'Marriage A-la-Mode' was the first of Hogarth's satirical moralising series of engravings that took the upper echelons of society as its subject. The paintings were models from which the engravings would be made. The engravings reverse the compositions.
After the death of the old Earl the wife is now the Countess, with a coronet above her bed and over the dressing table, where she sits. She has also become a mother, and a child's teething coral hangs from her chair.
The lawyer Silvertongue invites her to a masquerade like the one to which he points, depicted on the screen. A group of visitors on the left listen to an opera singer, possibly a castrato, accompanied by a flautist.
An African page on the right unpacks a collection of curiosities bought at auction, including a figure of Actaeon. The paintings on the right wall show 'Lot and his Daughters' and 'Jupiter and Io' (after Correggio). On the left wall is a portrait of the lawyer and 'Rape of Ganymede' (after Michelangelo).