Barent Fabritius, 'The Adoration of the Shepherds', 1667
About the work
Overview
Barent Fabritius’s bleak, shadowy stable is coldly lit. The rays radiating from the Christ Child in the manger light up the people close to him, but even they bring little comfort. Only the deep, dusty pink of Mary’s gown and the shepherd’s extraordinary red hat bring a touch of warmth to the scene.
In seventeenth-century Holland, religious pictures no longer hung on church walls. The old, highly decorated Catholic churches gave way to the plain white walls preferred by members of the new Protestant faith. But the Dutch were a devout people, and many had small pictures that showed the New Testament story as if it were happening in their own time in their homes.
Key facts
Details
- Full title
- The Adoration of the Shepherds
- Artist
- Barent Fabritius
- Artist dates
- 1624 - 1673
- Date made
- 1667
- Medium and support
- oil on canvas
- Dimensions
- 66 × 61 cm
- Inscription summary
- Signed; Dated
- Acquisition credit
- Bought, 1891
- Inventory number
- NG1338
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Neil MacLaren, revised and expanded by Christopher Brown, ‘National Gallery Catalogues: The Dutch School: 1600–1900’, London 1991; for further information, see the full catalogue entry.
Bibliography
-
1960Maclaren, Neil, National Gallery Catalogues: The Dutch School, 2 vols, London 1960
-
1991Maclaren, Neil, revised by Christopher Brown, National Gallery Catalogues: The Dutch School, 1600-1900, 2nd edn (revised and expanded), 2 vols, London 1991
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.