Matteo di Giovanni, 'The Assumption of the Virgin', probably 1474
About the work
Overview
This magnificent and imposing vision of the Virgin Mary’s body and soul being taken to heaven was the central panel of a large polyptych (a multi-panelled altarpiece). It was made for the monastery of Sant'Agostino in Asciano, in the countryside near the Tuscan town of Siena.
The Virgin is shown rising in majesty, high above the hills, trees and river of the landscape, her empty tomb below her. Saint Thomas strains to catch a pink ribbon – this is the Virgin’s belt, or girdle, which, according to legend, the Virgin dropped for him. Thomas had also touched Christ’s wounded side after the Resurrection. In both instances, Thomas served to prove the truth of the bodily resurrection.
The city of Siena was dedicated to the protection of the Virgin Mary, and many glorious images of her could be found there. By commissioning an image like this, Asciano and other surrounding towns were showing their own devotion while emulating Siena.
Key facts
Details
- Full title
- The Assumption of the Virgin
- Artist
- Matteo di Giovanni
- Artist dates
- active 1452; died 1495
- Date made
- probably 1474
- Medium and support
- egg tempera on wood
- Dimensions
- 331.5 × 174 cm
- Inscription summary
- Dated and inscribed
- Acquisition credit
- Bought, 1884
- Inventory number
- NG1155
- Location
- Not on display
- Collection
- Main Collection
- Frame
- 21st-century Replica Frame
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.