-
1841
H. Artaria, A Descriptive Catalogue of the Gallery of Pictures Collected by Edmund Higginson, London 1841
-
1846
Christie & Manson, Catalogue of the Very Important Collection of Pictures, the Property of Edmund Higginson Esq. of Saltmarshe, Herefordshire, London, 4 June 1846 - 6 June 1846
-
1927
H. Focillon, La peinture au XIXe siècle: Le retour de l'antique, le romantisme, Paris 1927
-
1933
H.I. Kay, 'The Hay Wain', The Burlington Magazine, LXII/363, 1933, pp. 281-9
-
1934
R.N.D. Wilson, The National and Tate Galleries, London 1934
-
1946
Davies, Martin, National Gallery Catalogues: British School, London 1946
-
1946
M. Davies, Paintings and Drawings on the Backs of National Gallery Pictures, London 1946
-
1949
A. Malraux, Psychologie de l'art, Paris 1949
-
1956
R. Beckett, 'Constable and France', The Connoisseur, CXXXVII, 1956, pp. 249-55
-
1957
M. Florisoone, 'Constable and the "Massacres de Scio" by Delacroix', Journal of the Warburg and Courtauld Institutes, XX/1-2, 1957, pp. 180-5
-
1959
Davies, Martin, National Gallery Catalogues: British School, 2nd edn (revised), London 1959
-
1960
G. Reynolds, Catalogue of the Constable Collection, London 1960
-
1976
A. Smart and A. Brooks, Constable and His Country, London 1976
-
1976
L. Parris, I. Fleming-Williams and C. Shields, Constable: Paintings, Watercolours and Drawings (exh. cat. Tate Gallery, 18 February - 23 April 1976), London 1976
-
1980
J. Barrell, The Dark Side of the Landscape, Cambridge 1980
-
1981
M. Pointon, Romanticism in English Art, London 1981
-
1982
R. Paulson, Literary Landscape: Turner and Constable, New Haven 1982
-
1983
M. Rosenthal, Constable: The Painter and His Landscape, New Haven 1983
-
1986
M. Cormack, Constable, Oxford 1986
-
1987
A. Bermingham, Landscape and Ideology: The English Rustic Tradition, 1740-1867, London 1987
-
1989
E. Helsinger, 'Constable: The Making of a National Painter', Critical Enquiry, XV/1, 1989, pp. 253-79
-
1991
L. Parris and I. Fleming-Williams, Constable, (exh. cat. Tate Gallery, 13 June - 15 September 1991), London 1991
-
1992
A. Hemingway, Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain, Cambridge 1992
-
1993
F.F. Frascina et al., Modernity and Modernism: French Painting in the Nineteenth Century, New Haven 1993
-
1994
E. Le Roy Ladurie, Paysages, paysans (exh. cat. Galerie Mazarine, 25 March - 26 June 1994), Paris 1994
-
1995
P. Bishop, An Archetypal Constable: National Identity and the Geography of Nostalgia, London 1995
-
1998
J. Egerton, The British School, London 1998
-
1999
J.E. Thornes, John Constable's Skies: A Fusion of Art and Science, Birmingham 1999
-
2000
Egerton, Judy, National Gallery Catalogues: The British Paintings, revised edn, London 2000
-
2000
N. MacGregor, 'Chef-d'oeuvre: Valeur sûre?', in H. Belting et al., Qu'est-ce qu'un chef-d'oeuvre?, Paris 2000, pp. 67-104
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
-
2002
W. Vaughan, John Constable, London 2002
-
2002
J. Padfield et al., 'Improvements in the Acquisition and Processing of X-Ray Images of Paintings', National Gallery Technical Bulletin, XXIII, 2002, pp. 70-1
-
2003
P. Noon et al., Constable to Delacroix: British Art and the French Romantics (exh. cat., Tate Britain, 5 February - 11 March 2003; The Minneapolis Institute of Arts, 8 June - 7 September 2003; Metropolitan Museum of Art, 7 October - 4 January 2004), London 2003
-
2005
R. Lambert, John Constable and the Theory of Landscape Painting, Cambridge 2005
-
2006
M. Rosenthal, 'Constable and Englishness', British Art Journal, VII/3, 2006, pp. 40-5
-
2006
A. Lyles, Constable: The Great Landscapes (exh. cat. Tate Britain, 1 June - 28 August 2006), London 2006
-
2007
P. McEvansoneya, 'John Constable and the Royal Hibernian Academy in 1834, with an Unpublished Letter to Martin Cregan', The Burlington Magazine, CXLIX, 2007, pp. 685-9
-
2007
T. Wilcox, 'Not "The Hay Wain"? Constable's "Landscape, Noon" and Its Many Titles', British Art Journal, VIII/2, 2007, pp. 16-23
