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Benedetto Diana, 'Christ Blessing', probably about 1510-20

About the work

Overview

Immediately identifiable by his long hair, beard and gesture of blessing, this kind of small close-up ‘portrait’ of Christ was hugely popular as an object of private devotion in the fifteenth and sixteenth centuries. Such portraits were produced in a number of painters' workshops both north and south of the Alps.

This way of showing Christ was immediately derived from Netherlandish painting, but ultimately harks back to miraculous images of the Holy Face, such as the veil of Saint Veronica and the Mandylion of Edessa. In the Renaissance these were thought not to have been made by human hands and so were seen as the ultimate truthful likenesses of God incarnate.

Diana has painted Christ’s left hand resting on the parapet’s edge and his right arm reaching over it, making us feel that Christ shares our space – and making him more immediately accessible to the Renaissance worshipper.

Key facts

Details

Full title
Christ Blessing
Artist dates
active 1482; died 1525
Date made
probably about 1510-20
Medium and support
oil on wood
Dimensions
76.2 × 59.1 cm
Inscription summary
Signed
Acquisition credit
Presented by Sir Claude Phillips in memory of his sister Eugénie, 1910
Inventory number
NG2725
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

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