| Preview | Paintings | Artist name |
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Imitator of Andrea Mantegna
perhaps 1460-1550 |
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Imitator of Andrea Mantegna
perhaps 1460-1550 |
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Imitator of Andrea Mantegna
perhaps 1460-1550 |
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Imitator of Andrea Mantegna
perhaps 1460-1550 |
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Follower of Sandro Botticelli
probably about 1490-1550 |
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Studio of Bonifazio di Pitati
early 16th century |
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After Bonifazio di Pitati
early 16th century |
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After Correggio
16th century |
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French (?)
probably 16th century |
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French (?)
probably 16th century |
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French, Fontainebleau School
16th century |
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Follower of Giorgione
early 16th century |
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Circle of Jan Gossaert
early 16th century |
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Follower of Jan Gossaert
early 16th century |
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Italian
early 16th century |
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Italian, Florentine
perhaps about 1500-40 |
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Italian, Venetian
16th century |
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Liberale da Verona
early 16th century |
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Workshop of Bernardino Luini
early 16th century |
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After Bernardino Luini
early 16th century |
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Quinten Massys
probably about 1500-50 |
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After Quinten Massys
probably about 1500-50 |
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After Quinten Massys
probably about 1500-50 |
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Jan Mostaert
early 16th century |
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Netherlandish
early 16th century |
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Netherlandish
16th century |
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Netherlandish
16th century |
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Netherlandish
early 16th century |
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Style of Nicolas de Neufchâtel
16th century |
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Attributed to Palma Vecchio
early 16th century |
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Follower of Pietro Perugino
perhaps about 1500-50 |
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Portuguese
early 16th century |
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Attributed to Jan Provoost
early 16th century |
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Imitator of Raphael
early 16th and late 19th century |
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Workshop of Andrea Solario
early 16th century |
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After Titian
probably 16th century |
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Andrea and Raffaello del Brescianino
1506-45 |
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Style of Bernaert van Orley
1515-41 |
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Italian, Ferrarese
1520-50 |
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Giovanni Antonio Sogliani
probably about 1520-40 |
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Italian, North
about 1525-1600 |
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After Joos van Cleve
probably 1525-50 |
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Attributed to the Workshop of the Master of the Female Half-Lengths
about 1525-50 |
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Style of the Master of the Female Half-Lengths
about 1525-50 |
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Workshop of Master of the Female Half-Lengths
about 1525-50 |
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Workshop of the Master of the Female Half-Lengths
about 1525-50 |
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Netherlandish
about 1525-50 |
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Attributed to Sodoma
probably about 1525-50 |
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Attributed to the workshop of Pieter Coecke van Aalst
1527-50 |
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Bartholomeus Bruyn the Elder
probably 1530-40 |
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Dosso Dossi
probably 1530-42 |
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Gaudenzio Ferrari
1530-46 |
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Gaudenzio Ferrari
1530-46 |
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German, South
about 1530-40 |
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Italian, North
about 1530-40 |
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Follower of Titian
probably 1530-1600 |
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Attributed to Corneille de Lyon
1534-74 |
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Attributed to Corneille de Lyon
1534-74 |
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Attributed to Corneille de Lyon
1534-74 |
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Attributed to Bernardino da Asola
about 1535-50 |
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Italian, Florentine
about 1535-50 |
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Giovanni Girolamo Savoldo
about 1535-40 |
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Sodoma
probably about 1535-45 |
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Lucas Cranach the Elder
1537-50 |
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Attributed to Bernardino da Asola
1540s |
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Bronzino
probably about 1540 |
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Attributed to Giovanni Cariani
about 1540 |
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Martin van Heemskerck
about 1540 |
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Martin van Heemskerck
about 1540 |
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Martin van Heemskerck
about 1540 |
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Marinus van Reymerswaele
about 1540 |
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Moretto da Brescia
about 1540 |
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Moretto da Brescia
about 1540 |
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Moretto da Brescia
about 1540-5 |
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Moretto da Brescia
about 1540 |
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Moretto da Brescia
about 1540 |
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Moretto da Brescia
about 1540 |
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Moretto da Brescia
about 1540 |
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Moretto da Brescia
about 1540-5 |
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Netherlandish (?)
about 1540 |
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Attributed to Girolamo Romanino
about 1540 |
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Sebastiano del Piombo
1540s |
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Attributed to Sebastiano del Piombo
about 1540 |
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Follower of Sodoma
probably about 1540-60 |
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Lambert Sustris
about 1540-55 |
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Titian and workshop
begun about 1540-3, completed about 1550-60 |
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Jacopo Bassano
about 1544-5 |
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Girolamo da Carpi
probably about 1545-50 |
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Italian, Florentine
about 1545 |
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Moretto da Brescia
about 1545 |
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Jakob Seisenegger
about 1545-50 |
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Attributed to Jacopo Tintoretto
about 1545 |
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Style of Jan Cornelisz. Vermeyen
about 1545-50 |
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Lorenzo Lotto
completed 1547 |
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Andrea Schiavone
probably about 1548-50 |
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Paolo Veronese
about 1548 |
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