Further Reading

P–T

Pagnotta 1987
L. Pagnotta, ‘Giuliano Bugiardini’, Turin 1987. 

Panoksky 1991
E. Panofksy, ‘Perspective as Symbolic Form’, trans. C. Wood, New York 1991 (first German edition 1927).

Parenti 1995
R. Parenti, ‘Santa Maria della Scala. Lo spedale in forma di città’ in R. Barzanti, G. Catoni, and M. De Gregorio, eds., ‘Storia di Siena. Dalle origini alla fine della repubblica’, Siena 1995, pp. 51–5.

Parronchi 1974
A. Parronchi, ‘Prospettiva e pittura in Leon Battista Alberti’ in ‘Convegno internazionale indetto nel V centenario di Leon Battista Alberti’, Accademia Nazionale dei Lincei, Rome, vol. 209 (1974), pp. 213–31.

Passavant 1969
G. Passavant, ‘Verrocchio: Sculptures, Paintings and Drawings’, London 1969.

Pavesi 2009
M. Pavesi, ‘Ambrogio Bergognone e l’opinio per il Duomo di Milano’, in ‘Arte Lombarda’, vol. 157 (2009), pp. 5–16.

Pavia 1998
G. C. Sciolla, ‘Ambrogio da Fossano detto il Bergognone: un pittore per la Certosa’, exh. cat., Castello Visconteo, Museo Civico and Certosa di Pavia, Pavia, Milan 1998.

Payne 1999
A. Payne, ‘The Architectural Treatise in the Italian Renaissance: Architectural Invention, Ornament and Literary Culture’, Cambridge 1999.

Payne 2007
A. Payne, ‘Alberti and the Origins of the Paragone between Architecture and the Figurative Arts’, in A. Calzona, F. P. Fiore, A. Tenenti and C. Vasoli, eds., ‘Leon Battista Alberti: teorico delle arti e gli impegni civili del “De Re Aedificatoria”’, Florence 2007, pp. 347–68.

Pedretti 1964
C. Pedretti, ‘An “Arcus Quadrifons” for Leo X’ in ‘Raccolta Vinciana’, vol. 20 (1964), pp. 219–54.

Penny 1995
N. Penny, review of 2ndedition of ‘Italian and Spanish Paintings in the National Gallery of Scotland’, H. Brigstocke, Edinburgh, 1993, in ‘The Burlington Magazine’, vol. 137 (1995), pp. 323–4. 

Penny 2005
N. Penny, ‘Introduction: Toothpicks and Green Hangings’ in ‘The Biography of the Object in Late Medieval and Renaissance Italy’, R. J. M. Olson, P. L. Reilly and R. Shepherd, eds., Oxford 2005, pp. 1–10.

Penny 2008
N. Penny, ‘National Gallery Catalogues: The Sixteenth Century Italian Paintings, vol. II, Venice 1540–1600’, London 2008.

Penny and Spring 1996
N. Penny and M. Spring, ‘Veronese’s Paintings in the National Gallery: Technique and Materials, Part II’ in ‘National Gallery Technical Bulletin’, vol. 17 (1996), pp. 32–55.
http://www.nationalgallery.org.uk/technical-bulletin/penny_roy_spring1996

Penny, Mancini, Billinge and Spring, forthcoming
N. Penny and G. Mancini, with contributions by R. Billinge and M. Spring, ‘The National Gallery Catalogues: The Ferrarese and Bolognese Fifteenth- and Sixteenth-Century Schools’, London forthcoming.

Pericolo 2009
L. Pericolo, ‘Heterotopia in the Renaissance: Modern Hybrids as Antiques in Bramante, Cima da Conegliano, and the “Hypnerotomachia Poliphili”’ in ‘Getty Research Journal’, no. 1 (2009), pp. 1–16.

Perissa Torrini 1993
A. Perissa Torrini, ‘Una Trinità di Giovanni Mansueti’, in ‘Arte veneta’, vol. 45 (1993), pp. 108–11.

Perosa 1960
A. Perosa, ed., ‘Giovanni Rucellai ed il suo Zibaldone’, vol.1, ‘Il Zibaldone quaresimale’, London 1960.

Piero della Francesca 1984
Piero della Francesca, ‘De prospectiva pingendi’, ed. G. Nicco-Fasola, 2 vols., Florence 1984 (first edition 1946).

Pisani 2009
D. Pisani, ‘Piuttosto un arco trionfale che una porta di città. Agostino di Duccio e la porta di San Pietro a Perugia’, Venice 2009.

