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The National Gallery has endeavoured to make as many images of the collection as possible available for non-commercial use. However, an image of this painting is not available to download. This may be due to third party copyright restrictions.

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Shutters from a Triptych


These four paintings come from a pair of shutters that were painted on both sides. The angel facing right was originally on the reverse of the shutter painted with Saint Joseph, who has a dark beard and turban and holds a book and flowering rod. The angel facing left was on the reverse of the shutter painted with Saint Jerome, who wears an abbot’s hat and reads a book. The two shutters had been divided into four paintings by the mid-nineteenth century, probably to make them easier to display as gallery pictures.

In their original form, when the shutters were closed only Saint Joseph and Saint Jerome would have been visible. When they were open, the angels would have flanked a central image, most likely showing the Virgin Mary crowned or about to be crowned in the heavens. The shutters probably date from the end of Moretto’s career and may be by his workshop.