CloseZoom In
 
 
Zoom Out
Paolo Veronese: 'Allegory of Love, IV ('Happy Union')'
This painting is part of the group: Four Allegories of Love

Explore the paintings

A couple are united at the hands of a nude woman assisted by a boy – possibly Venus and Cupid, although they lack traits that would identify them securely. The union between the couple is marked by a laurel wreath, signifying their virtue, and an olive branch symbolising peace. The gold chain wielded by the boy probably refers to marriage, while the dog is a symbol of fidelity.

These four paintings are Allegories of Love, each concentrating on a specific aspect. In turn, they seem to deal with ‘Unfaithfulness’, ‘Scorn’‘Respect’ and ‘Happy Union’, although their precise meanings remain unclear and have been much debated. The costumes and hairstyles may indicate a date in the 1570s.

They were probably made to decorate a ceiling and form a complete series. We do not know who commissioned them, but their presence in 1648 in the Prague Castle suggests that it may have been one of the Holy Roman Emperors, Ferdinand I (died 1564) or Maximilian II (died 1576), or a wealthy patron at the court. Alternatively, they may have been painted for a location in Venice, as two details from them are recorded in the famous sketchbook that Van Dyck kept in Italy between 1621 and 1627.

Other paintings in this group: Four Allegories of Love

Unfaithfulness
Paolo Veronese
about 1575
Unfaithfulness
Scorn
Paolo Veronese
about 1575
Scorn
Respect
Paolo Veronese
about 1575
Respect

 
  • Share