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The National Gallery has endeavoured to make as many images of the collection as possible available for non-commercial use. However, an image of this painting is not available to download. This may be due to third party copyright restrictions.

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Maestà Predella Panels

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These three small panels come from the altarpiece known as the Maestà (‘Majesty’), made for Siena Cathedral. It is the only surviving signed work by the city’s leading artist, Duccio di Buoninsegna. These paintings formed part of the predella, the lowest part of the altarpiece.

The Maestà was painted on both sides: The Annunciation comes from the front predella, while the Healing of the Man born Blind and the Transfiguration were originally placed next to each other on the back of the predella. The predella itself was shaped like a rectangular box, with images on both sides, providing support for the large, double-sided picture.

When the picture was completed in 1311 it was carried in a festive procession across the streets of Siena to the cathedral, where it was placed above the high altar. There it became the focus of the Siena’s devotion to the Virgin Mary, who was considered the protector of the city.

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