Pisani 2012
D. Pisani, ‘Echi rimanesi nella porta San Pietro a Perugia’ in A. Calzona and M. Ceriana, eds., ‘Per un nuovo Agostino di Duccio. Studi e documenti’, Verona 2012, pp. 149–67.

Plazzotta 2001
C. Plazzotta, ‘Beccafumi’s “Story of Papirius” in the National Gallery’ in ‘The Burlington Magazine’, vol. 143 (2001), pp. 562–6.

Popham 1946
A. E. Popham, ‘The Drawings of Leonardo da Vinci’, London 1946.

Popham and Wilde 1949
A. E. Popham and J. Wilde, ‘The Italian Drawings of the XV and XVI Centuries in the Collection of His Majesty the King at Windsor Castle’, London 1949.

Pouncey 1937
P. Pouncey, ‘Ercole Grandi’s Masterpiece’ in ‘The Burlington Magazine’, vol. 70 (1937), pp. 160–3, 66–9.

Preyer 1993
B. Preyer, ‘Il Palazzo Corsi-Horne. Dal diario di restauro di H. P. Horne’, Rome 1993.

Preyer forthcoming
B. Preyer, ‘The “chasa della Vergine Maria”: The Patron and Site of Domenico Veneziano’s Carnesecchi Tabernacle in Florence’, forthcoming.

Princeton 2010
S. Ćurčić and E. Hadjitryphonos, ‘Architecture as Icon. Reception and Representation of Architecture in Byzantine Art’, exh. cat., Princeton University Art Museum 2010.

Puppi 1977
L. and L. O. Puppi, ‘Mauro Codussi’, Milan 1977.

Puttfarken 2000
T. Puttfarken, ‘The Discovery of Pictorial Composition’, New Haven and London 2000.

Quinterio 1996
F. Quinterio, ‘Giuliano da Maiano “Grandissimo domestico”’, Rome 1996.

Rainer 1994
P. N. Rainer, ‘Salomons Tempel und das Abendland: monumentale Folgen historischer Irrtümer’, Cologne 1994.

Raynaud 2013
D. Raynaud, ‘Optics and Perspective Prior to Alberti’ in Florence and Paris 2013, pp. 165–71.

Regoliosi 1969
M. Regoliosi, ‘Nuove ricerche intorno a Giovanni Tortelli’ in ‘Italia medeivale e umanistica’, vol. 9 (1966), pp. 123–89; vol. 12 (1969), pp. 129–96.

Rice 1985
E. F. Rice, ‘Saint Jerome in the Renaissance’, Baltimore 1985.

Rice 1988
E. F. Rice, ‘The Renaissance Idea of Christian Antiquity: Humanist Patristic Scholarship’ in A. Rabil Jr., ed., ‘Renaissance Humanism: Foundations, Forms and Legacy’, Philadelphia 1988, pp. 17–28.

Richter 1883
J. P. Richter, ‘Italian Art in the National Gallery’, London 1883.

Robb 1936
D. Robb, ‘The Iconography of the Annunciation in the Fourteenth and Fifteenth Centuries’ in ‘The Art Bulletin’, vol. 18 (1936), pp. 482–518.

Robert 1890
C. Robert, ed., ‘Die antiken Sarkophagreliefs, bd. 2: Mythologische Cyklen’, Berlin 1890.

Roberts 1959
H. I. Roberts, ‘St Augustine in “St Jerome’s Study’”: Carpaccio’s Paintings and its Legendary Sources”’ in ‘Art Bulletin’, vol. 41 (1959), pp. 283–301.

Roberston 1954
G. Robertson, ‘Vincenzo Catena’, Edinburgh 1954.

Robertson 1968
G. Robertson, ‘Giovanni Bellini’, Oxford 1968.

Robertson 1993
C. Robertson, ‘Bramantino: prospectivo melanese depictore’ in J. Shell and L. Castelfranchi, eds., ‘Giovanni Antonio Amadeo: scultura e architettura del suo tempo’, Milan 1993, pp. 377–84.

Roccasecca 2013
P. Roccasecca, ‘The Pyramid and the “Intentiones”: Alhacen, Alberti and the Composition of Stories in Painting’ in Florence and Paris 2013, pp. 173–9.

Rodgers 2004
R. H. Rodgers, ‘Frontinus: De aquaeductu urbis Romae’, Cambridge 2004.

Roio 1992
N. Roio, in ‘La pinacoteca nazionale di Ferrara: catalogo generale’, ed. J. Bentini, Milan, 1992, pp. 341-45.

