Skip to main content
Past exhibition

Kehinde Wiley at the National Gallery

The Prelude

10 December 2021 – 18 April 2022

Admission free

Sunley Room

Kehinde Wiley is an American artist best known for his portraits that render people of colour in the traditional settings of Old Master paintings. Most famously, in 2017, he was commissioned to paint Barack Obama, becoming the first Black artist to paint an official portrait of a president of the United States. His work makes reference to the canon of European portraiture by positioning contemporary Black sitters, from a range of ethnic and social backgrounds, in the poses of the original historical, religious or mythological figures. His images – as part quotation, part intervention – raise questions about power, privilege, identity, and above all highlight the absence or relegation of Black figures within European art.

In this exhibition, Wiley will shift his focus from one European tradition - Grand Manner portraiture – to another – landscape painting 

Through new artworks, including film and painting, Wiley will look at European Romanticism and its focus on epic scenes of oceans and mountains, building relationships with our collection of historical landscapes and seascapes by Turner, Claude, Vernet and Friedrich. 

Like his work before, this new work will look back at Old Masters as a way to create new connections and raise fresh questions.

Production photo from on-location filming in Norway for Prelude, 2020 © Kehinde Wiley

Exhibition supported by

Hiscox v2

Christian and Florence Levett

 

The Sunley Room exhibition programme is supported by the Bernard Sunley Foundation

 

 

Find out more

Curator's introduction

Kehinde Wiley at the National Gallery: The Prelude

Christine Riding, the Jacob Rothschild Head of the Curatorial Department, introduces the exhibition in this recorded live talk

Artist's introduction

Kehinde Wiley at the National Gallery: The Prelude

Kehinde Wiley introduces his exhibition at the Gallery and explains why he thinks 'paintings have to punch you in the gut'
X
/
Y