Behind the scenes in Conservation
Uncovering the secrets of Rubens's 'Judgement of Paris'
Britta New shows how science and new technology improve our understanding of the changes that were made to Rubens's 'Judgement of Paris' over its lifetime.
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About
In this episode, Conservator Britta New, reveals some of the alterations that have been made to the composition of this painting since it was created nearly 400 years ago.
Using non-invasive imaging techniques, including XRF scanning, today, we can see the changes Rubens himself made to the composition and size of his picture, as well as the effects of more recent conservation treatment. Britta tells us how, armed with this new information, she was able to work on a painting that has so much history wrapped up in its panels and paint.
Funding for the conservation of Peter Paul Rubens's 'The Judgement of Paris' (1577 - 1640) was generously provided through a grant from the Bank of America Art Conservation Project.
Watch previous episodes in the series:
Behind the scenes in Conservation
A closer look at Pesellino
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Behind the scenes in Conservation
Reuniting 400-year-old marriage portraits
See how the team reunited Frans Hals's portraits of a husband and wife, after two centuries of being apart
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The gory story of 'The Judgement of Zaleucus'
Britta New discusses the conservation of a 16th-century panel from the William Morris Gallery which depicts a gruesome tale
Behind the scenes in Conservation
Solving the mystery of a Frans Hals portrait
How did the discovery of a monster and skull hidden beneath this painting reveal the identity of the sitter?
Behind the scenes in Conservation
Cleaning Paolo Uccello's 'The Battle of San Romano'
Restorer Paul Ackroyd talks us through some of the challenges he's encountered while working with Uccello's 15th-century battlefield scene
Behind the scenes in Conservation
The Ugly Duchess
Britta New reveals surprising discoveries about 'The Ugly Duchess' and how the painting links Leonardo da Vinci to 'Alice's Adventures in Wonderland'
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Cleaning Reynolds' 'Captain Robert Orme'
Hayley Tomlinson reveals why paintings by Reynolds are notoriously difficult to clean
Behind the scenes in Conservation
Displaying 'The Red Boy'
Follow the newly-cleaned 'Red Boy's' journey from the Conservation Studio to the Gallery walls
Behind the scenes in Conservation
A first look at 'The Red Boy'
Paul Ackroyd introduces Lawrence's 'Red Boy' – a work so popular it was the first-ever painting to feature on a British postage stamp
Behind the scenes in Conservation
Restoring Piero della Francesca's 'Nativity'
Caroline Campbell and Jill Dunkerton discuss the conservation of Piero della Francesca's miraculous Christmas scene
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Cleaning 150-year-old varnish from a Frans Hals portrait
Paul Ackroyd cleans a portrait that has not been restored since 1876
Behind the scenes in Conservation
Cleaning the 'lost altarpiece'
Britta New and Nelly von Aderkas discuss the cleaning of a Renaissance altarpiece that was hidden in an Italian wood store for many years
Behind the scenes in Conservation
The unfashionable artist who inspired Van Gogh
Kristina Mandy discusses Adolphe Monticelli, an artist admired in his lifetime, who inspired Van Gogh's famous 'Sunflowers', but who later fell out of fashion
Behind the scenes in Conservation
Restoring an 'undisplayable' painting: Part two
Kendall Francis and Larry Keith discuss the restoration of a work with a 'snowstorm' of painting loss
Restoring an 'undisplayable' painting: Part one
Larry Keith reveals an exciting discovery about Piazzetta's unfinished work, 'The Sacrifice of Isaac', and explains the plan for the painting's restoration
Behind the scenes in Conservation
Restoring the Gallery's oldest painting
Kristina Mandy shows the steps involved in restoring a painting that is over 750-years-old
Behind the scenes in Conservation
Restoring Botticelli's 'Adoration of the Kings': Part one
Jill Dunkerton and Britta New find out what was hiding beneath a frame for nearly two centuries
Behind the scenes in Conservation
Restoring Botticelli's 'Adoration of the Kings': Part two
Watch Jill Dunkerton as she retouches a Renaissance masterpiece
Behind the scenes in Conservation
Restoring Botticelli's 'Adoration of the Kings': Part three
Jill Dunkerton and Marta Melchiorre ask, how can we identify Botticelli's hand from that of his assistant, Filippino Lippi's?
Behind the scenes in Conservation
Find out what happens behind closed doors in this series of films that look at how we care for and conserve our paintings