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In this grisaille sketch eastern hunters on horseback attempt to fight off a lion who tries to drag one of them to the ground. Another figure kills a lion on the ground and a corpse lies beneath the horses. A slightly altered arrangement of the central group appears in the upper right. There is no literary source for this violent study, but there are a number of visual precedents, notably by Leonardo.
The central group of the rider being pulled from his horse was reused by Rubens with variations in a finished painting of a lion hunt (Munich, Alte Pinakothek). Three other works of this type by the artist are known (Musée de Bordeaux, destroyed, Dresden, Rennes). A number of Rubens's study of works after Leonardo's fresco of 'The Battle of Anghiari' which was destroyed in 1557. A drawn version of it by the artist (Paris, Louvre) was based upon Lorenzo Zacchia's engraving of the work of 1558.
The central group of the rider being pulled from his horse was reused by Rubens with variations in a finished painting of a lion hunt (Munich, Alte Pinakothek). Three other works of this type by the artist are known (Musée de Bordeaux, destroyed, Dresden, Rennes). A number of Rubens's study of works after Leonardo's fresco of 'The Battle of Anghiari' which was destroyed in 1557. A drawn version of it by the artist (Paris, Louvre) was based upon Lorenzo Zacchia's engraving of the work of 1558.
The National Gallery, Trafalgar Square, London WC2N 5DN



