Garofalo, 'A Pagan Sacrifice', 1526
About the work
Overview
A young man pours red wine from an amphora onto the goat’s head on the altar; a young woman carries an upside-down torch, while an old woman balances a basket of pears, apples and grapes on her head. For many years the subject of this painting by Garofalo was believed to be a sacrifice of thanksgiving to the gods for the gifts of the fruit-bearing earth. Actually, it represents an ancient funeral.
The painting is based on an illustration that appears in a famous and quite strange antiquarian romance by Francesco Colonna called the Hypnerotomachia Poliphili, published in Venice in 1499. In the part of the book relating to this illustration, Colonna describes the cemetery of those who died for love. All the figures in Garofalo’s painting correspond to those in the woodcut illustration, although none are copied exactly.
Key facts
Details
- Full title
- A Pagan Sacrifice
- Artist
- Garofalo
- Artist dates
- about 1481 - 1559
- Date made
- 1526
- Medium and support
- oil on canvas
- Dimensions
- 128.3 × 185.4 cm
- Inscription summary
- Dated
- Acquisition credit
- Mond Bequest, 1924
- Inventory number
- NG3928
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Giorgia Mancini and Nicholas Penny, ‘National Gallery Catalogues: The Sixteenth Century Italian Paintings’, vol. 3, ‘Bologna and Ferrara’, London 2016; for further information, see the full catalogue entry.
Bibliography
-
1962Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools (excluding the Venetian), London 1962
-
1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
-
2016Mancini, Giorgia, and Nicholas Penny, National Gallery Catalogues: The Sixteenth Century Italian Paintings, 3, Bologna and Ferrara, London 2016
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.