Rome 2006
M. Lucco, ed., ‘Antonello da Messina, catalogo completo’, exh. cat., Scuderie del Quirinale, Rome 2006.

Rome and Berlin 2008
C. M. Strinati and B. W. Lindemann, eds., ‘Sebastiano del Piombo 1485–1547’, exh. cat., Palazzo di Venezia, Rome and Gemäldegalerie, Berlin, Milan 2008.

Rosenau 1979
H. Rosenau, ‘Vision of the Temple. The Image of the Tempe of Jerusalem in Judaism and Christianity’, London 1979.

Rubinstein 1995
N. Rubinstein, ‘The Palazzo Vecchio 1298–1532. Government, Architecture, and Imagery in the Civic Palace of the Florentine Republic’, Oxford 1995.

Ruda 1993
J. Ruda, ‘Fra Filippo Lippi. Life and Work with a Complete Catalogue’, London 1993.

Russo 1987 
D. Russo, ‘Saint Jérôme en Italie’, Paris and Rome 1987.

Rutherford 1993
D. Rutherford, ‘Timoteo Maffei’s Attack on Holy Simplicity: Educational Thought in Gratian’s “Decretum” and Jerome’s “Letters”’ in L. Grane, A. Schindler, and M. Wriedt, eds., ‘Auctoritas Patrum. Contributions on the Reception of the Church Fathers in the 15th and 16th Century’, Mainz 1993, pp. 159–73.

Rykwert 1981
J. Rykwert, ‘On Adam’s House in Paradise. The Idea of the Primitive Hut in Architectural History’, Cambridge Mass. 1981.

Saalman 1958
H. Saalman, ‘Filippo Brunelleschi: Capital Studies’ in ‘Art Bulletin’, vol. 40 (1958), pp. 113–37.

Saalman 1989
H. Saalman, ‘Form and Meaning at the Barbadori-Capponi Chapel in S. Felicita’ in ‘The Burlington Magazine’, vol. 131 (1989), pp. 532–9.

Saalman 1993
H. Saalman, ‘Filippo Brunelleschi. The Buildings’, London 1993.

Saliba 2007
G. Saliba, ‘Islamic Science and the Making of the European Renaissance’, Cambridge Mass. 2007.

Sander 2004
J. Sander, ‘Italienische Gemälde im Städel 1300–1500. Oberitalien, Marken und Rom’, Mainz 2004.

Sanminiatelli 1967
D. Sanminiatelli, ‘Domenico Beccafumi’, Milan 1967.

Sartore 2012
A. M. Sartore, ‘Agostino di Duccio a Perugia: novità documentarie’ in A. Calzona and M. Ceriana, eds., ‘Per un nuovo Agostino di Duccio. Studi e documenti’, Verona 2012, pp. 227–46.

Schiller 1968–91
G. Schiller, ‘Ikonographie der christlichen Kunst’, 7 vols, Gutersloh 1968–91.

Schofield 1983
R. V., ‘Giovanni Ridolfi’s Description of the Façade of the Certosa di Pavia in 1480’ in ‘La Scultura decorativa del Primo Rinascimento’, Rome 1983, pp. 95–102.

Searby and Morris 2007 and 2009
D. M. Searby and B. Morris, eds., ‘The Revelations of St Birgitta of Sweden’, Oxford, vol. 1 (2007); vol. 2 (2009).

Seidel 2003
M. Seidel, ‘Italian Art of the Middle Ages and the Renaissance, I, Painting’, Venice 2003.

Serlio 1996
S. Serlio, ‘On Architecture’, vol. I, Books I–V of ‘Tutte l’opere d’architettura et prospetiva’, trans., intro. and commentary V. Hart and P. Hicks, New Haven 1996.

Sestili and Torsani 1995
O. Sestili and A. Torsani, ‘Ascoli e l’edilizia privata medievale nei secoli XII, XIII e XIV’, Ascoli Piceno 1995.

Shearman 1967
J. Shearman, ‘A Suggestion for the Early Style of Verrocchio’ in ‘The Burlington Magazine’, vol. 109 (1967), pp. 110–27.

Shearman 1972
J. Shearman, ‘Raphael’s Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel’, London 1972.

Shearman 1975
J. Shearman, ‘The Florentine Entrata of Leo X, 1515’ in ‘Journal of the Warburg and Courtauld Institutes’, vol. 38 (1975), pp. 136–54.

