Giovanni Girolamo Savoldo, 'Saint Jerome', about 1525-30
About the work
Overview
Saint Jerome kneels against a rocky ledge in the wilderness contemplating the crucified Christ. Savoldo was particularly admired for his depictions of dawn and dusk and the dramatic lighting effects they produced. The painting is signed on the rock below the open book: ‘Giovanni Girolamo of Brescia, of the Savoldo family, made this.’
Saint Jerome spent four years living as a hermit in the desert, where he beat his chest when tempted by sinful thoughts. Here, his arm appears to swing out of the painting towards us as he prepares to beat himself in penitence. His other hand seems to grasp the air in anticipation of the blow, his arm boldly foreshortened.
The large church in the distance might be SS. Giovanni e Paolo in Venice, near where Savoldo was living in 1532. This may be the painting of Saint Jerome that Giovan Paolo Averoldi of Brescia commissioned Savoldo to paint in Venice in 1527.
Key facts
Details
- Full title
- Saint Jerome
- Artist
- Giovanni Girolamo Savoldo
- Artist dates
- about 1480 - about 1548
- Date made
- about 1525-30
- Medium and support
- oil on canvas
- Dimensions
- 121 × 160.4 cm
- Inscription summary
- Signed
- Acquisition credit
- Layard Bequest, 1916
- Inventory number
- NG3092
- Location
- Room 9
- Collection
- Main Collection
- Previous owners
- Frame
- 17th-century Florentine Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Nicholas Penny, ‘National Gallery Catalogues: The Sixteenth Century Italian Paintings’, vol. 1, ‘Paintings from Bergamo, Brescia and Cremona’, London 2004; for further information, see the full catalogue entry.
Bibliography
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1962Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools (excluding the Venetian), London 1962
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1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2004
Penny, Nicholas, National Gallery Catalogues: The Sixteenth Century Italian Paintings, 1, Paintings from Bergamo, Brescia and Cremona, London 2004
Frame
This is a seventeenth-century Italian cassetta frame crafted from pinewood. It features heavily overgilded inner and outer mouldings and has a partially repainted, ebonised frieze. The corner decoration, known as prezzemolo, is original, although there have been new additions of prezzemolo over the updated black frieze. The sides of the frame are covered in black-painted paper. At some point, the frame was further modified to accommodate a glazing door.
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.