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The National Gallery has endeavoured to make as many images of the collection as possible available for non-commercial use. However, an image of this painting is not available to download. This may be due to third party copyright restrictions.

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The Liesborn Altarpiece

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These images once formed part of a large altarpiece made for the high altar of the monastery church of the Benedictine Abbey at Liesborn, in Westphalia in north-west Germany. The main panel consisted of a central scene of the Crucifixion, flanked on either side by two smaller individual scenes from Christ’s infancy.

In 1517 two shutters painted by the Master of Cappenberg were added to either side of the Master of Liesborn’s original panel. These showed the events leading up to Christ’s crucifixion, his resurrection and events that occurred afterwards, such as the Pentecost.

The altarpiece was removed in the eighteenth century and later cut up so that only fragments survive. In the National Gallery’s collection there are three fragments of the central Crucifixion scene, a fragment of the flanking scene of the Adoration of the Kings and two complete flanking images (The Annunciation and The Presentation in the Temple) from the main panel, as well as two scenes from the inner faces of the shutters.

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