Skip to main content

Pietro Perugino, 'Three Panels from an Altarpiece, Certosa', about 1496-1500

Download image
Download low-resolution image

Download a low-resolution copy of this image for personal use.

Download low-resolution image

This image is licensed for non-commercial use under a Creative Commons agreement.

Examples of non-commercial use are:

  • Research, private study, or for internal circulation within an educational organisation (such as a school, college or university)
  • Non-profit publications, personal websites, blogs, and social media

The image file is 800 pixels on the longest side.

As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Help keep us free by making a donation today.

Download low-resolution image

You must agree to the Creative Commons terms and conditions to download this image.

Creative Commons Logo

Three Panels from an Altarpiece, Certosa


Perugino painted this altarpiece for the Duke of Milan, Ludovico Sforza. It stood in the side chapel dedicated to the Archangel Michael in the Carthusian monastery (also known as a charterhouse or certosa) in Pavia, a town outside Milan. The Duke was captured by invading French forces in 1499, and the altarpiece was completed in the early sixteenth century by two other painters: Fra Bartolommeo and Mariotto Albertinelli.

Our panels formed the lower tier of two in this large-scale construction. The upper tier showed the Annunciation: the Archangel Gabriel, on one panel, giving the Virgin Mary, on another panel, the news that she would conceive the son of God. Between these panels was an image of God in glory, which is still in the church.

The painting shows Perugino’s skill in working with oil paint. Because oil paint dries slowly, it is possible to blend different tones together to create subtle transitions, particularly evident here in the figures' flesh – their cheeks, for example, have a rosy blush.