Circle of Master of Liesborn, Saints Gregory, Maurice and Augustine
Two Shutters from an Altarpiece
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These two panels once formed the shutters of an altarpiece in the Benedictine abbey in Liesborn, a town in the north-western German region of Westphalia. Placed on either side of the centrepiece, the shutters would protect and conceal it when closed.
The artist’s identity is unknown, but he has been named after the altarpiece that he made for the high altar of the same church. Several fragments of the high altarpiece are in the National Gallery’s collection.
These two panels once formed the shutters of an altarpiece in the Benedictine abbey in Liesborn, a town in the north-western German region of Westphalia. Placed on either side of the centrepiece, the shutters would protect and conceal it when closed.
The artist’s identity is unknown, but he has been named after the altarpiece that he made for the high altar of the same church. Several fragments of the high altarpiece are in our collection.
Circle of the Master of Liesborn
This panel once formed the left shutter of an altarpiece in the Benedictine abbey at Liesborn in north-west Germany. The right-hand shutter, which shows Saints Gregory, Maurice and Augustine, is also in the National Gallery’s collection.Saints Ambrose, Exuperius and Jerome are shown here beneath...
Not on display
Circle of Master of Liesborn
This panel once formed the left shutter of an altarpiece in the Benedictine abbey at Liesborn in north-west Germany. The right-hand shutter is also in the National Gallery’s collection.This painting shows, from left to right, Saints Gregory, Maurice and Augustine. The gilded clasp that fastens Sa...
Not on display
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This fragment comes from a scene of Christ crucified which formed the central panel of an altarpiece made for the high altar of the Benedictine abbey at Liesborn. The crown of thorns, placed on Christ’s head to mock him, has pierced his skin and blood is running down his face. The letters ‘I.N.R....
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This is a fragment of an altarpiece made for the high altar of the Benedictine abbey at Liesborn. It comes from the central scene, which depicted the Crucifixion; a fragment showing Christ’s head is also in the National Gallery’s collection. It was common for Crucifixion scenes to include the Vir...
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This is a fragment from an altarpiece made for the high altar of the Benedictine abbey at Liesborn, and is one of three in our collection from the altarpiece’s central Crucifixion scene. The fluttering drapery at the top right is part of Christ’s loincloth, which situates this fragment to the rig...
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This panel comes from an altarpiece made for the high altar of the Benedictine abbey at Liesborn in the west of Germany, and was probably originally placed to the left of the main scene showing the Crucifixion. It shows the Archangel Gabriel appearing to the Virgin Mary to tell her that she will...
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This is one of the few surviving intact scenes which once formed part of an altarpiece made for the high altar of the Benedictine abbey at Liesborn in the west of Germany. This painting is likely to have originally appeared to the right of the main scene showing the Crucifixion.Shortly after birt...
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Circle of the Master of Liesborn
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Circle of the Master of Liesborn
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Probably by the Master of Liesborn
This panel comes from the Benedictine abbey at Liesborn in Westphalia. The scene may have been inspired by the central panel of the altarpiece made by the same artist for the abbey’s high altar, fragments of which are also in the National Gallery’s collection.Its horizontal shape suggests that it...
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