From wild and dramatic mountains to smoke-filled cities, how did late 18th- and 19th-century artists represent the north?
Scottish, Welsh and Irish landscapes – imperial possessions of a kind – offered dramatic scenery in paintings by Turner and Girtin, but so too did the new industrial cities of the north, where new forms of resistance were brewing.
This lecture is part of The Paul Mellon lecture series: Global landscape in the age of Empire. Book all five lectures, and save.
Global landscape in the age of Empire
How does the rise of landscape painting connect with the British Empire?
This five-part lecture series follows British 18th- and 19th-century artists to Australia, the Caribbean, India, and the Americas. Learn how they struggled to adapt landscape traditions to represent the terrain and people they confronted.
Their encounters with other civilisations were often violent and the resulting paintings and prints – by artists such as Richard Wilson, Turner and Frederic Church – were vivid, ambivalent, responses to an often painful history.
The Paul Mellon lectures
Named in honour of the philanthropist and collector of British art, Paul Mellon, these biennial lectures are given by a distinguished historian of British art.
Tim Barringer, the Paul Mellon Professor and Chair of the Department of the History of Art at Yale University, delivers this year's lectures.
Barringer specialises in the 18th-, 19th- and 20th-century art of Britain and the British Empire, 19th-century American and German art, and museum studies.
His many publications include 'Men at Work: Art and Labour in Victorian Britain' (2005) and 'Art and the British Empire' (2007). He is co-curator, with Elizabeth Kornhauser, of Thomas Cole: Eden to Empire (Metropolitan Museum of Art, New York and National Gallery, London, 2018). He is finishing a book, 'Broken Pastoral: Art and Music in Britain, Gothic Revival to Punk Rock.'