Room 58

Paintings for Florentine Palaces

During the course of the 15th century, the range of subjects for the paintings displayed in the palaces of rich Florentine merchants and bankers dramatically expanded. Profile portraits, familiar in Italy, were gradually supplemented with full-face portraits that imitated examples from the Netherlands. Sandro Botticelli’s Young Man, for example, faces the viewer directly, and is strikingly lit to give the sense that he is really present.

Other panel paintings, with stories taken from classical mythology and history or from medieval fable, were set into pieces of furniture, such as beds or special chests. Spalliera (shoulder-height) paintings were often fixed into the wooden panelling that lined a room. These highly decorative paintings were generally commissioned for furniture in bedchambers, when a son was getting married. They might therefore represent subjects or characters particularly associated with love and marriage: erotic pictures such as Botticelli’s Venus and Mars, or images intended to instruct the new bride.

Paintings in this room

Alesso Baldovinetti: 'Portrait of a Lady'
Portrait of a Lady
Alesso Baldovinetti
Di Giovanni, The Argonauts in Colchis, 1487
The Argonauts in Colchis
Bartolomeo di Giovanni
Sandro Botticelli: 'Portrait of a Young Man'
Portrait of a Young Man
Sandro Botticelli
Sandro Botticelli: 'Venus and Mars'
Venus and Mars
Sandro Botticelli
Gherardo di Giovanni del Fora: 'The Combat of Love and Chastity'
The Combat of Love and Chastity
Gherardo di Giovanni del Fora
Style of Domenico Ghirlandaio, Costanza Caetani
Costanza Caetani
Style of Domenico Ghirlandaio
Master of 1487, The Departure of the Argonauts, 1487
The Departure of the Argonauts
Master of 1487, probably Pietro del Donzello
Antonio del Pollaiuolo: 'Apollo and Daphne'
Apollo and Daphne
Piero del Pollaiuolo