Image: Before and after conservation treatment in 2018: Artemisia Gentileschi, 'Self Portrait as Saint Catherine of Alexandria', about 1615–17
Restoring Artemisia
Learn about the restoration of one of our highlight paintings, by Artemisia Gentileschi
Artemisia Gentileschi's Self Portrait as Saint Catherine of Alexandria was one of the most exciting additions to the collection, when it was acquired in 2018.
Before it went on display, the painting underwent conservation. Each stage of the treatment was documented and discussed in a series of short films, led by our Head of Conservation, Larry Keith, and colleagues in Curatorial, Conservation and Framing:
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Learn more about Artemisia's Self Portrait as Saint Catherine of Alexandria and zoom into the painting in detail.
Here is how the painting appeared when it first came to the Gallery, and how it looks after conservation:
The conservation treatment was made possible by Art Fund support.
More about Artemisia and conservation at the Gallery
A king-sized restoration project
Watch how it took a small army of people to clean, repair and restore one of our largest paintings, Van Dyck's 'Equestrian Portrait of Charles I'
Complex conservation
An altarpiece in need of attention
One of the most complex structural conservation projects in the history of the Gallery: Giovanni Martini da Udine’s ‘The Virgin and Child with Saints’
Artemisia Gentileschi
Artemisia Gentileschi's turbulent life story often overshadows her art, but she was the most celebrated female artist of the 17th century
Artemisia in her own words
Self-assured and determined, passionate and sometimes vulnerable, Artemisia’s voice is brought to life through her words and personal letters
Five heroines by Artemisia
Artemisia was famed for painting women of strength, passion and vulnerability: meet Susannah, Judith, Cleopatra, Lucretia and Esther
Unlocking Leonardo
15 years after discovering a hidden drawing beneath Leonardo’s Virgin of the Rocks, we uncover more of the mystery