Master of the Saint Bartholomew Altarpiece, 'The Virgin and Child with Musical Angels', about 1485-1500
About the work
Overview
This painting of the Virgin Mary with the infant Christ was probably made for private devotion. Seated on a cushion, its thick tassels protruding from beneath the folds of her draperies, the Virgin is about to breastfeed her child. The flowers in the vase on the right are pinks, called Nelke (‘nailflowers’) in German, and refer to Christ’s crucifixion. The delicate columbine on the left – the long-stemmed plant with bell-shaped flowers – was associated with the Virgin Mary as well as the Holy Ghost, often depicted as a dove (columba means ‘dove’ in Latin).
Infrared photographs reveal a detailed underdrawing. The areas of shadow in the Virgin’s drapery and on the tiles are indicated with minute parallel strokes (called hatching), sometimes crossed over to make it appear even denser (cross-hatching). The precision and the lack of alterations in the underdrawing suggest it was copied from an existing model in the master’s workshop by one of his assistants.
Key facts
Details
- Full title
- The Virgin and Child with Musical Angels
- Artist dates
- active about 1470 to about 1510
- Date made
- about 1485-1500
- Medium and support
- oil on wood
- Dimensions
- 52 × 38 cm
- Acquisition credit
- Bought, 1985
- Inventory number
- NG6499
- Location
- Not on display
- Collection
- Main Collection
- Frame
- 20th-century Replica Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Susan Foister, ‘National Gallery Catalogues: The German Paintings before 1800’, London 2024; for further information, see the full catalogue entry.
Exhibition history
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2010Van Eyck to DürerGroeningemuseum29 October 2010 - 30 January 2011
Bibliography
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1900E. Firmenich-Richartz, 'Der Meister des Heiligen Bartholomäus, II', Zeitschrift für Christliche Kunst, XIII, 1900
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1934A. Stange, Deutsche Malerei der Gotik, 11 vols, Munich 1934
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1939G. Ring, 'Die Gruppen der Heiligen Agnes', Oud Holland, LVI, 1939, pp. 44-5
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1939H. Busch, 'Das Triptychon in Djursdala. Problem zwischen Lübeck und Köln. Neues über den Meister des Bartholomäus-Altars', Konsthistorisk Tidschrift, 8, 1939
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1941K. vom Rath, Der Meister des Bartholomäualtars, Bonn 1941
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1961R. Andree, 'Der Meister des Barthomäualtars und die südniederländische Malerei des 15 Jahrhunderts', Wallraf-Richartz-Jahrbuch, XXIII, 1961
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1961P. Pieper, Kölner Maler der Spätgotik: Der Meister des Bartolomäus-Altares: Der Meister des Aachener Altares (exh. cat. Wallraf-Richartz-Museum, 25 March - 28 May 1961), Cologne 1961
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1967A. Stange, Der deutschen Tafelbilder vor Dürer. Kritisches Verzeichnis, Munich 1967
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1986National Gallery, 'Pictures Cleaned and Restored in the Conservation Department of the National Gallery, January 1985 - December 1985', National Gallery Technical Bulletin, X, 1986
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1988National Gallery, The National Gallery Report: January 1985 - December 1987, London 1988
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1993N. MacGregor, A Victim of Anonymity: The Master of the Saint Bartholomew Altarpiece, London 1993
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1997R. Billinge et al., 'Methods and Materials of Northern European Painting in the National Gallery, 1400–1550', National Gallery Technical Bulletin, XVIII, 1997, pp. 6-52
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2024S. Foister, National Gallery Catalogues: The German Paintings before 1800, 2 vols, London 2024
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.