Spinello Aretino, 'Saint Michael and Other Angels', about 1408-10
About the work
Overview
This fragment comes from a large painting in fresco – a technique that involved painting directly onto wet plaster – that showed the fall of Lucifer, the rebel angel who was cast out of heaven. It once decorated a wall of the church of the confraternity of Sant' Angelo in Arezzo. There are two other fragments in our collection.
Here we see Saint Michael the Archangel, who was the central figure in the fresco. His large wings, halo and armour identify him: he was one of the warrior angels. He raises his arm, ready to strike with his sword; we can see its hilt in his hand. He is supported by several other angels, also dressed in elaborate armour and bearing shields and spears.
We know from a nineteenth-century engraving of the fresco that Saint Michael is battling a seven-headed dragon, which is how Lucifer is described in the New Testament (Revelation 12: 3).
Key facts
Details
- Full title
- Saint Michael and Other Angels
- Artist
- Spinello Aretino
- Artist dates
- born 1345-52; died 1410
- Part of the series
- Arezzo Fresco Fragments
- Date made
- about 1408-10
- Medium and support
- fresco with areas of secco, transferred to canvas
- Dimensions
- 116.2 × 170.2 cm
- Acquisition credit
- Presented by Sir A.H. Layard, 1886
- Inventory number
- NG1216.1
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Dillian Gordon, ‘National Gallery Catalogues: The Italian Paintings before 1400’, London 2011; for further information, see the full catalogue entry.
Bibliography
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1841C. Lasinio, Affreschi celebri del XIV e XV secolo incisi dal cav. Carlo Lasinio sui disegni del cav. Paolo suo figlio, con illustrazioni, Florence 1841
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1847A.W.C. Lindsay, Sketches of the History of Christian Art, London 1847
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1857G. Scharf, Catalogue of the Art Treasures of the United Kingdom: Collected at Manchester in 1857, Provisional Catalogue, Manchester 1857
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1878G. Vasari, Le vite de'più eccellenti pittori, scultori ed architettori: Con nuove annotazioni e commenti di Gaetano Milanesi, ed. G. Milanesi, 8 vols, Florence 1878
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1912A. Venturi, 'La formazione della Galleria Layard a Venezia', L'arte, XV, 1912, pp. 449-62
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1925U. Pasqui and U. Viviani, Guida illustrata storica, artistica e commerciale di Arezzo e dintorni, Arezzo 1925
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1926G. Gombosi, Spinello Aretino: Eine stilgeschichtliche Studie über florentinischer Malerei des Ausgehenden XIV Jahrhunderts, Budapest 1926
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1932B. Berenson, Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works, with an Index of Places, Oxford 1932
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1951Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, London 1951
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1986Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, revised edn, London 1986
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1988Gordon, Dillian, National Gallery Catalogues: The Early Italian Schools before 1400, revised edn, London 1988
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2011Gordon, Dillian, National Gallery Catalogues: The Italian Paintings before 1400, London 2011
About this record
If you know more about this work or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
Images
About the series: Arezzo Fresco Fragments
Overview
These three paintings are fragments of a much larger work in fresco, a technique that involved painting directly on to wet plaster. The whole image showed the fall of Lucifer, the rebel angel who was cast out of heaven and associated with the devil in Christian thought.
The fresco decorated a wall in the church of the confraternity of Sant'Angelo, Arezzo. Its original appearance is recorded in engravings and drawings made in the nineteenth century.
The large fragment shows Saint Michael the Archangel ready to strike Lucifer, while two smaller ones come from the border of the work and show a band of figures set within decorative shapes.These fragments were purchased in 1855 by the archaeologist and explorer Austen Henry Layard, and presented to the National Gallery in 1886. Layard was a founder of the Arundel Society, which aimed to document frescoes in Italian churches and palaces through drawings and art-historical descriptions.
Works in the series
More works by Spinello Aretino
