Room 17a

Dutch Mannerism and Flower Painting

The Utrecht painter Joachim Wtewael was among the most sophisticated of the Dutch Mannerists, as can be seen in his Judgement of Paris: the decorative colours and the contorted poses of the goddesses are characteristic of this style. Mannerism gave way to more naturalistic painting during the 17th century and the transition is evident in Wtewael’s realistically described animals and flowers.

In Roelandt Savery’s richly detailed compositions, the biblical or mythological story plays a minor part. It is the dramatic scenery and exotic wildlife that take centre stage. Savery’s work was important in the development of several genres, including landscapes, animal paintings and floral still lifes. Perfectly realised paintings of flowers became highly desirable at this time. While appreciated for their beauty and exquisite technique, such images sometimes also worked as vanitas images, reminding the viewer of the ephemeral nature of life.

Paintings in this room

Interior of St Cunerakerk, Rhenen
Interior of St Cunerakerk, Rhenen
Bartholomeus van Bassen
A Still Life of Flowers in a Wan-Li Vase
A Still Life of Flowers in a Wan-Li Vase
Ambrosius Bosschaert the Elder
Flowers in a Glass Vase
Flowers in a Glass Vase
Ambrosius Bosschaert the Elder
Flowers in a Glass
Flowers in a Glass
Roelandt Savery
Orpheus
Orpheus
Roelandt Savery
The Courtyard of a Renaissance Palace
The Courtyard of a Renaissance Palace
Hendrick van Steenwyck the Younger
The Judgement of Paris
The Judgement of Paris
Joachim Wtewael

Items in the shop

 
  • Share