More than muses: A feminist guide to art history: Module three: Movers and shakers

Friday 7, 14, 21 & 28 June & 5 July, 2–4pm

Sainsbury Wing Theatre

Susanna Avery-Quash, Katy Tarbard, Katy Hessel, Jo Walton, Hilary Fraser, Christina Bradstreet

Book for individual weeks: £40/£38 conc./£35 Members & Patrons - 

Friday 7 June - BOOK TICKETS
Friday 14 June - BOOK TICKETS
Friday 21 June - BOOK TICKETS
Friday 28 June - BOOK TICKETS
Friday 5 July - BOOK TICKETS

Book for the entire module: £195/£185 conc./£170 Members & Patrons - BOOK TICKETS

Book all three and save: £555/£525 conc./£480 Members & Patrons - BOOK TICKETS

More than muses: A feminist guide to art history

Do women have to be naked to get into a national gallery? The Guerrilla Girls put this question to New York’s Metropolitan Museum of Art in 1989 via their iconic poster proclaiming that ‘less than 5% of the artists in the modern art sections are women, but 85% of the nudes are female.’

Find out how women have broken into and reshaped the ‘boys’ club’ art establishment; whether the female nude can survive #MeToo; and how women leaders are redressing the balance when it comes to the representation of women artists.

This lecture course explores the work of women artists, patrons, collectors, art writers, and leaders in the arts. It considers how women have represented themselves in paintings, the challenges women artists grapple with, and how feminism has opened up an alternative history of art.

On this course you will hear from Gallery experts and some feisty guest speakers. Expect their provocative talks to get you thinking, even if you take a different view.

Module three: Movers and shakers

How do women artists depict women differently to their male peers? And what happens when women paint the male body?

Week one: 7 June 2019

Double standards

Should we celebrate art by so-called 'great' artists if their behaviour doesn’t meet our moral codes? And is it possible to separate artworks from the lives of their makers? Katy Tarbard reflects on the double standards at play in the way male and female artists are judged.

After the break, Katy Hessel charts her personal top 20 most influential women artists of all time.

Victorian herstorians

Week two: 14 June 2019

How did Victorian women change the way we think about art through their writings?

Susanna Avery Quash discusses four women art writers in the 1850s whose reviews introduced audiences to the collection of the National Gallery.

After the break, Professor Hilary Fraser, Birkbeck College, discusses the influential art writings of Vernon Lee in the late 19th and early 20th centuries.

Shopping for art

Week three: 21 June 2019

Tutor: Jo Walton and Christina Bradstreet

Discover the role of women in buying and collecting art.

Learn about two Renaissance female patrons Isabella D ’Este and Margaret of Austria. Who were they? Which artists did they support and what did they commission and buy?

After the break, Christina Bradstreet discusses the role of Queen Victoria in building the Royal Collection.

Her story and the Herstorians

Week four: 28 June 2019

What challenges do women artists fact today, and how are women readdressing these? Curator and collector Marcelle Joseph reflects on the future for contemporary women artists and considers the potential long-term impact of the current trend for collecting art by women. What will the art world look like in five years’ time for today’s women art graduates? And who are the artists that are still being overlooked?

After the break, Katy Hessel discusses the rise in attention paid to female artists. What is the role of female art writers in promoting female artists?

Women at the top

Week five: 5 July 2019

What difference can women leaders make? Hear influential women discuss the impact of female museum directors in achieving a greater representation of diverse, non-European women in collections and galleries.

Movers and shakers is Module Three of our three module course ‘More than muses: A feminist guide to art history’.

See Module One: Breaking into the boy's club

See Module Two: Women on canvas

Image above: Detail from Probably by Pieter van Coninxloo, Margaret of Austria, about 1493–5