Paintings for Florentine Palaces

During the course of the 15th century, the range of subjects for the paintings displayed in the palaces of rich Florentine merchants and bankers dramatically expanded. Profile portraits, familiar in Italy, were gradually supplemented with full-face portraits that imitated examples from the Netherlands. Sandro Botticelli’s Young Man, for example, faces the viewer directly, and is strikingly lit to give the sense that he is really present.

Other panel paintings, with stories taken from classical mythology and history or from medieval fable, were set into pieces of furniture, such as beds or special chests. Spalliera (shoulder-height) paintings were often fixed into the wooden panelling that lined a room. These highly decorative paintings were generally commissioned for furniture in bedchambers, when a son was getting married. They might therefore represent subjects or characters particularly associated with love and marriage: erotic pictures such as Botticelli’s Venus and Mars, or images intended to instruct the new bride.

Paintings in this room

Venus and Mars
Venus and Mars
Sandro Botticelli
The Combat of Love and Chastity
The Combat of Love and Chastity
Gherardo di Giovanni del Fora
Portrait of a Young Man in Red
Portrait of a Young Man in Red
Domenico Ghirlandaio
The Story of the Schoolmaster of Falerii
The Story of the Schoolmaster of Falerii
Attributed to the Master of Marradi
The Story of Griselda, Part II: Exile
The Story of Griselda, Part II: Exile
Master of the Story of Griselda
Apollo and Daphne
Apollo and Daphne
Antonio del Pollaiuolo

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