Skip to main content

Ercole de' Roberti, The Adoration of the Shepherds

Key facts
Full title The Adoration of the Shepherds
Artist Ercole de' Roberti
Artist dates active 1479; died 1496
Group The Este Diptych
Date made about 1490
Medium and support Tempera on wood
Dimensions 17.8 × 13.5 cm
Acquisition credit Bought, 1894
Inventory number NG1411.1
Location Gallery C
Collection Main Collection
Previous owners
The Adoration of the Shepherds
Ercole de' Roberti

This small panel is painted in fine detail, resembling a precious painted miniature or illuminated manuscript. It formed the left side of a diptych (a work of two parts) joined with a central hinge; the other side showed The Dead Christ. Joseph, the Virgin Mary and a shepherd in torn clothes pray before the infant Christ. He lies naked in a manger in front of an elaborate wooden structure that looks more like a temple or church than a stable. Although it is made of humble materials, its design reflects the ideas of the eminent local architect, Alberti, whose church architecture incorporated features of ancient Roman architecture. This cultural reference would not have been lost upon the diptych’s owner Eleonora of Aragon, Duchess of Ferrara. Eleonora focused her prayer upon the body of Christ and its place in the Mass, when Catholics believed that the bread and wine of the Eucharist became Christ’s body and blood. The focus here upon Christ’s naked body was appropriate for her private prayer.

Download image
Download low-resolution image

Download a low-resolution copy of this image for personal use.

License this image

License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library.

License image
Download low-resolution image

This image is licensed for non-commercial use under a Creative Commons agreement.

Examples of non-commercial use are:

  • Research, private study, or for internal circulation within an educational organisation (such as a school, college or university)
  • Non-profit publications, personal websites, blogs, and social media

The image file is 800 pixels on the longest side.

As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Help keep us free by making a donation today.

Download low-resolution image

You must agree to the Creative Commons terms and conditions to download this image.

Creative Commons Logo

The Este Diptych


The Adoration of the Shepherds and The Dead Christ were originally joined with hinges to form a diptych – an object made up of two painted panels – that could open and close, creating a visual prayer book. It probably belonged to Eleonora of Aragon, Duchess of Ferrara. An inventory of her possessions records just such a work, covered in cherry-red velvet; traces of red velvet remain on the back of these two pictures. The images portray the beginning and end of Christ’s life but the focus is on his body.

Eleonora was particularly devoted to the Corpus Christi (‘the body of Christ’). She played a prominent role in the annual feast that celebrated the institution of the Eucharist at the Last Supper, when Christ instructed his disciples to drink wine and eat bread in commemoration of his blood and body. She was closely connected to a religious group that focused their prayer upon the Corpus Christi and was buried in their church in Ferrara.