentrification of Dutch Genre Painting, Doornspijk 1998
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1998I. Netta, 'The Phenomenon of Time in the Art of Vermeer', Studies in the History of Art, LV, 1998, pp. 256-63
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1998P. Sutton, Pieter de Hooch (exh. cat. Dulwich Picture Gallery, 3 September - 15 November 1998; Wadsworth Athenaeum, 17 December 1998 - 27 February 1999), London 1998
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2000L. Krempel, Studien zu den datierten Gemälden des Nicolaes Maes (1634-1693), Petersberg 2000
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2000H.P. Chapman, 'Women in Vermeer's Home. Mimesis and Ideation', Nederlands Kunsthistorisch Jaarboek, LI, 2000, pp. 236-71
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2000Rijksmuseum, The Glory of the Golden Age: Dutch Art of the 17th Century: Painting, Sculpture and Decorative Art (exh. cat. Rijksmuseum, 15 April - 17 September 2000), Amsterdam 2000
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2002M. Martha Hollander, An Entrance for the Eyes: Space and Meaning in Seventeenth Century Dutch Art, Los Angeles 2002
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.