Skip to main content

Luca Signorelli, The Triumph of Chastity: Love Disarmed and Bound

Key facts
Full title The Triumph of Chastity: Love Disarmed and Bound
Artist Luca Signorelli
Artist dates about 1440/50 - 1523
Series Three Frescoes from Palazzo del Magnifico, Siena
Date made about 1509
Medium and support Fresco, detached and mounted on canvas
Dimensions 125.7 × 133.4 cm
Inscription summary Signed
Acquisition credit Bought, 1874
Inventory number NG910
Location Not on display
Collection Main Collection
Previous owners
The Triumph of Chastity: Love Disarmed and Bound
Luca Signorelli

This picture, painted in fresco (directly onto wet plaster) was part of the decoration of a room in the palace of the ruling Petrucci family of Siena. Two others survive in the National Gallery’s collection.

Love – the naked youth with multi-coloured wings – is chased, captured and finally bound by Chastity, symbolised by a virtuous woman dressed in white. She is Laura, the hero of The Triumph of Chastity, a poem by the fourteenth-century Italian poet Petrarch. For Petrarch, Laura was the model of female beauty and virtue; she exemplified the power of Chastity to conquer the wild lust of erotic love.

The frescoes were made to celebrate a family wedding, and so chastity – seen as essential within marriage, the cornerstone of Renaissance society – was a fitting subject.

Download image
Download low-resolution image

Download a low-resolution copy of this image for personal use.

License this image

License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library.

License image
Download low-resolution image

This image is licensed for non-commercial use under a Creative Commons agreement.

Examples of non-commercial use are:

  • Research, private study, or for internal circulation within an educational organisation (such as a school, college or university)
  • Non-profit publications, personal websites, blogs, and social media

The image file is 800 pixels on the longest side.

As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Help keep us free by making a donation today.

Download low-resolution image

You must agree to the Creative Commons terms and conditions to download this image.

Creative Commons Logo

Three Frescoes from Palazzo del Magnifico, Siena


These three paintings in fresco (painted directly on to wet plaster) once decorated the walls of a room in the Petrucci family palace in Siena. Each wall was painted with two frescoes, positioned on either side of a doorway or window. The ceiling, which can be seen at the Metropolitan Museum of Art, New York, contained 20 frescoes of mythological scenes, divided by carved, painted and gilded stucco (plaster), produced by Pintoricchio and his workshop. At the centre was the Petrucci coat of arms, surrounded by flying putti (cherubs).

The frescoes were commissioned by Pandolfo Petrucci to celebrate the marriage of his son to the niece of Pope Pius III. The occasion provided an opportunity to show off his fashionable interest in classical history – through scenes from ancient Greek and Roman literature and history, the frescoes illustrate family values and the virtues important to marriage.