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 About 'Robin Hood and His Merry Men Entertaining Richard the Lionheart in Sherwood Forest'.
Image of 'Robin Hood and His Merry Men Entertaining Richard the Lionheart in Sherwood Forest' by Daniel Maclise.
PICTURE RESOURCES

'Robin Hood and His Merry Men Entertaining Richard the Lionheart in Sherwood Forest', 1839
by Daniel Maclise

 
Daniel Maclise, born in Ireland, exhibited at the Royal Academy of Arts for the first time in 1829. From then on he confined his subject matter predominantly to historical paintings. This painting shows an early Victorian interest in medieval times. By 1839 England was becoming industrialised and people were looking back to an earlier period of perceived abundance, merriment and great sociability between people - 'Merrie England'. These paintings were an escape from the society people were then living in, cramped industrialised towns. The painting combines the stories of Robin Hood and King Richard with Ivanhoe, written by Sir Walter Scott in 1819 (Scott was harking back to a romantic view of 12th-century England.)

It's twilight in the forest. Amidst the oak and horse chestnut trees Robin Hood and his Merry Men are entertaining Richard the Lionheart. Robin is depicted at the centre of the painting. He may have been depicted in red because it set him apart from his men as their leader; the red cloth called 'Lincoln graine' was more expensive to make than 'Lincoln green'.

All the characters from the stories of Robin Hood are represented here: Friar Tuck, Will Scarlet, Alan-a-Dale and Little John (a self portrait of Maclise), all drinking, eating and making merry. Look carefully and you will see Maid Marian sitting quietly, holding her bow, with her arrows tucked away in the quiver she wears on her back. Do you think she is having a good time? Alan-a Dale is playing music on a lute, and in the background a friendly wrestling match is taking place.

The story goes that Robin Hood challenged a knight to a test of skills, the knight won and Robin put on a feast for him. Here, at the feast, Robin can be seen raising his glass, making a toast to King Richard the Lionheart who has safely returned from the Crusades, liberating the country from the tyrannical rule of King John. It is only at this moment that the king reveals his identity as the knight Robin had fought. King Richard is accompanied by travellers from foreign shores; we can tell they are not local people by their clothing.

Displayed in the foreground is evidence of an adventure - a deer, a hare, gold and pewter. But are these the spoils of war brought back by Richard the Lionheart, or is it stolen property taken from the rich by Robin Hood, intended for the poor people of Nottingham? The deer and the hare need to be made ready for supper. This will be hard work, skinning and preparing them before they can be cooked over an open fire. No oven ready meals in these days!

 
© Nottingham City Museums and Galleries. Photo © The National Gallery, London.

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