Shearman 1992
J. Shearman, ‘Only Connect: Art and the Spectator in the Italian Renaissance’, Princeton 1992.

Shorr 1946
D. C. Shorr, ‘The Iconographic Development of the Presentation in the Temple’ in ‘Art Bulletin’, vol. 28 (1946), pp. 17–32.

Siena 1993
L. Bellosi, ed., ‘Francesco di Giorgio e il Rinascimento a Siena 1450–1500’, exh. cat., Chiesa di Sant'Agostino e Palazzo Pubblico, Siena, Milan 1993.

Spencer 1955
J. Spencer, ‘Spatial Imagery of the Annunciation in Fifteenth-Century Florence’ in ‘The Art Bulletin’, vol. 37 (1955), pp. 273–80.

Steer 1982
J. Steer, ‘Alvise Vivarini: His Art and Influence’, Cambridge 1982.

Stinger 1977
C. Stinger, ‘Humanism and the Church Fathers. Ambrogio Traversari (1386–1439) and Christian Antiquity in the Italian Renaissance’, Albany 1977.

Stinger 1996
C. Stinger, ‘Italian Renaissance Learning and the Church Fathers’, in I. Backus, ed., ‘The Reception of the Church Fathers in the West’, New York 1996, pp. 473–510.

Suetonius 1989
Suetonius, 'The Twelve Caesars', trans. R. Graves, London 1989.

Suida 1953
W. Suida, ‘Bramante pittore e il Bramantino’, Milan 1953.

Sznura 1975
F. Sznura, ‘L’espansione urbana di Firenze nel Dugento’, Florence 1975.

Tafuri 2006
M. Tafuri, ‘Interpreting the Renaissance: Princes, Cities, Architects’, New Haven 2006.

Tarr 2000
R. Tarr, ‘“Ecce virgo concipiet”: The Iconography and Context of Duccio´s London Annunciation’ in ‘Viator’, vol. 31 (2000), pp. 185–233.

Taylor and Quiviger 2000
P. Taylor and F. Quiviger, ‘Pictorial Composition from Medieval to Modern Art’, London and Turin 2000.

Tessari 1995
C. Tessari, ‘Baldassare Peruzzi: Il progetto dell'antico’, Milan 1995.

Thomas 1994
A. Thomas, ‘An illustrated dictionary of narrative painting’, London 1994

Thornton 1997
D. Thornton, ‘The Scholar in his Study. Ownership and Experience in Renaissance Italy’, New Haven and London 1997.

Tietzes 1944
H. Tietze and E. Tietze-Conrat, ‘The drawings of the Venetian painters in the 15th and 16th centuries’, New York 1944.

Tolosani 1863
G. M. Tolosani, ‘La vita di San Zanobi, vescovo fiorentino, volgarizzamento del buon secolo della lingua Toscana altra di F. Gio. Tolosani inedita, quelle di Lorenzo, arceivescovo d’Amalfi, e di Clemente del Mazza e la storia in ottava rima scritta da Bernardo Giambullari, si aggiunge la vita di S Antonino, arci’. Florence 1863.

Torrini 1993
A. P. Torrini, ‘Restauri – Una Trinità di Giovanni Mansueti’ in ‘Arte veneta’, vol. 45 (1993) pp. 108–11.

Torriti 1991
P. Torriti, ‘Gli affreschi del Pellegrinaio’ in G. Bellucci and P. Torriti, eds., ‘Il Santa Maria della Scala in Siena: l’Ospedale dai Mille Anni’, Genoa 1991, pp. 71–3, 77–82.

Torriti 1998
P. Torriti, ‘Beccafumi’, Milan 1998.

Trachtenberg 1988
M. Trachtenberg, ‘What Brunelleschi Saw: Monument and Site at the Palazzo Vecchio in Florence’ in ‘Journal of the Society of Architectural Historians’, vol. 47 (1988), pp. 14–44.

Trachtenberg 2010
M. Trachtenberg, ‘Building in Time: From Giotto to Alberti and Modern Oblivion’, New Haven 2010.

Trexler 1980
R. Trexler, ‘Public Life in Renaissance Florence’, New York 1980.

Trexler 1989
R. Trexler, ‘Naked before the Father: The Renunciation of Francis of Assisi’, New York 1989.

Turrill 1995                                                                                                                                                                              C. Turrill, ‘Ercole de’ Roberti’s San Lazzaro Altarpiece’ in ‘Jahrbuch der Berliner Museen’,  vol. 37 (1995), pp. 121–41.

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