Possibly by Sodoma, 'The Madonna and Child', probably about 1520-30
About the work
Overview
In a remote landscape, the Virgin, who is dressed in modest robes, holds the infant Christ and offers him milk. The baby turns away from her breast and smiles at us.
Images of the Virgin breastfeeding, known as ‘Virgo Lactans’, became popular during the Middle Ages as part of the increasing devotion to the Virgin Mary. Her milk was regarded as a sign of her own devotion and sacrifice, symbolically connected to the blood of Christ. Paintings of the Virgin breastfeeding became particularly popular in Tuscany from the fourteenth century onwards. But after the Council of Trent, held between 1545 and 1563, nudity in religious art was discouraged and such images were less frequently commissioned.
The picture is badly disfigured by old varnish, which has darkened. We are not certain that it is by Sodoma but another version (Richter Collection, London), similar in design, is attributed to him.
Key facts
Details
- Full title
- The Madonna and Child
- Artist
- Possibly by Sodoma
- Artist dates
- 1477 - 1549
- Date made
- probably about 1520-30
- Medium and support
- oil on wood
- Dimensions
- 79.7 × 65.1 cm
- Acquisition credit
- Bought, 1854
- Inventory number
- NG246
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
Bibliography
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1854R.N. Wornum and C.L. Eastlake, Descriptive and Historical Catalogue of the Pictures in the National Gallery, with Biographical Notices of the Painters, London 1854
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1854Christie & Manson, Catalogue of the Very Choice Collection of Pictures of E. J. de Bammeville, Esq., London, 12 June 1854
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1855National Gallery, Catalogue of the Pictures in the National Gallery, London 1855
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1864J.A. Crowe and G.B. Cavalcaselle, A New History of Painting in Italy: From the Second to the Sixteenth Century, 3 vols, London 1864
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1878G. Vasari, Le vite de'più eccellenti pittori, scultori ed architettori: Con nuove annotazioni e commenti di Gaetano Milanesi, ed. G. Milanesi, 8 vols, Florence 1878
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1883O. Eisenmann, Führer durch die Kgl. Gemäldegalerie zu Cassel, 5th edn, Kassel 1883
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1901A. Venturi, Storia dell'arte italiana, 11 vols, Milan 1901
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1906R.H.H. Cust, Giovanni Antonio Bazzi, London 1906
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1962Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools (excluding the Venetian), London 1962
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1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
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1996'Sodoma', in J. Turner (ed.), The Dictionary of Art, London 1996, vol. 29, pp. 1-4
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.